Little Gold Men by Vanity Fair

As Hollywood’s legacy studios struggle to adapt to a changing industry, independent film distributors are gaining ground. This week, Vanity Fair staff writer Savannah Walsh joins Rebecca and John to look at how A24, NEON, and Mubi became major players in the movie business. They also discuss the next wave of indie companies, including Black Bear and Sumerian Pictures, and debate what their growth means for the future of moviegoing.

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The Little Gold Men inbox is overflowing! This week, Vanity Fair Staff Writer Chris Murphy joins Rebecca and John to answer your questions about The Odyssey's Oscar prospects, the ins and outs of awards campaigning, and Tom Holland's future beyond Spider-Man. Plus, the group shares their predictions for next year’s Sundance lineup.

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The films generating the most buzz right now aren’t big-budget blockbusters – they’re documentaries. To understand why, Rebecca, John, and VF Features Editor Hillary Busis discuss three provocative new docs: NAZA, an investigation into Israel's war in Gaza; Alex Gibney's four-hour Elon Musk exposé; and Nathan Fielder and Lance Oppenheim's mind-bending Elizabeth Holmes documentary, You Can See Everything. They also reflect on how the nonfiction film business has changed and whether the Academy will embrace this year's most talked-about docs.

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It’s been a whirlwind week in Hollywood, from the Emmys’ move to streaming and major premieres at the New York Film Festival to the newly official Warner Bros.–Paramount merger. Rebecca and John break down what it all means before turning to Digger, Tom Cruise’s first non-action movie in 15 years. VF Features Editor Hillary Busis joins them to unpack Alejandro G. Iñárritu’s critically savaged, box-office-challenged new film and debate whether Cruise’s performance is still strong enough to keep him in the Oscar race.

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Sixteen years after The Social Network introduced moviegoers to the dark side of Facebook’s founding, Aaron Sorkin is taking on the company again—this time as both writer and director—with The Social Reckoning. The film follows whistleblower Frances Haugen (played by Mikey Madison) as she exposes what Facebook knew about its own role in the spread of misinformation and political polarization. Rebecca and John discuss Jeremy Strong’s uncanny transformation into Mark Zuckerberg, debate whether the new film can escape the very long shadow of its predecessor, and ask what makes The Social Network hold up so well. Plus, they share their picks for the October movies you won’t want to miss.

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The fall film festivals are officially behind us, which means it’s time to start making some Oscar predictions we may or may not regret. Vanity Fair Features Editor Hillary Busis joins Rebecca and John to recap the biggest takeaways from TIFF, including La Bola Negra’s big win and whether I Play Rocky can actually go the distance. Then, the group compares their Best Picture prediction lists, revealing plenty of overlap and a few surprising disagreements.

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The 2026 Emmys happened Monday night, so Little Gold Men is coming to you early this week to break down the biggest wins, losses, and surprises of the evening. Rebecca, Hillary, and Vanity Fair executive editor Maggie Coughlan dig into Widow’s Bay’s massive sweep, celebrate Rhea Seehorn’s long-awaited Emmy win, and consider what this year’s results tell us about the Television Academy’s evolving tastes. They also weigh in on the best (and most baffling) looks of the night.

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Rebecca and John are back from the Colorado mountains and Chris Murphy is fresh off the Lido, so it’s time to take stock of the first two major stops in fall festival season. The group discusses the films that soared, the docs that shocked, and the performances that could be headed all the way to the Oscars. Plus, Rebecca reveals just how far she went to uncover Telluride’s top-secret screening.

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The Emmys are almost here, which means it’s time to put our predictions – and our reputations – on the line. Vanity Fair features editor Hillary Busis joins Rebecca and John to break down the toughest races of the night, from the crowded comedy categories to a showdown in Lead Actress in a Drama. Then, the group makes the case for the long-shot contenders they’d most like to see take home a trophy.

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A bonus episode from our friends at WIRED's Uncanny Valley.

The hit HBO Max comedy series Hacks follows the tumultuous relationship between a young comedy writer Ava Daniels (Hannah Einbinder) and legacy comedian Deborah Vance (Jean Smart). The show has also had a lot to say about the business of show business. Creators Paul W. Downs and Lucia Aniello join Katie to talk about writing the series, corporate censorship, and why they find AI “deeply disturbing.”

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This week, Rebecca and John discuss the behind-the-scenes drama surrounding the film adaptation of Tomi Adeyemi’s Children of Blood and Bone and the long, complicated history of authors clashing with Hollywood over adaptations of their books. Then, Rebecca catches up with Wonder Man star Yahya Abdul-Mateen II about the surprise cancellation of the series after its first season. They also discuss Abdul-Mateen’s theater background and evolving relationship to watching his own work.

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The mailbag is open! This week, Rebecca and John answer your questions about this year’s Best Actress race, how to make the most of Telluride, and so much more. Then, John talks to Widow’s Bay creator and showrunner Katie Dippold about the inspiration behind the Emmy-nominated horror-comedy series. Stick around till the end for a special round of FMK: Horror Movie edition.

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Jason Bateman has spent much of his career playing the calmest person in the room. But this year, his Emmy-nominated performances in Black Rabbit and DTF St. Louis flip that persona on its head. Rebecca talks with Bateman about embracing more emotionally exposed roles, how he decides which creative hats to wear on a project, and and why hosting SmartLess is the “easiest yet most lucrative” job of his career.

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This week, ​Rebecca, John, and Vanity Fair features editor Hillary Busis each make the case for one television trend they’d happily banish forever, from the airport novel adaptation to the fictionalized true-crime miniseries. Then, after adequate complaining, they discuss the kinds of shows they’d like to see more of, including lower-stakes storytelling and the return of great episodic television.

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This week, Rebecca and John are joined by Vanity Fair features editor Hillary Busis to discuss the recently announced Toronto and Venice Film Festival lineups. They spotlight the movies generating the most buzz and speculate about which might still be headed to Telluride. Plus, a spirited debate over which festival matters most and whether festivals still have the power to launch an Oscar campaign.

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Apple TV netted a personal best 89 nominations and is the third-most-nominated network at this year's Emmy Awards (behind awards behemoths Netflix and HBO). But when the service first launched in 2019, with eight original series and zero back catalog, few would've predicted its current success. VF Special Correspondent Joy Press joins Rebecca and John to dig into the streamer's early fumbles and current hits, and make sense of why a huge tech company is willing to lose so much money making prestige television. Plus, they dig into the Emmys' controversial decision to bump 5 categories from the primetime telecast and the twin Odysseys of Christopher Nolan's blockbuster box office and the WBD/Paramount merger.

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This week, Rebecca and John are joined by Vanity Fair Features Editor (and resident classicist) Hillary Busis to dive in to Christopher Nolan's excellent new film, The Odyssey. First, on the off-chance you don't remember everything about Homer's original from your high school English class, Hillary gives a refresher on the plot points and themes of the epic poem. Then, the group digs in to the new adaptation, the controversies surrounding it, and what the film's quality and reception will mean for its box office and awards future.

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This morning, the Television Academy announced its nominations for this year's Emmy Awards, so Rebecca and John sat down with VF Staff Writer Chris Murphy and Special Correspondent Joy Press to dig into the snubs and surprises of the day. Plus, they chat about the film news that's been percolating over the holiday break, from Luca Guadagnino's Artificial drama to the Obsession box office that keeps on climbing.

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This year’s Emmy nominations won’t be announced until July 8, but that isn’t stopping Little Gold Men from making some bold predictions. Rebecca and John are joined by Hillary Busis and Savannah Walsh for a category-by-category breakdown of the upcoming races. They discuss whether The Pitt will sweep in drama (again), if Widow’s Bay is this year’s sleeper hit, and whether The Bear’s reign may finally be ending. Plus, the under-the-radar contenders Emmy voters shouldn’t ignore.

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"Disclosure Day," Steven Spielberg's latest extraterrestrial-inflected adventure, is drawing his biggest box office in years — all the more impressive given its originality. Critical reception has been largely positive, but is this film a return to form? Rebecca, John, and VF Staff Writer Chris Murphy debate the merits of the film, share their favorite Spielberg titles, and ask whether there's any filmmaker who might take up the mantle of "the next Steven Spielberg."

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