New Books in Communications

Home Team Away: Watching European Football in Urban China(U Michigan Press, 2026) by Dr. Yuan Gong calls for a rethinking of sport fandom that is divorced from an attachment to location. As the first comprehensive account of the European football fandom in China, this book explores how the Chinese middle class subjectivity is formed through the cross-cultural, digital consumption of the Big Five leagues.

Dr. Gong captures the embodied experiences of fans and fan clubs, fan discourses and activities unfolding on digital platforms on Weibo, Weixin, and Hupu, combining fieldwork in Shanghai and virtual ethnography. Dr. Gong argues that Chinese fans’ decisions to follow and engage with European football result from their material conditions, ideological contestation, and technology appropriation as a new demographic bloc arising during China’s transition to authoritarian digital capitalism. By engaging with their home teams away, the Chinese middle class fans perform as citizens with a global vision despite the resurgence of the nationalist and anti-Western sentiments.

This interview was conducted by Dr. Miranda Melcher whosebook focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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Cybersecurity is often presented as a technological challenge: protecting computer networks, preventing attacks and investing in increasingly sophisticated security systems. Yet even the most advanced technology may prove inadequate if organisations cannot interpret threats, communicate their consequences or respond effectively. What role does communication play in building cyber resilience, and why should it matter to business leaders as much as to cybersecurity specialists?

In this episode, Bernardo Bátiz-Lazo speaks with Nina Paine and Ashley Sweetman about Communicating Cyber Risk: Build Cyber Resilience Through Compelling Communication (Kogan Page, 2026). They discuss the book's origins and the distinction between cybersecurity and cyber resilience. Their conversation examines the role of organisational structures and management practices in shaping responses to cyber threats, as well as the challenges of communicating risk across organisational levels.

Particular attention is paid to the financial sector, where banks depend on interconnected technological infrastructures, payment networks and external service providers. The discussion considers what makes cybersecurity particularly challenging in banking, how multinational financial institutions navigate diverse regulatory environments and organisational cultures, and whether lessons from large international banks can be applied to smaller financial institutions and fintech companies.

The interview also addresses the relationship between organisational and systemic resilience. Financial institutions do not operate in isolation, and cyber incidents can have consequences extending well beyond individual firms. This raises questions about the responsibilities of banks, regulators, governments and other participants in the financial system, as well as the challenges of sharing sensitive information across institutional boundaries.

Drawing on the authors' professional experience and their interviews with senior cybersecurity practitioners, the conversation considers what their research reveals about organisational responses to cyber risk and the extent to which these findings can be generalised across different institutional settings.

Ultimately, the book invites readers to think about cybersecurity not simply as a technical responsibility but as an organisational challenge involving leadership, communication and the management of risk in an increasingly interconnected world.

References and further reading:
Arsenault, B. (Host). (2021, July 7). Leading an inclusive workforce: Emma Smith, Vodafone (No. 8) [Audio podcast episode]. In Security Unlocked: CISO Series with Bret Arsenault. Microsoft; The CyberWire Network. here

Bátiz-Lazo, B. (Host). (2022, November 1). Ashley Sweetman, "Cyber and the City: Securing London's Banks in the Computer Age" (Springer, 2022) [Audio podcast episode]. In New Books Network. here

Kaplan, J. M., Bailey, T., O'Halloran, D., Marcus, A., & Rezek, C. (2015). Beyond cybersecurity: Protecting your digital business. John Wiley & Sons. here

Paine, N., & Sweetman, A. (2026). Communicating cyber risk: Build cyber resilience through compelling communication. Kogan Page. here

Smith, E. (2026, July 29). Trust in a connected world: Why cyber resilience matters. Vodafone. here

Sweetman, A. (2022). Cyber and the city: Securing London's banks in the computer age. Springer. here

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Rongbin Han is a Professor of International Affairs at the University of Georgia, where he studies Chinese politics and the internet. Han’s latest book—and the topic of this New Books Network episode—is Make China Great Again: Online Alt-History Fiction and Popular Authoritarianism (Columbia UP, 2026).

Make China Great Again delves into a subgenre of Chinese web novels that attempt to re-imagine the country’s history in ways that align with Xi Jinping’s “Chinese dream” and the “great rejuvenation of the Chinese nation”. In these novels, characters might go back in time to foment a communist revolution decades before the PRC’s establishment, industrialize the late Ming dynasty, or bring elements of democratic elections to the Song dynasty.

Given the popularity of web novels in China—almost half of Chinese netizens read internet literature—such alternate histories provide a window into how an authoritarian state can negotiate the consent of its citizenry using popular culture.

Anthony Kao is a writer who intersects international affairs and cultural criticism. He founded/edits Cinema Escapist—a publication exploring the sociopolitical context behind global film and television—and also writes for outlets like The Guardian, Al Jazeera, The Diplomat, and Eater.

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Romantic Media and Wartime Networks (Stanford UP, 2026) by Dr. Deven Parker tells the story of how Britain revolutionized its state communication networks on an unprecedented scale during the French Revolution and the Napoleonic Wars, setting the stage for our modern infrastructure state where connectivity and surveillance go hand in hand. Dr. Parker argues that Romantic literary representations of this state communications network managed to reveal—and, on occasion, to resist—its ideological functions.

In a wide-ranging study drawing upon an archive of military surveys, spy reports, trial records, and even ladies' hand fans, Dr. Parker reveals the scope and impact of the British government's investments in shutter telegraphs, mapping projects, and postal routes across two decades of war with France. The writers of the Romantic period, meanwhile, were cognizant of the political motivations undergirding the state's overhauled networks, which were designed to facilitate and speed up but also to more easily control communications. Taking up familiar writers including Lord Byron, Mary Wollstonecraft, William Godwin, Charlotte Smith, Charles Lamb, William Hazlitt, and Thomas De Quincey—as well as lesser-known figures such as radical playwright John Dent, inventor Richard Lovell Edgeworth, and the proto-science fiction novelist Jane Loudon—Dr. Parker reads Romantic literature for its astute chronicling and interrogation of the material hardware of the state's media ecology.

This interview was conducted by Dr. Miranda Melcher whosebook focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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What should authors be doing to market their books, and when? Book marketing expert Jeffrey Yamaguchi, a writer and poet with 25+ years in publishing, joins Sarah Russo on “The Publishing Playbook” to explain why book marketing and book publicity aren’t the same thing, and why a successful campaign needs both.

In this episode:
• Book marketing vs. publicity: what you earn and what you pay for
• Why your book campaign timeline should start a year or more before pub day
• Why every author needs a newsletter, and when to start a Substack
• Red flags for pay-to-play and AI scams in publishing
• Bouncing back when a book campaign hits a setback
• What vinyl record stores can teach authors about promotion
• What Jeff is reading right now

For more information on Jeff’s work, please visit his website, or check out his Substack, Book Publishing Brick by Brick

Books mentioned in this episode:

“Ten Visits: Brief Accounts of Our Visits to All Ten Japanese American Relocation Centers of World War II,” by Frank and Joanne Iritani

“The Dog Stars,” by Peter Heller

Key Moments

02:19 - Book Marketing vs. Book Publicity 📣
Jeffrey and Sarah untangle the two jobs, what’s earned vs. what’s paid for, and the behind-the-scenes spending authors don’t see.

06:29 - Spotting Pay-to-Play and AI Scams 🚩
Fake podcast and festival invitations are flooding authors’ inboxes. Sarah and Jeffrey share the red flags to watch for.

11:52 - When to Start a Substack ✍️
Jeffrey explains why authors should start a newsletter early, and how to make the most of one even if your book is almost out.

14:34 - “What Should I Be Doing Right Now?”: The Book Campaign Timeline 🗓️
Jeffrey walks through his timeline and why the cover reveal is when a book becomes real.

16:41 - “You Still May Get a No”: How to Make the Case to Your Publisher 🤝
Be strategic with your asks. Jeffrey shares how to lobby for opportunities like regional indie bookseller shows.

19:51 - Bouncing Back from a Campaign Letdown 🌅
Every campaign hits a roadblock. Jeffrey and Sarah discuss regrouping, and why marketing holds steady when breaking news derails publicity.

21:39 - Marketing Lessons from Outside Publishing 🎶
Jeffrey explains why authors should look beyond books, from movie campaigns to how record stores run their social media.

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John Madden retired abruptly from coaching in 1979, five months after receiver Darryl Stingley suffered a paralyzing injury against his Raiders. The tragedy would never leave him. He had no intention of entering broadcasting. Yet, within a decade—BAM!—he had become the most recognizable voice in football and a driving force behind America’s most powerful sports league.

Veteran sports journalist Scott Howard-Cooper reveals how Madden recast himself at exactly the right moment. Television was transforming sports, and the NFL needed a translator to turn complex strategy into entertainment. Madden didn’t just analyze football; he redefined how it was watched and loved—from the telestrator and pregame film study to Thanksgiving football.

But BAM! goes beyond the booth, tracing Madden’s personal life, unguarded moments, unexpected turns, and his influence through advertising, network wars, labor battles, concussion debates, and the Madden NFL video game—which reshaped gaming and brought football to new generations. Yet, Madden could never entirely escape what the game demanded from the men who played it.

BAM!: John Madden, the NFL Explosion, and the Video Game that Changed Sports (Diversion Books, 2026) is the story of how one rumpled, affable man became a defining figure in football’s greatest boom—and its reckoning —and why the NFL cannot stop invoking his name.

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What is the place of poetry in the modern world? In Poetry in General: How a Literary Form Became Public (Columbia UP, 2025), Keegan Cook Finberg, an Associate Professor of English at University of Maryland, Baltimore County narrates the contemporary history of poetry as the emergence of a public literary form. The book shows poets' engagement with social and economic changes, such as the rise of bureaucracy and office jobs, suburbanisation, feminism, and neoliberalism, alongside changes in literary forms and literary practices In doing so, the analysis demonstrates both the importance of poetry to reflect social and economic change, as well as its potential as a critical force in our moment of social and economic crisis. Ranging widely across individual poets, artistic collectives, and performance activities, the book will be of interest across the humanities, as well as anyone interested in why poetry matters today.

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The first book ever on how the press covered the Gettysburg campaign, From Blood to Ink: How the Press Covered the Gettysburg Campaign (U Georgia Press, 2026) chronicles the rise of the press through the Civil War and how its coverage of Gettysburg not only misled the people of two warring factions but also misshaped the battle’s meaning for generations to come. As Dr. Matthew J. Larson reveals, newsmen on both sides transformed the battle into what they needed it to be rather than what it truly was. While the Northern press elevated Gettysburg into America’s Waterloo, the Southern press polished it into another hard-won success for Confederate General Robert E. Lee. In both cases, facts bent to bias, narrative eclipsed reality, and Gettysburg itself became the final casualty.

This interview was conducted by Dr. Miranda Melcher whosebook focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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In Revolutionary Ink: New York Printers and the Promise of Democracy, 1693-1804 (Cambridge UP, 2026), my guest Mark J. Noonan explores the careers of New York printers whose presses disseminated Enlightenment ideals that fueled the American Revolution and framed the political debates of the early republic. Long overshadowed by the celebrated authors whose works they produced, printers William Bradford, John Peter Zenger, James Parker, Thomas Greenleaf and others helmed presses that provoked civic engagement, cultivated an appreciation for the arts and sciences, and defended press liberty. The book also examines the equally revolutionary work of their wives, who assisted with and sometimes ran their husband's presses. Throughout the narrative, Noonan addresses the discrepancy between revolutionary rhetoric and practice, and argues that to grasp New York's early print history is to confront the paradox of the Anglo-American Enlightenment: its profound advancements alongside the denial of universal human rights.

Roberto Mazza is currently a visiting scholar at the Buffett Institute for Global Affairs at Northwestern University. He is the host of the Jerusalem Unplugged Podcast and to discuss and propose a book for interview can be reached at robbymazza@gmail.com. Blusky and IG: @robbyref

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To be heard as complaining is not to be heard, writes Sara Ahmed. In No! The Art and Activism of Complaining, her sweeping exploration of complaint as a means of resistance, Sara Ahmed attunes her “feminist ear” to those who seek to challenge powerful institutions. She shows how complaints can unbury past complaints, getting them out of filing cabinets or from behind closed doors, allowing us to see institutions more clearly—how they work, and for whom they work.

Where complaints live, how complaints are made, who receives them, who buries them and where—Sara Ahmed’s accessible, attentive writing brings to life the lessons learned from people knocking at closed doors, teaching us how to collectively resist the glacial weight of institutional power. This book inspires all of us to persist, to say “No!” and to build new collectivities that break down brick walls together.

Guest: Sara Ahmed is an independent feminist scholar. She has published eleven books, including The Feminist Killjoy Handbook. She lives in Cambridgeshire, England.

Host: Dr. Christina Gessler is an academic writing coach and editor. She is the producer of the Academic Life podcast and newsletter.

Playlist for listeners:

• How We Show Up
• Indigenous D.C.
• We Refuse: A Forceful History of Black Resistance
• What Might Be
• Living Resistance
• Leading Toward Liberation
• Leading From The Margins
• Thanks To Life
• I Have Avenged America
• Black Boy Out Of Time
• Shoutin In The Fire
• The Names Of All the Flowers
• Hands Up, Don't Shoot
• That Librarian
• Book Banning

Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening!

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Designing Historical Games for Classrooms: A Practical Guide for Educators (Routledge, 2026) is a complete introductory guide for designing analog games and interactive choice‑based historical texts for history classes. It is designed to support educators who want to design games or who want to guide and assess student game‑making projects in history class.

The chapters in this book lead the educator designer through a range of topics, including the core features of historical games, the educational power of using historical games to study history, and the role of playing and designing analog games and choice‑based texts in the classroom. It also shows how to design historical analog games (such as boardgames, card games, roleplaying games, and choice-based historical text games designed with Twine) using the Historical Problem
Space Framework as a practical design guide to structure, teach, guide, manage, and assess student‑designed historical game projects, both analog games and choice‑based texts. This book provides sample plans, guidelines, and rubrics for fully implementing student‑designed historical game projects, and detailed examples throughout this text—from tabletop and choice‑based text games—provide practical help for teachers and students.

This applied guidebook will be essential reading for pre‑service and in‑service teachers of Social Studies and History Education. It is a guide for any educator who is looking to design historical games for classroom learning or have their students engage in the critical learning of historical game design.

Rudolf Thomas Inderst (*1978) enjoys video games since the early 1980s. He received a master’s degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds three PhDs in game studies (LMU Munich, University of Passau & University of Vechta). Currently, he's teaching as a professor for game design and game studies at the University of Applied Sciences Neu-Ulm HNU, Germany, holds the position as lead editor at the online journal TITEL kulturmagazin for the game section, and is editor of the weekly game research newsletter Game Studies Watchlist.

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In American history, few tragedies have been as consequential—and as enduringly misunderstood—as the Triangle Shirtwaist Factory fire of 1911. Long remembered as a turning point in the struggle for labor protections,Fire in the Heart of the City: The Triangle Shirtwaist Tragedy and the Origins of Modern Charity (NYU Press, 2026) shows how the fire also helped transform another cornerstone of modern American life: the rise of modern charity.

Set in early twentieth-century New York, the book tells the extraordinary story of what happened when a catastrophic fire in Greenwich Village threw Adolph Ochs, the ambitious new publisher of the New York Times, and Rose Schneiderman, a defiant young labor organizer, into a momentous struggle over who should organize the city’s response: a rising charity sector led by wealthy financiers and civic elites, or the reform-minded unions and activists of Lower Manhattan.

Drawing on newly released archival documents, interviews with the descendants of Times publisher Adolph Ochs and New York labor organizers, previously confidential reports, and long-overlooked private diaries and correspondence, David Conrad-Pérez offers a striking new account of the disaster and its aftermath. He shows how a handful of charities on the brink of irrelevance were suddenly recast as New York’s best answer to the social and economic conditions the fire laid bare—a watershed moment in the rise of modern charity and elite authority over social welfare in the United States.

This interview was conducted by Dr. Miranda Melcher whosebook focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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How AI is rewiring our social fabric—and how we can better shape our future.

The age of AI is not what you think. Rather than ushering in a fourth Industrial Revolution, AI has become a crucial social infrastructure of everyday life. It's embedded in the tools, platforms, and systems that organize our most intimate lives and our interactions with the most fundamental institutions of society, from government agencies to banks and schools. In these linkages are embedded assumptions about who we are, what we can do, and where we belong.

In Predicted: How AI Is Restructuring Social Life(U California Press, 2026), Mona Sloane offers a pragmatic framework for understanding these transformations around prediction, classification, and linearity, proposing that we think about AI as a social arrangement that we coproduce. Drawing on over a decade of empirical research and real-world examples, this book invites us to see AI for what it is: deeply social, deeply political, and open to change. Clear-eyed and provocative, Predicted is a call to reclaim deliberations about progress and innovation as a public good and to ensure that the futures we chart are the ones we choose—together.

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In our increasingly distrusting and polarized world, accusations of hypocrisy are everywhere. But our attempts to stamp out hypocrisy may backfire, creating what Michael Hallsworth calls The Hypocrisy Trap. In his book The Hypocrisy Trap: How Changing What We Criticize Can Improve Our Lives (MIT Press, 2026) Hallsworth shows how our relentless drive to expose inconsistency between words and deeds can actually breed more hypocrisy and cynicism that corrodes our institutions. Through engaging stories and original research, he argues that while some forms of hypocrisy destroy trust and create harm, others reflect the inevitable compromises of human nature and complex societies. This book offers practical solutions for increasing consistency, navigating accusations wisely, and changing how we judge others’ actions.

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It’s the Pop Culture Professors, and the New York Times has published its list of the best 100 television shows of the 21st Century. We react to this list, ponder what is underrated, overrated, and completely snubbed, and question the value of grand lists in an age of micro-cultures.

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Climate action is at an impasse. Its political opponents are stronger than ever, its advocates powerless. Almost every major government and corporation expresses their commitment to tackling climate change, yet decades of discussion, governance, and action have failed to stop carbon emissions advancing to record annual levels. How has so little been achieved for so long on such an urgent issue? In Climate Hegemony: Confronting the Politics of Environmental Impasse (LSE Press, 2026), Laurie Parsons shows how the architecture of environmental thinking has been locked into ineffective pathways. We don’t need to be coerced into inaction on climate, because our understanding is constrained by metaphors, rhetoric and assumptions so embedded we have long since ceased to see them. To confront this, Climate Hegemony brings us a human’s-eye view of the climate crisis, building up from lived experience to reveal the interests and politics that underpin the impasse. Drawing on almost two decades’ research at the frontline of global development in Cambodia, Parsons reveals the chasm between how climate change appears in a newspaper, or a policy bulletin, and how it appears to those immersed in the places it affects. From this perspective, the limitations of current environmental thinking become clear, but so too do a great many alternatives. In this powerfully argued work, Parsons set out how, if we were to rethink the perspective from which we understand climate change, we can build knowledge from and for marginalised communities, from the ground upwards, challenging the impasse and creating new pathways to address and adapt to the social impacts of climate breakdown.

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Thomas Schatz returns us to an era when a newly enriched movie industry rediscovered its creative energy, and indie went mainstream without losing its edge.

Between 1989 and 2004, all the old studios either merged with other media giants or were swallowed up by even bigger diversified behemoths, leading to an infusion of money and fast-tracking the digital revolution. Yet even as CGI and piles of cash fueled a new breed of blockbusters—Batman and Titanic, Toy Story and The Lord of the Rings—an indie ethos permeated the industry. And at the crossroads of commodification and aesthetic vision, auteurs ranging from Steven Soderbergh and Quentin Tarantino to Sofia Coppola and Ang Lee became household names.Power Surge: Conglomerate Hollywood and the Studio System's Last Hurrah with Thomas Schatz(U California Press, 2026) traces these trajectories, which increasingly clashed and commingled during the 1990s and early 2000s, resulting in nothing short of a new golden age—and perhaps the last gasp of the century-old studio system.

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Projecting Knowledge: The Optical Lantern and Science Communication, 1880s-1940s (Brepols, 2026) takes one of those fundamental questions - how does knowledge circulate? - and says, like others: we must look at the media technologies through which that knowledge not only circulates, but is transformed. This edited collection does that by looking at the history of the projection lantern across the late 19th and early 20th centuries.

The projection lantern, also known as the 'magic lantern', 'optical lantern', and 'sciopticon', amongst other names, is part of a long history of media technologies and techniques that have allowed users to project images onto surfaces for audiences to view. The optical lantern helped the projected image become a ubiquitous form of media, known by wide and diverse publics during a wave of 19th century media popularisation.

From the 1880s until well into the twentieth century, the optical lantern was an immensely important tool to disseminate knowledge both within and outside academia, particularly in Western Europe and the United States. This volume maps the lantern-illustrated lecture from various perspectives, with contributions on how to research historical audiences, on the spaces where projection was used, on the role of images as evidence, on the shifts in pedagogy that were supported by the projected image, and on the archives and sources that provide access to material that allows an understanding of the multiple ways in which the medium was used.

Projecting Knowledge was edited by Dulce da Rocha Gonçalves, Nico de Klerk, Frank Kessler, and Jamilla Notebaard. Dulce da Rocha Gonçalves is a historian interested in the cultural dimensions of media, science, and technology. She earned her PhD at Utrecht University within the research project Projecting Knowledge, producing the first large-scale survey of public lantern lectures in Dutch society from the late nineteenth century to the Second World War. She currently holds a postdoctoral position in the Technology, Innovation & Society group at Eindhoven University of Technology.

Nico de Klerk is an independent researcher and archivist in the field of film and media history. Between 2018 and 2023, he was a postdoctoral researcher in the project Projecting Knowledge at Utrecht University, which partly overlapped with his research for the project Educational Film Practices in Austria, 1918-1970, at the Ludwig Boltzmann Institut for Digital History, Vienna. His current research focuses on the film-illustrated lecture in the Netherlands between c. 1910 and 1940.

Frank Kessler is professor emeritus of Media History at Utrecht University. He is one of the founders of KINtop. Jahrbuch zur Erforschung des frühen Films and the KINtop – Studies in Early Cinema book series. His research interests focus on the emergence of cinema as a multi-facetted medium and a cultural form, as well as on nineteenth-century visual media. His most recent research is dedicated the optical lantern as a tool for knowledge communication.

Jamilla Notebaard is a historian whose doctoral research explored the use of the magic lantern in Dutch academic education at the end of the nineteenth century. Her work reflects a deep interest in the history of science, particularly in the epistemic role of images in shaping knowledge within scholarly communities and beyond. She investigates how visual representations function as carriers of meaning, influencing both collective understanding and individual perception.

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When the Taiwanese political drama Wave Makers appeared in April 2023, few anticipated its impact beyond the screen. Within weeks, survivors in politics, the media, academia and the arts began sharing experiences of sexual harassment and assault, giving momentum to Taiwan’s long-delayed #MeToo movement.

XinLing Li’s new book, Wave Makers and the Rise of #MeToo in Taiwan: Media, Empathy, and Digital Testimony (Anthem Press, 2026), asks how a fictional series became a cultural catalyst. Li argues that the drama gave form to experiences that had remained unspoken, while social media allowed personal testimony to circulate without institutional permission.

The book is part of the new short-book series, ‘Anthem Impact in Asian Media, Cinema and Communications’.

In this podcast, Dr Ming-yeh T. Rawnsley talks with Dr Li about television, empathy, digital testimony, and the opportunities and inequalities within Taiwan's #MeToo movement. Themes include:

• Why Taiwan’s #MeToo movement came late - the gap between progressive laws and the cultural conditions that still discourage survivors from speaking.
• The ‘perfect victim’ - how Wave Makers challenges the assumption that only women who conform to conventional ideas of femininity deserve belief and justice.
• The feminist snap - why the line ‘Let’s not just let it go this time’ gave viewers a language for recognising accumulated injustice.
• Empathy and narrative identity - how fictional characters help audiences interpret their own experiences and respond to others.
• Digital testimony and affective publics - how social media weakens traditional gatekeeping while introducing new risks and struggles for attention.
• Women’s solidarity - how the drama examines agency, family relationships and the historical expectation that women define themselves through men.
• The limits of visibility - why migrant domestic workers remain especially vulnerable and often unable to speak without risking their livelihoods or immigration status.

One of the book’s most compelling arguments is that art can give structure to what Raymond Williams called ‘emergent feelings’: experiences without an accepted public language. Through recognisable characters and an accessible story, Wave Makers transformed a familiar instruction to remain silent – ‘just let it go’ – into a shared refusal.

The podcast also considers how the hashtag changes testimony. Survivors can now address audiences directly, rather than relying entirely on journalists and other institutional gatekeepers. Yet visibility remains uneven. Stories involving celebrities and senior politicians attract attention more readily than those of migrant domestic workers, who may face dismissal, loss of visa status or deportation if they speak publicly.

Li is cautious about treating Wave Makers as a formula for political change. No television programme can produce a movement on demand. Popular culture can nevertheless offer language and recognition when audiences are ready to respond.

The story of Wave Makers is ultimately about the unpredictable movement between fiction and public life: a drama helped people recognise experiences they had been encouraged to dismiss, while digital platforms allowed the words ‘me too’ to become testimony, solidarity and action.

Dr Ming-yeh T. Rawnsley is a Research Associate at the Centre of Taiwan Studies, SOAS University of London, and a host for the New Books Network. She is also a co-editor (with Professor Gary Rawnsley) of the short-book series, ‘Anthem Impact in Asian Media, Cinema and Communications’.

Dr Xinling Li is an independent scholar based in New York. He studied at Cambridge University.

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How was drama experienced in early modern China? It was not tied to a single medium such as the page or the stage, but operated in a media ecology—an environment in which it integrated other arts and media while being refashioned in a variety of arts and media. Playing with Plays: Drama and Early Modern Chinese Media Ecologies (Brill, 2025)
explores a wide range of cultural experimentation, collectively termed “playing with plays:” the theatricality embedded in commentary, the poetic and visual imagination arising from drama illustrations, the interactions between reading and singing arias, the imbrication of reading plays and practicing religion, and the ludic act of writing playful essays on drama. Through engaging these disparate phenomena with media studies, the book advances a new model for thinking about drama history, and shows the entwinement of plays and different forms of media in shaping perception, molding experience, and enabling new subject positions to emerge in early modern China.

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