All Those Moments

Benji and Luke discuss Lance Oppenheim’s Primetime, the filmmaker’s first narrative feature film, in which his muse, Chris Hansen, has been gifted with renewed relevance despite his grievance tour. Spoiler: Benji liked Primetime so much he saw it three times.

The conversation begins with an examination of David Osit’s documentary Predators (2025) and Luke Dittrich’s Esquire article “Tonight on Dateline, This Man Will Die”, two absolutely essential pieces of context for understanding Hansen and the legacy of To Catch A Predator.

They then break down Oppenheim’s fever-dream portrait of Hansen's ascending celebrity built on a TV show template of performative justice.

Finally, they discuss the film’s connections to post-9/11 America, Robert Pattinson’s brilliant and unsettling performance, and their final thoughts about Oppenheim's first narrative fiction feature.

Warnings: Spoilers throughout after 12 minutes. Also, this episode contains direct discussion of suicide.

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CHAPTERS:

00:00 Primetime (2026), Predators (2025), and our first reactions

04:31 Lance Oppenheim, the filmmakers, and the cast

09:15 Why David Osit's Predators changed our reading of Hansen

22:19 Robert Pattinson channeling Lestat as celebrity-addled Hansen

38:03 The Society of Chris Hansen's Spectacle

54:32 To Catch A Predator on the road in Texas

1:03:38 Dan Plum becomes Hansen & the Murphy, TX sting collapses into tragedy

1:26:30 Final thoughts, Primetime's technical formats, and fever-dream favorites

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Isabel Hagen joins Benji for an in-depth conversation about her career as a performing artist and her debut movie, On A String. From Juilliard-trained violist to standup comedian and now filmmaker, Hagen will complete the year 2026 with her first feature film as well as her first comedy special, Live At The Bitter End.

Benji talks with Isabel about growing up in a musical family in Lower Manhattan, attending Juilliard, discovering stand-up comedy, and turning her experiences as a working violist into the narrative spine of On A String. They also get into the influence of films like Happiness, Frances Ha, and Inside Llewyn Davis. Other topics include the realities of the gig economy, the film’s depiction of women enduring insecure men, and the balance between comedy and classical music that runs throughout Isabel’s work.

Later, they dig into some of the film’s best moments, including Dylan Baker’s connection to Happiness, Jamie Lee and the infamous sheet scene, Fred Weller’s guitar performance, the quartet’s climactic escape, Beethoven’s Seventh Symphony, and the real-life encounter that inspired the film’s final scene.

Spoiler warning: The second half of the conversation discusses specific scenes and the ending of On a String.

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CHAPTERS

00:00 Isabel Hagen and On a String

04:48 Juilliard, stand-up and growing up in Manhattan

14:22 How On a String began

24:01 The gig economy of a working classical musician

28:45 Women, insecure men and dating in New York

35:41 Todd Solondz's Happiness, Dylan Baker, and the film’s influences

41:37 Carl, the guitar and “plausible deniability”

55:14 The true story behind the film’s final scene

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Watch Isabel Hagen's comedy special, Live At The Bitter End

Cover photo: Arin Sang-urai

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When we first saw the trailer for Tony, expectations were low. It looked like a biopic-by-numbers movie about “the coming of age of a future celebrity.” Instead, it's a deeply human portrait of a chapter in Bourdain's life constructed with humor, love, and collaborative invention from director Matthew Johnson.

In this episode, we break down Johnson’s evolution as a filmmaker, Dominic Sessa’s performance as a young Anthony Bourdain, and a movie built around self-invention and pathological lying all in the pursuit of finding meaning (and trade and family and purpose). We also compare Tony to Johnson's previous feature, BlackBerry (2023).

And finally, Benji tells the story of meeting Anthony Bourdain in Livingston, Montana, in 2009.

CHAPTERS:

00:00 First reactions to Tony

06:07 Dominic Sessa as a young Bourdain

12:56 Matthew Johnson, BlackBerry and the filmmakers behind Tony

25:16 The real Anthony Bourdain, Nancy, and Kitchen Confidential

31:36 Tony as a pathological liar

40:55 The Flagship, Sal, and Bourdain wielding nunchuks

48:59 The Lying Montage

55:26 Kitchens, male culture, and malevolent bonding

58:48 Benji meets Anthony Bourdain

01:05:51 The legacy of Bourdain

01:10:42 Another excellent coming of age movie: This Boy’s Life (1993)

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Director Cole Webley joins All Those Moments to discuss his devastating and deeply human film, Omaha, starring John Magaro. Benji talks to Cole about growing up in Central Washington, making movies while raising a family, depicting scarcity on screen, and the emotional ending of Omaha.

They also discuss working with child actors and how this movie explores humbling experiences of parenting while quietly celebrating the kindness of strangers. The conversation also explores masculinity, grief, and what it means to ask for help.

It's one of our favorite conversations we’ve had on the podcast.

CHAPTERS

0:00 - Introducing Omaha & Cole Webley

2:27 - Audience reactions & emotional responses to the film

11:51 - John Magaro, family, and Cole Webley’s filmmaking background

25:47 - Spoiler discussion begins: road trip structure & a hidden destination

39:24 - A controversial scene, judgment, and parenting

56:10 - The ending of Omaha explained: “I’m going to need some help.”

1:08:00 - Kindness, Masculinity, & Asking for Help

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In this episode of the show, we dive into Mother Mary, David Lowery's allegorical character study about creativity, betrayal, and the ghosts we carry with us.

We discuss Lowery’s maximalist approach, the central relationship between Mother Mary and Sam, and why this director's ninth feature film plays more like a black box love story than a horror film.

Along the way, we explore the meaning of the red “ghost,” the role of performance and religion, and how the film turns trauma into art and art into healing.

CHAPTERS:

00:00 First reactions & what the movie tried to do

03:49 Setup: logline, key cast & Lowery’s approach

14:11 Mary & Sam: tension, staccato / legato dialog, a broken creative partnership

25:25 The musicless dance sequence

30:50 The red ghost and shared trauma

38:22 The ritual & the meaning of the red dress

43:09 Ending explained & Mary's final performance

45:11 Audience reactions & interpretations

54:25 Lowery’s films as “ghost stories”

56:42 Final thoughts

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Project Hail Mary is part sci-fi blockbuster and part screwball comedy that still observes the hard science source material from Andy Weir.

In this episode of All Those Moments, we talk about why this movie is an antidote to our cynicism, how its dual-timeline structure keeps the story moving, and why the relationship between Grace and Rocky becomes the emotional and intellectual core of the film. Along the way, we break down the astrophage premise, the science behind the mission to Tau Ceti, and how the movie pulls off one of the most effective buddy movies in all of Lord & Miller's filmography. Yes, including Benji's favorites, 21 & 22 Jump Street.

We also get into the tonal balancing act between the comedy and the existential stakes, the decision to use practical effects for Rocky (and why that might have been a billion dollar decision), the agency and ethics of Grace's big decision, and whether the ending actually works.

0:00 Episode Setup

2:55 First Impressions

6:00 The Sci-Fi Premise Explained

12:10 Earth Timeline & Backstory Discovery

22:00 First Contact at Tau Ceti

33:00 Meeting Rocky

48:30 Solving the Astrophage Crisis Together

1:01:00 The Ending, Sacrifice, and Final Thoughts

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The story of Hind Rajab can never be ignored and it should never be forgotten. Kaouther Ben Hania's film, The Voice of Hind Rajab, is an imperfect but essential document that turns the details of what has happened to more than 20,000 children in Gaza since the end of 2023 into an intimate rendering of human anguish. Benji and Luke watched this movie during the week that Neil Patrick Harris talked about being "interested in things that are apolitical." The Voice of Hind Rajab, conversely, provokes conversations about the role of politics in art and cinema. After all, isn't art without politics just decoration? Or, as Ben Hania put it recently, "Cinema is not just image laundering."

Benji and Luke start their conversation with an introduction to the filmmaker, Ben Hania, and her previous work with Four Daughters (2023) as well as its similarities to The Voice of Hind Rajab. They then describe key moments from the movie and react to the filmmaking, narrative structure, and the real life events depicted in the story. They finish the podcast with their thoughts about recent developments as America and Israel have started a war against Iran and the implications for an ongoing genocide in Gaza.

Hosts:

Benji Wade

Luke Baumgarten

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Thank you to Mitch Davis for the artwork and Lucid Terminal for the theme song.

Benji and Luke start the show with describing their expectations for the movie No Other Choice based on their familiarity with Park Chan-wook's previous work. They then begin the spoiler-filled section of their conversation with audience responses to the movie and an introduction of the themes of No Other Choice, including its critique of neoliberalism, large language models, and the role of the Moloch theory as a way of understanding the phrase 'no other choice.' They also give breakdowns of key scenes, the incredible performances from Son Ye-jin and Lee Byung-hun, and exchange personal anecdotes that relate to the storytelling.

Hosts:

Benji Wade

Luke Baumgarten

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Thank you to Mitch Davis for the artwork and Lucid Terminal for the theme song.

Benji and Luke start season two of the podcast by catching up on news from the movie industry, including the announcement of Jess Walter's bestselling novel So Far Gone coming soon to Netflix. They also discuss an essay from A.S. Hamrah in the New York Review of Books on the state of contemporary film criticism. Then, they look back at the nine movies they've covered on the podcast in 2025 before catching up on all the movies they watched to close out the year, including a lengthy discussion of Marty Supreme. Finally, they preview the year ahead for the podcast and announce the first movie they will feature in 2026.

CHAPTERS:

00:00 - Intro of the podcast and a preview of the episode

03:54 - Industry news including Jess Walter's book coming to Netflix, A.S. Hamrah's excellent piece on film criticism and how that relates to the silly discourse around One Battle After Another

28:25 - Benji and Luke review the nine movies from the first year of the podcast and the reception and discourse surrounding movies like Marty Supreme and One Battle After Another

35:00 - Benji and Luke revisit the movies seen since recording the last episode: Bring Her Back, The Ballad of Buster Scruggs, The Worst Person in the World, Materialists, Three Billboards Outside Ebbing, Missouri, Jockey, Sing Sing, Zootopia 2, Wake Up Dead Man, Jay Kelly, and Sentimental Value

49:10 - An extensive discussion of Marty Supreme, its reception, and rumors of director Josh Safdie's alternative ending - A VAMPIRE?!

1:05:24 - Benji and Luke preview 2026 for the podcast and announce the first movie they will screen and discuss for season two

Hosts:

Benji Wade

Luke Baumgarten

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Thank you to Mitch Davis for the artwork and Lucid Terminal for the theme song.

Benji is joined by cinematographer Adolpho Veloso to discuss his work on Train Dreams (2025) and Jockey (2021). The conversation starts with Veloso describing life growing up in São Paulo and his love of cinema. Benji then asks Veloso about the filmmakers who inspired him, including César Charlone and Rodrigo Prieto. They then discuss Veloso’s first collaboration with director Clint Bentley and actor Clifton Collins, Jr. on the 2021 drama, Jockey. This discussion is followed by a breakdown of Veloso’s work on Train Dreams, including the artistic approach, challenges, and filming within sets built on location in Spokane and near the Idaho border. Finally, they talk about the incredibly warm reception of Train Dreams among audiences and critics alike and what’s next for Veloso’s career.

Host:

Benji Wade

Guest:

Adolpho Veloso, ABC AIP

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Thank you to Mitch Davis for the artwork and Lucid Terminal for the theme song.

Benji and Luke are joined by award-winning novelist Jess Walter. Born and raised in Spokane, Jess has written several novels set in the Inland Northwest, including The Cold Millions. They begin the episode with an exploration of Jess's background, including his relationship with Denis Johnson, the author of the novella Train Dreams. Jess offers insights and perspectives about the practice of his works being adapted for the screen. Then, they dive deep into the moments from the movie including key distinctions between the movie and the book. Finally, they wrap up the episode with their overall thoughts about Clint Bentley's Train Dreams and the meaning it has to the city of Spokane.

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00:00 - Intro of the podcast and guest Jess Walter

07:42 - Jess describes how historical, real-life figures are used in The Cold Millions as well as Train Dreams

11:16 - Luke asks Jess questions about his career going from reporter to novelist to having his nonfiction book, Ruby Ridge, adapted into a CBS miniseries starring Randy Quaid, Laura Dern, and Kirsten Dunst

13:36 - A discussion of expectations going in and general impressions of the movie Train Dreams23:04 - A brief background on the filmmakers behind Train Dreams

26:52 - A deep dive into the moments from Train Dreams including audience feedback from our first screening of the movie

1:12:02 - The ending of the movie and Jess's final thoughts about the success of the adaptation of one of his favorite books

1:17:00 - Benji and Luke wrap the episode with their summary of where Train Dreams sits among other movies made in and around Spokane

Hosts:

Benji Wade and Luke Baumgarten

Guest:

Jess Walter

⁠Train Dreams⁠

Director:

Clint Bentley

Starring:

Joel Edgerton, Felicity Jones, William H. Macy

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Thank you to Mitch Davis for the artwork and Lucid Terminal for the theme song.

Benji and Luke start their conversation about The Mastermind by describing their familiarity with director Kelly Reichardt's films and her history as a hero of American slow cinema. They then provide background and details about Reichardt's creative collaborators and the logline for The Mastermind before diving deep into the moments from the movie including themes, ideas, and thoughts from the audience at their screening. Finally, they wrap up the episode with their overall thoughts on The Mastermind and Benji compares it to Reichardt's 2010 film, Meek's Cutoff.

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0:00 Intro

08:11 Kelly Reichardt's history of creative collaborators including production designer Anthony Gasparro and cinematographer Christopher Blauvelt

11:34 The logline for the movie The Mastermind

13:23 The moments from the movie: recap of key plot points, themes, ideas, and thoughts from our audience

1:00:13 The social, political, and cultural moment of The Mastermind and how Kelly Reichardt's period piece about 1970 is a hilarious tragicomedy that dunks on privileged American white men

Hosts:

Benji Wade and Luke Baumgarten

The Mastermind (2025)

Director:

Kelly Reichardt

Starring:

Joshua O'Connor, Alana Haim, Hope Davis, Bill Camp, Gaby Hoffman, John Magaro

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Thank you to Mitch Davis for the artwork and Lucid Terminal for the theme song.

Benji and Luke begin the show by presenting context for Kathryn Bigelow’s career to date and their expectations for her first film since 2017 and her first since 2002 without long-time screenwriter, Mark Boal. They then provide an assessment of the cultural relevance of A House of Dynamite along with a spoiler free plot summary of the movie. They follow with a breakdown of themes and key moments from the movie along with audience feedback from their screening. Finally, they briefly discuss Bigelow’s 2017 movie, Detroit, and use that to set up their takeaways about Bigelow’s role as a Trump era director.

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0:00 Intro

10:19 The cultural relevance of A House of Dynamite

11:27 Spoiler free plot summary

25:07 The moments: themes, ideas, and thoughts from our audience

49:54 Was this movie successful or credible in 2025 America?

53:29 Kathryn Bigelow’s career arc from Obama to Trump

Hosts:

Benji Wade and Luke Baumgarten

A House of Dynamite (2025)

Director:

Kathryn Bigelow

Starring:

Rebecca Ferguson, Idris Elba, Anthony Ramos, Jared Harris

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Thank you to Mitch Davis for the artwork and Lucid Terminal for the theme song.

3D artist and filmmaker Julian Glander joins Benji and Luke for a conversation about Julian's background, influences, and the origin of why he wanted to make the animated film, Boys Go to Jupiter. He also shares stories about spending his teenage years in Florida and how those experiences shaped his perception of American life for millennials. Then, Benji and Luke play audio clips of audience feedback from their screening of Boys Go to Jupiter and discuss these moments with Julian. The podcast concludes with a discussion of the relationship between Boys Go to Jupiter and The Florida Project, in particular each film's critique of American dream--peddling capitalism.

00:00 - Benji and Luke talk about their immediate impressions of the movie Boys Go to Jupiter before introducing their guest, writer and director Julian Glander

08:22 - Julian’s background as a 3D artist and animator, his role as writer, director, AND musician on the movie, and how he financed it the project

24:58 - The places around the eastern side of the U.S. where Julian has lived and how regional cultures influenced his storytelling

36:04 - Julian gives feedback to the audience comments from the screening of his movie

1:02:22 - Benji and Luke reflect on their conversation with Julian before wrapping up their thoughts about the movie and the audience feedback

1:10:17 - An intertextual comparison of Boys Go to Jupiter to Sean Baker’s 2017 film, The Florida Project

Hosts:

Benji Wade and Luke Baumgarten

Guest:

Julian Glander

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Thank you to Mitch Davis for the artwork and Lucid Terminal for the theme song.

Hosts Benji Wade and Luke Baumgarten are joined by filmmaker Carson Lund, writer and director of Eephus. After premiering at the Cannes Film Festival Director’s Fortnight in 2024 and releasing in theaters in 2025, Eephus has become one of the year’s most acclaimed films, ranking near the top of the year's best list on Rotten Tomatoes among critics.This is not a typical interview. It’s a wide-ranging conversation that touches on both the challenges and joys of producing independent films.

Carson shares stories about making his debut feature, the quirks of shooting a baseball game across shifting daylight, and the details of financing films with help from supporters like Chapo Trap House. We also dive into Carson's influences (Hollis Frampton, James Benning, Liu Jiayin), his thoughts on modern film criticism, and his upcoming project about a candlepin bowling alley, another film that will contemplate the loss of communal spaces.Whether you’re a cinephile, indie filmmaker, or just curious about the creative process, this episode is a thoughtful deep dive into the thoughts, feelings, and ideas of a talented young storyteller and filmmaker.

Highlights of the conversation include:

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How Eephus resonates with film critics, baseball fans, and lovers of cinema

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Carson’s influences, from Hollis Frampton and James Benning to Liu Jiayin

•

The challenges of shooting a full baseball game across changing light and weather

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Carson’s background as a film critic and his take on today’s criticism landscape

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Nostalgia, community, and the disappearance of shared rituals in American culture

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The surprising role of Chapo Trap House in financing Eephus

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Carson’s next project: a story about a candlepin bowling alley and vanishing community spaces

•

Why Eephus is both a universal story and a deeply specific portrait of a cultural region

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Thank you to Mitch Davis for the artwork and Lucid Terminal for the theme song.

In Spike Lee’s fifth collaboration with Denzel Washington, Highest 2 Lowest, A$AP Rocky delivers a memorable performance in a forgettable movie. In this episode, Benji and Luke are joined by friend and scholar Inga Laurent to describe why Highest 2 Lowest is a disappointing “reimagining” of Akira Kurosawa’s 1963 masterpiece, High and Low, despite a promising premise and a few great performances. We dive into many of the contentious creative choices, including the loudly mixed musical score, product placement, and insurance company mascots.

We also explore:

Why High and Low has more to say about 2025 than Highest 2 Lowest

The prominence of improv from Denzel Washington and the incredible performances from A$AP Rocky and Princess Nokia

A snapshot of High and Low and a full breakdown of one astonishing scene in particular

Spoiler Warning: This discussion contains spoilers for both Highest 2 Lowest as well as High and Low.

Join us as we go into detail about why we’d recommend skipping Highest 2 Lowest and just watching High and Low instead.

Chapters:

• (00:00) Introduction to the podcast, the two films we will discuss, and our guest, Inga Laurent, along with first impressions of Spike Lee’s movie, Highest 2 Lowest
• (07:34) A discussion of key moments from Highest 2 Lowest in the first hour of the movie: the role of overbearing music, character relationships, David King’s isolated portrait of masculinity, and the ethical dilemma at the heart of the story.
• (29:34) The subway handoff of money to the kidnapper has divided audiences and we describe the many moments that didn’t work, starting with the music and ending all the bad one liners an insurance commercial character, Mayhem.
• (36:11) Our favorite moments of Highest 2 Lowest involved the least experienced actors in the project, A$AP Rocky and Princess Nokia. We also discuss the mano a mano climax of the movie and whether we bought the idea of 68 year-old Denzel Washington.
• (48:04) We compare Highest 2 Lowest’s conclusion unfavorably to Akira Kurosawa’s High and Low, in particular the latter’s critique of capitalism and social stratification which is missing from Spike Lee’s movie and seems to be replaced by ideas that resemble prosperity gospel.
• (58:40) Benji provides the plot summary of High and Low, including a breakdown of a three minute scene to begin the third act. We then provide our reasons for finding Highest 2 Lowest disappointing, especially when compared to High and Low. Finally, Luke and Inga talk about a movie they’d like to see involving A$AP Rocky’s character, Yung Felon, before Benji concludes the podcast with a few movie recommendations.

Highest 2 Lowest

Director: Spike Lee

Starring: Denzel Washington, Jeffrey Wright, A$AP Rocky

Cinematographer: Matthew Libatique

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Thank you to Mitch Davis for the artwork and Lucid Terminal for the theme song.

Several generations throughout the world have responded to Amy Berg’s movie by affirming the accuracy of its title: It’s Never Over, Jeff Buckley. This is a stunningly beautiful portrait of Buckley as an artist and human being and that’s true whether you learned about Buckley through his cover of Leonard Cohen’s Hallelujah or, like David Bowie, think Grace is “the best album ever made.” In this episode of the podcast, Benji and Luke have a conversation with director Amy Berg, then discuss their thoughts and feelings about moments from the movie. They also include audience responses from the evening of the movie’s theatrical release.

• 00:00 - Benji and Luke discuss their experience of Jeff Buckley’s 1994 album, Grace, and introduce the moment of choosing Amy Berg’s latest movie - “It’s Never Over, Jeff Buckley” - to talk about on the podcast. Then, they describe the generations of people in the audience from the screening of the movie as well as Jeff Buckley’s place in contemporary culture.

• 08:36 - We go over the major chapters of Jeff Buckley’s life and key moments from the movie: being raised by a single mom, Mary Guibert, Buckley’s success as an artist and reputation among his peers, and ultimately his tragic death at age 30. Then, an introduction of filmmaker Amy Berg.

• 16:55 - Our interview with filmmaker Amy Berg that includes a discussion of the reception of the movie, the pressures faced by Jeff Buckley, his role as an inspiration and mentor for a younger generation, and Amy’s trilogy of films about musicians: Janis Joplin, Jeff Buckley, and an upcoming project about Chris Cornell. Amy also talks about her relationship to musicians championing vulnerable and exploited groups through her films.

• 41:35 - Luke and Benji reflect on the interview with Amy Berg, including her announcement that she’s working on a Chris Cornell documentary

• 44:42 - Moments from the audience responding to the movie and the music of Jeff Buckley. Topics include: a shared history of absent father figures, insecurity, and emotional sensitivity, disappointment with Buckley’s story, whether we can ever really know a person in relationships, and the wisdom of Buckley in declaring, “Without ordinary life, there can be no art.”

• 58:03 - A discussion of how Jeff Buckley would be received in 2025, especially through social media, and how the death of other famous artists and cultural figures impacted us.

• 1:01:56 - Benji and Luke wrap up with a conversation about the idea of Jeff Buckley as a “circuit” connecting people throughout the world with his music and the legacy of the album Grace.All Those Moments is hosted by Benji Wade and Luke Baumgarten

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It's Never Over, Jeff Buckley (2025)

Director: Amy Berg

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Thank you to Mitch Davis for the artwork and Lucid Terminal for the theme song.

From his thesis film at AFI in 2010 through his fourth movie under the A24 banner in 2025, filmmaker Ari Aster likes to show audiences what happens when our attentions are overtaken by disruptive or disturbing phenomena and what that does to relationships.

The moment was when we learned Ari Aster is just as worried about data centers as we are. The movie is Eddington (2025) and the story is presented as a modern western with a thinly defined good guy and bad guy while the real villain glows patiently on the edge of town. WARNING: This episode is filled with Ari Aster movie spoilers, including Hereditary, Midsommar, Eddington, and The Strange Thing About the Johnsons.

Hosts: Benji Wade & Luke Baumgarten

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Eddington (2025)

Starring: Joaquin Phoenix, Pedro Pascal, Emma Stone, Deirdre O'Connell

Director: Ari Aster

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Thank you to Mitch Davis for the artwork and Lucid Terminal for the theme song.

The moment: our middle aged friends of the South Hill Turkeys expressed interest in watching a movie about middle aged dudes playing their last baseball game in a movie produced by the founders of one of our favorite podcasts. The movie is Eephus (2024), which premiered at Cannes and has earned every single plaudit thrown its way. The story is about letting go of something meaningful being taken away and wondering what, if anything, might replace it. It’s one of the best movies we’ve seen in years and one of the best baseball movies ever made.

In this episode, Benji and Luke explore the quiet but hilarious brilliance of Eephus, a slow cinema masterpiece from Carson Lund and Omnes Films that reflects on community, memory, and America’s fading rituals and loss of civic spaces.

Hosts: Benji Wade & Luke Baumgarten

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Eephus (2024)

Starring: Keith William Richards, Frederick Wiseman, Cliff Blake, Ray Hryb, Bill “Spaceman” Lee

Director: Carson LundWriter: Michael Basta, Nate Fisher, Carson Lund

Producer: Michael Basta, David Entin, Tyler Taormina, Michael Richter

Production Designer: Erik Lund

Cinematographer: Greg Tango

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Follow the podcast on Instagram:

⁠https://www.instagram.com/allthosemomentspod/⁠

Follow the podcast on YouTube:

⁠https://www.youtube.com/@AllThoseMomentsPod⁠

Thank you to Mitch Davis for the artwork and Lucid Terminal for the theme song.

The moment was when two professional soccer teams were started in Spokane, a midsize working class city in the Pacific Northwest. The movie is The Damned United (2009), an insanely entertaining portrait of legendary English manager Brian Clough. The story includes a wild decade of Clough’s career, including his time winning a championship with Derby County FC, a midsize working class city in the middle of England. Our guest is 4x Academy Award nominee and BAFTA winning production designer Eve Stewart.

Hosts: Benji Wade & Luke Baumgarten

Guest: Eve Stewart

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The Damned United (2009)

Starring: Michael Sheen, Timothy Spall, Colm Meaney

Director: Tom Hooper

Producer: Andy Harries

Writer: Peter Morgan

Production Designer: Eve Stewart

Cinematographer: Ben Smithard

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Follow the podcast on Instagram:

https://www.instagram.com/allthosemomentspod/

Follow the podcast on YouTube:

https://www.youtube.com/@AllThoseMomentsPod

Thank you to Mitch Davis for the artwork and Lucid Terminal for the theme song.