London Review Bookshop Podcast

Jeremy Lee’s smoked eel sandwich became a London sensation when it was introduced at Soho’s Quo Vadis, where Lee is chef proprietor and, amongst other things, led Jay Rayner to call him ‘a rare phenomena in the London food world; a chap everyone agrees is a good thing.’ Now his second cookbook Kitchening (4th Estate) continues his exploration of the two most important things in great cooking: simplicity and deliciousness. Jeremy discussed his philosophy of food with one of the country’s leading food writers Bee Wilson, author of, most recently, The Heart-Shaped Tin (4th Estate).

You can buy a copy of Kitchening from the London Review Bookshop.

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In On Difficulty (Faber), her latest book of non-poetry, poet and essayist Lavinia Greenlaw explores the fascination, terror and opportunity of wrestling with the opaque, the obscure, the complex and the indeterminate. Is poetry really difficult, and do we like it more when it is? Can difficulty provide its own solution? These and other questions are answered by Lavinia Greenlaw in conversation with the artist Mark Wallinger.

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Triage (Allen Lane), Claudia Rankine’s new book, is an unclassifiable piece of writing, blending narrative, criticism and lyricism to create something capable of facing ‘the collective devastation of the present’ (in Saidiya Hartman’s words). Two friends meet in an art gallery after decades of silence: we eavesdrop on their conversation, memories and enduring friendship. Rankine was in conversation with Victoria Adukwei Bulley, whose debut collection Quiet (Faber, 2023) won the Rathbones Folio Poetry Prize.

You can buy a copy of Triage from the London Review Bookshop.

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In Transitions, the latest title in MACK’s ‘Discourse’ series writers Sita Balani and Jay Bernard, guided by Stuart Hall’s notion of ‘conjuncture’, draw on literature, social theory, and lived experience to offer an urgent account of our fractured present. Their dialogue takes in Britain’s colonial past, the advent of AI and the legacy of extractive capitalism to ask the urgent question: what does it mean to be human in a political culture determined to devalue the Humanities? Their conversation is chaired by Sana Goyal, editor of Wasafiri.

More from the Bookshop:

Discover our author of the month, book of the week and more: ⁠https://lrb.me/bkshppod⁠

From the LRB:

Subscribe to the LRB: ⁠⁠⁠https://lrb.me/subsbkshppod

Close Readings podcast: ⁠⁠https://lrb.me/crbkshppod

LRB Audiobooks: ⁠⁠https://lrb.me/audiobooksbkshppod

Bags, binders and more at the LRB Store: ⁠⁠https://lrb.me/storebkshppod

Get in touch: podcasts@lrb.co.uk

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In How to Be Well, journalist and essayist Amy Larocca takes on the behemoth which is the contemporary ‘wellness’ industry, in prose which Joanna Rakoff has described as a ‘magical synthesis of crackerjack reporting, incisive cultural commentary, and, most importantly, elegant, self-reflective memoir’. From active charcoal toothpaste to green juice enemas, Larocca explores the science and history of various controversial treatments, to reckon with the 3.7-trillion dollar industry’s profits and promises.

Larocca was in conversation at the Bookshop with journalist and literary critic Gaby Wood.

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Haitian-American scholar Edna Bonhomme, now based in Berlin, is well placed to unpick what it means to be Black at home and abroad. In Tending to Our Wounds, part memoir, part history, part polemic, she unlearns the lies that she was told about slavery and colonialism, and charts a breathtaking course between the individual and the collective, between past and future, and between oppression and resistance. She was in conversation with Lola Olufemi, author of Feminism for the World, Feminism Interrupted and Experiments in Imagining Otherwise.

You can buy a copy of Tending to Our Wounds from the London Review Bookshop.

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Sex in novels is commonplace, but how do poets write about sex--and is it any good? Join Sarah Howe and Sandeep Parmar for a live recording of the LRB podcast Poetry and the Turning World, with special guests Sophie Robinson (Prairie Oyster) and Oluwaseun Olayiwola (Strange Beach). Poetry and the Turning World is a special short series on the LRB Podcast, looking at the ways in which contemporary poetry deals with our everyday challenges and the wider changes we face globally. Sandeep and Sarah take different themes and explore when and where poetry can be a guiding force for understanding individual and collective experiences. The subjects covered in the series were work, technology, divorce, sex, weather, food and money.

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Holly Pester’s Cafés (Fitzcarraldo) continues the trajectory which, since her debut Comic Timing, has made her one of the most exciting poets writing. An elegy for lost communal space, and a stylish political intervention, Francesca Wade has described Cafés as embodying ‘a public space or a place to hide; to meet friends and strangers or to be alone; Pester's brilliance builds this cafe up and invites us in to linger’. Pester was in conversation with Luke Roberts, lecturer at King’s College London, co-director of the small press Distance No Object, and author of (most recently) Bad Omens (Book Works).

You can buy a copy of Cafés from the London Review Bookshop.

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Shortly after the pandemic lockdown Sara Baume came across a painting in a pop-up exhibition in a renovated West Cork shed. Fascinated by it, she became determined to make the painter’s acquaintance – although a native of North Dakota the artist Mollie Douthit was now living and working in rural Ireland. Bonded by a common love of nature and a commitment to their respective artistic practices, they began to meet regularly, to talk, to eat and to swim. What would it be like, Baume wondered, to write a book in the style of Mollie’s painting? Opening Night is the result. She was in conversation with Emily LaBarge, author of Dog Days.

You can buy a copy of Opening Night from the London Review Bookshop.

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In a series of provocative essays encompassing Marilyn Monroe, the myth of Apollo and Daphne, octopuses and girlbosses, reluctant heterosexuals, lesbian separatists, and anti-work cats, Sophie Lewis, author of Enemy Feminisms, Abolish the Family, and Full Surrogacy Now, seeks to put the femme back into feminism. In Femmephilia, Sophie Lewis makes the case for the vital importance of politicized femme-ness: a feminism that is self-consciously artificial, extravagant in its erotic and political appetites, and staunchly anti-work, abolitionist, and utopian. She was in conversation with novelist and poet, Keiran Goddard, author of Hourglass and I See Buildings Fall Like Lightning.

You can buy a copy of Femmephilia from the London Review Bookshop.

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To call Elizabeth Bishop one of the greatest female American poets of the 20th century is to make too many qualifications. Increasingly, critical opinion has converged with Dwight Garner’s assertion that she was perhaps ‘the most purely gifted poet of the 20th century’. To mark the publication of his new book, Elizabeth Bishop’s Styles of Writing, Andrew Dickinson was in conversation with the poet and critic Peter McDonald. Poet Mark Ford, actor Juliet Stevenson and writer Lamorna Ash will also read from a selection of Bishop’s work.

You can buy a copy of Elizabeth Bishop’s Styles of Writing from the London Review Bookshop.

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Historian Colin Grant and WritersMosaic writers have travelled the length and breadth of the country to gather the voices and experiences of immigrants living in Britain. In What We Leave We Carry we meet, amongst others, a Czech-Roma lawyer in Reading, an Iranian taxi driver in Shropshire, a Sierra Leonean actor in Northampton, and a Romanian police officer in Edinburgh. Together, these accounts ask questions about assimilation, identity, belonging and the emotional cost of migration in twenty-first-century Britain. Grant was in conversation with the author, broadcaster and former Children’s Laureate Michael Rosen.

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Erin Maglaque’s first book, Presence, explores the hidden history of the female body through deep archival research: fragments in medical texts, trial transcripts, legal treatises, prayerbooks, letters, and diaries come together to make tangible a vanished past, unfamiliar because of its deliberate suppression. The artist Celia Paul has described Presence as ‘a landmark book’, which makes the female body in the past ‘real as never before’. Maglaque was in conversation with Hannah Dawson, a historian of political thought at King’s College London and the editor of The Penguin Book of Feminist Writing.

You can buy a copy of Presence from the London Review Bookshop.

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The kitchen has always been a complex space for women: a place of labour and gendered expectations, as well as a site of nourishment, care and company. But how does this change when you’re alone, not cooking for family or friends, but simply for yourself? In The Spinster Cookbook (Indigo Press) Eli Davies explores what happens when food is uncoupled from domestic duty and romantic relationships and what it means to cook (or not) for yourself and by yourself. Davies was in conversation with Rebecca May Johnson, author of Small Fires and editor at Vittles magazine.

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Rachel Long’s debut collection, My Darling from the Lions (Picador), was nominated for the Forward Prize, the Costa, and the Sunday Times Young Writer of the Year Award. Sparrow on the Rooftop (Chatto & Windus) is the eagerly-awaited follow-up: Saba Sams has described it as ‘gruesome and intimate, alive to the rot, funny’. Long read from the collection and was in conversation with Sarah Howe, poetry editor at Chatto, whose own second collection Foretokens was published last year.

You can buy a copy of Sparrow on the Rooftop from the London Review Bookshop.

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In Michael Bracewell’s new novella The Smiths an anonymous narrator recounts the impact of the iconic pop group on his life. Accompanied by the French actress Carole Bouquet he embarks on a picaresque journey from the old Selfridge Hotel to West Hollywood, via a park bench in Cavendish Square. Deeply romantic and laced with comedy - not unlike the band themselves – The Smiths is an affectionate celebration of a pivotal episode in popular music history. The author read from his work, and discussed it with the novelist and journalist Leo Robson.

You can buy a copy of The Smiths from the London Review Bookshop.

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The poetry of the sixteenth-century Spanish mystic, John of the Cross, has inspired and consoled for hundreds of years, influencing writers from James Joyce to Seamus Heaney, Geoffrey Hill to T.S. Eliot. Dark Night (Penguin Classics) gathers all of John’s poetry, together with a selection of his prose. The book’s translator, poet Martha Sprackland, joined LRB contributing editor James Butler for a discussion of the life and work of John of the Cross, and his abiding influence.

You can buy a copy of Dark Night from the London Review Bookshop.

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Venice, September 1974. A chance meeting between a young English artist and Danilo Donati, production manager for Fellini and Pasolini, leads us into a tale of queer love, political intrigue and brutal murder. Emily Watlington wrote in Art in America ‘In our own era of rising fascism, of increasing violence and conservatism, Laing's novel feels eerily timely.’ To mark the paperback publication of The Silver Book Olivia Laing was reading from their work, and in conversation with Jack Parlett, author of Flamboyance, Fire Island and The Poetics of Cruising.

You can buy a copy of The Silver Book from the London Review Bookshop.

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In Vocal Break: On Women, Music and Power Lauren Elkin uses her own experience of training as a young soprano in the 1990s as a springboard for a powerful investigation of the female voice, from Maria Callas to Beyoncé and beyond. Part manifesto, part cultural history and all full-throated celebration, Vocal Break is a joyous call to arms and hymn of praise. Lauren Elkin was in conversation with writer, academic and broadcaster Shahidha Bari.

You can buy a copy of Vocal Break from the London Review Bookshop.

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Doireann Ní Ghríofa’s new book Said the Dead is part history, part ghost story and part unreliable memoir, exploring the lives, presences and forgotten voices of a derelict Victorian mental asylum in Cork. Ní Ghríofa, whose previous book A Ghost in the Throat won the James Tait Black Memorial Prize, was in conversation with Rachael Allen, author of the poetry collections Kingdomland and God Complex.

You can buy a copy of Said the Dead from the London Review Bookshop.

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