New Books in Critical Theory

Orson Welles is a foundational work of Welles criticism. First published by Joseph McBride in the British Film Institute's Cinema One series in 1972 when the author was twenty-four, it now has been extensively revised and updated to reflect the ongoing developments in the work of this great filmmaker. McBride—who, as Martin Scorsese has written, "has a clearer understanding of Welles and his films than almost anyone"—studied Welles at work for more than five years while playing an earnest young film critic and historian in The Other Side of the Wind. Among the new material in this third edition, Orson Welles: Revised and Expanded is McBride's first extended analysis of that film as well as an essay on Welles's acting career and revisions of the other chapters on his adventurous, multifaceted body of work, illuminating and setting the record straight on this often misunderstood director.

Joseph McBride has written or edited twenty-six books, also including two other books on Welles; biographies of Frank Capra, Steven Spielberg, and John Ford; the interview book Hawks on Hawks; critical studies of Ford (with Michael Wilmington), Ernst Lubitsch, Billy Wilder, the Coen Bros., and George Cukor; and I Loved Movies, But...In 2026, Sticking Place Books reprinted his long-lost edited collection Persistence of Vision, with an extensive new introduction. McBride covered the film industry for many years as a reporter and reviewer for Daily Variety. He is an emeritus professor of the School of Cinema at San Francisco State University

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.

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In this episode of the Books for Better Understanding series from Notre Dame Press, David Carlson hosts Jonathan A. Anderson and James Elkins for a discussion of Anderson's new book, The Invisibility Of Religion In Contemporary Art (U Notre Dame Press, 2025). Order your copy here

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In 1714, doctor, philosopher and writer Bernard Mandeville published The Fable of the Bees, a humorous tale in which a prosperous hive full of greedy and licentious bees trade their vices for virtues and immediately fall into economic and societal collapse. Outrage among the reading public followed; philosophers took up their pens to refute what they saw as the fable’s central assertion. How could it be that an immoral community thrived but the introduction of morality caused it to crash and burn? In Man-Devil: The Mind and Times of Bernard Mandeville, the Wickedest Man in Europe (Princeton UP, 2025) John Callanan examines Mandeville and his famous fable, showing how its contentious claim—that vice was essential to the economic flourishing of any society—formed part of Mandeville’s overall theory of human nature. Mandeville, Callanan argues, was perfectly suited to analyze and satirize the emerging phenomenon of modern society—and reveal the gap between its self-image and its reality.

Callanan shows that Mandeville’s thinking was informed by his medical training and his innovative approach to the treatment of illness with both physiological and psychological components. Through incisive and controversial analyses of sexual mores, gender inequality, economic structures, and political ideology, Mandeville sought to provide a naturalistic account of human behaviour—one that put humans in close continuity with animals. Aware that his fellow human beings might find this offensive, he cloaked his theories in fables, poems, anecdotes, and humorous stories. Mandeville mastered irony precisely for the purpose of making us aware of uncomfortable aspects of our deepest natures—aspects that we still struggle to acknowledge today.

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This episode features a conversation with historical anthropologist Lisa Mitchell and political theorist Hari Ramesh whose recent books make a case against anti-state thinking in social and political theory. We discussed the need to move beyond frameworks emphasizing either subordination to the state or revolt against the state in order to better understand how marginalized and oppressed groups can use the state as a means to enact transformative justice aimed at greater social equality. As Lisa and Hari point out, this requires moving beyond theories of deliberative democracy that rest on conceptions of rational communication. Instead, they argue for the need to consider the role of embodied practices, such as pulling the emergency chain on trains or blocking road traffic, and instances of “positive coercion,” such as Reconstruction Era laws and the U.S. Civil Rights Act, in expanding the parameters of democratic participation. Through Lisa’s account of what she calls a “materialist genealogy of collective action” in India and in Hari’s readings of B.R. Ambedkar, W.E.B. Du Bois, and the NAACP’s legal brief on Brown v. Board of Education, we come to understand the state as a complex terrain of power with different pressure points that allows for novel forms of relationality and maneuver. In the process, we also see political collectives, not as fixed identity groups, but as the product of shifting coalitions.

Guests

Lisa Mitchell: Professor or History and Anthropology, University of Pennsylvania

Hari Ramesh: Assistant Professor of Government, Wesleyan University

References

Lisa Mitchell, Hailing the State: Indian Democracy Between Elections (Duke University Press, 2023)

Hari Ramesh, Harnessing the State: Oppressed Groups and the Pursuit of Radical Democracy (Harvard University Press, 2026)

John Dewey: philosopher, psychologist, and educational reformer who was one of the most prominent American scholars of the twentieth century.

B.R. Ambedkar, “States and Minorities” (1947)

W.E.B. Du Bois, Black Reconstruction in America (1935)

Partha Chatterjee, The Politics of the Governed (2004)

Jurgen Habermas: philosopher and social theorist whose work addressed notions of communicative rationality and the public sphere.

Adhaar card: 12-digit unique identification number tied to biometric data and demographic information issued to residents of India

Telengana movement: a decades-long political and social campaign for the creation of a separate state out of the Telugu-speaking region of Andhra Pradesh in India, which culminated in the formation of Telangana as India’s 29th state on June 2, 2014.

Iris Marion Young: political theorist and socialist feminist who focused on the nature of justice and social difference.

Sally Haslanger: philosopher and feminist theorist who work on the social construction of categories, especially of gender and race.

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Whatever happened to the working class? A compelling new social history of Britain since 1945

From the picket lines of the Miners' Strike to the Amazon warehouses of today, the British working class has been pushed from the center of political life to its margins, though not without a fight. But how did a force that once shaped nations become invisible?

Historian Ewan Gibbs reconstructs what was lost—and what was taken. Through vivid first-hand accounts, he traces the transformation of a class forged in mines and shipyards into one scattered across call centers and gig economy apps. This is the story of council estates sold off, unions broken, mill towns hollowed out, and a sense of solidarity ground down by decades of insecurity.

Yet, as inequality deepens and class roars back into political debate, Gibbs confronts the essential question: who now speaks for labour? Richly researched and deeply humane, An Injury to All:The Unmaking of the British Working Class (Verso, 2026) is the definitive history of British post war working-class life.

Ewan Gibbs is Senior Lecturer in Economic and Social History at the University of Glasgow. He writes about energy, industry, work and protest for the London Review of Books, Financial Times, The Times, Prospect, Break Down, Dissent and Jacobin. His first book, Coal Country: The Meaning and Memory of Deindustrialization in Postwar Scotland, was shortlisted for the Scottish History Book of the Year.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.

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In Pursuit of the Inconceivable: An Investigation of Metaphysics and Mysticism (Essentia Books, 2025) is a compelling exploration of fundamental questions about existence, reality, and the meaning of life that challenges the traditional scepticism of Western thought. It presents evidence for a systematic, comprehensive, and fundamental world-theory, and places the reader in a position to judge its merits and plausibility for themselves.

Peter G. Jones explains the ongoing failure of Western philosophers to comprehend metaphysics as a consequence of not engaging with the only world-theory that survives analysis, the one endorsed by the writers of the Indian Upanishads, the Buddha, Lao Tzu, Meister Eckhart and, many would say, Jesus and Muhammad. The findings of philosophers in the Western analytical ‘rational’ tradition are compared with the teachings of the Perennial tradition and shown to be in complete harmony. In Pursuit of the Inconceivable presents a philosophical explanation of mysticism, an apology for Abrahamic religion, a solution for all metaphysical problems, and an appeal for a significant change of attitude in the academic and scientific communities.

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In Rehearsing the Future: The Thought and Practice of James and Grace Lee Boggs (AK Press, 2026), Michael Doan explores the work and legacy of James and Grace Lee Boggs, two of the most influential American radical thinkers of the twentieth century. Grace Lee Boggs earned a PhD in philosophy in the 1940s, though facing obstacles to an academic career as a young Chinese American woman, she left and became a political organizer in Detroit, where she met and married James Boggs, a Black autoworker and labor organizer from Alabama who had moved North during the Great Migration. Over the course of more than forty years of partnership and participation in labor, civil rights, Black Power, anticolonial, and feminist movements, the Boggses articulated a philosophy of long-term revolutionary strategy they called “dialectical humanism.” Rejecting state socialism and traditional Marxism, dialectical humanism instead attributes social change to the conscious, collective activity of people engaged in place-based organizing with a view to transforming everyday life, with hallmark projects such as community gardens, daycare networks, and mediation programs. Above all, revolution is not a fixed program but must evolve as ideas, movements, and institutions are changed through collective practice.

Through their life work and publications, James and Grace Lee Boggs modeled how to do philosophy from within movements. In Rehearsing the Future, Doan lays out the intellectual history of dialectical humanism, the far-reaching theory and practice that continues to guide movement-building around the world, inspiring forms of activism such as visionary organizing and emergent strategy.

Michael D. Doan is a Canadian-born father, educator, activist, and philosopher. He joined the James and Grace Lee Boggs Center to Nurture Community Leadership in 2016 and is an Associate Professor of Philosophy at Oakland University.

Jen Hoyer is Technical Services and Electronic Resources Librarian atCUNY New York City College of Technology. She is co-author ofWhat Primary Sources Teach: Lessons for Every Classroom (2022) andThe Social Movement Archive (2021), and co-editor of Armed By Design: Posters and Publications of Cuba’s Organization of Solidarity of the Peoples of Africa, Asia, and Latin America (2025).

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What is the place of poetry in the modern world? In Poetry in General: How a Literary Form Became Public (Columbia UP, 2025), Keegan Cook Finberg, an Associate Professor of English at University of Maryland, Baltimore County narrates the contemporary history of poetry as the emergence of a public literary form. The book shows poets' engagement with social and economic changes, such as the rise of bureaucracy and office jobs, suburbanisation, feminism, and neoliberalism, alongside changes in literary forms and literary practices In doing so, the analysis demonstrates both the importance of poetry to reflect social and economic change, as well as its potential as a critical force in our moment of social and economic crisis. Ranging widely across individual poets, artistic collectives, and performance activities, the book will be of interest across the humanities, as well as anyone interested in why poetry matters today.

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After the groundbreaking success of his debut film, Boyz N the Hood in 1991, filmmaker John Singleton (1968–2019) gained worldwide acclaim, earned the respect of major film industry figures, and became the topic of both scholarly and popular culture film conversations. He also made history by becoming the youngest—and the first African American—nominee for the Academy Award for Best Director. However, lukewarm reception for his sophomore release, Poetic Justice in 1993, dampened the momentum of his early promise, and critical interest in his subsequent work waned. Once Upon a Time in South Central LA: John Singleton’s Hood Trilogy (UP of Mississippi, 2026) seeks to reframe Singleton’s legacy and reaffirm his significance as a filmmaker.

Author Mark D. Cunningham argues that Singleton’s so-called “hood trilogy”—Boyz N the Hood, Poetic Justice, and Baby Boy (2001)—offers a vital cinematic lens into the lived experiences of young African American men and women. Blending film analysis with literature, music, sociology, and cultural studies, the volume positions Singleton’s work as a critical intersection of African American history, identity, and popular culture. Cunningham explores Singleton’s portrayal of Black masculinity, the social environment of South Central Los Angeles, and the impact of hip-hop culture on gender dynamics. By revisiting Singleton’s early career and the cultural weight of his films, Once Upon a Time in South Central LA reasserts the filmmaker’s place in the cinematic canon and highlights the enduring influence of his work on African American youth and storytelling.

Dr. Mark D. Cunningham is professor and chair of the Department of Radio-Television-Film at Austin Community College. His research focuses on film and television studies, with an emphasis on Black filmmakers, screen adaptations, and representations of race and identity in popular media. His scholarship engages figures such as directors John Singleton, Spike Lee, Barry Jenkins, and rapper/actor Ice-T. His work has appeared in The Atlantic and The Journal of Cinema and Media Studies, and he has contributed to numerous edited volumes in film, television, and media studies. You can find Mark on Instagram.

Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. And check out Sullivan's Substack for a continued conversation between she and Mark, as they discuss the hood trilogy's impact in the 21st century.

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The 2011 Fukushima Dai’ichi nuclear disaster was the worst industrial nuclear catastrophe to hit Japan. It was a major event, rated at the highest severity, which released radioactive elements into the power plant’s surrounding environment when back-up systems failed and could not sufficiently cool the nuclear reactors. At least 164,000 people were permanently or temporarily displaced.

Radioactive Governance: The Politics of Revitalization in Post-Fukushima Japan (NYU Press, 2026) offers an ethnographic look at how the disaster was handled by Japan. Unlike prior nuclear-related narratives, such as those surrounding Chernobyl or Hiroshima, which focused on themes of harm, trauma, and victimization, the Japanese government consistently put forward a discourse of minimal or no radiation-related dangers, a gradual bringing home of former evacuees, a restarting of nuclear power plants, and the promotion of a resilient mindset in the face of adversity. This narrative worked to counter other understandings of recovery, such as those of worried citizens unsuccessfully fighting for permanent evacuation because they were afraid to go back to their homes.

Providing a rich theorization of how both governments and citizens shape narratives about catastrophic events, Radioactive Governance not only displays how Fukushima became a story of hope and resilience rather than of victimization, but also how radioactive governance shifted from the nuclear secrecy that characterized the Cold War era to relying on international organizations and domestic citizens to co-manage the aftermath of disasters.

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Agnes Heller loved being part of the Budapest School--and she hated being part of any school. In his 2019 In Memoriam piece, John explored her ambivalence about intellectual camaraderie, its virtues and its vices.

This experiment in reading Public Books articles aloud--akin to Books in Dark Times and Recall This Story and Recall This B-Side--follows on from JP's earlier Hannah Arendt articles and 2026 article about the Pope and AI. You can consult the footnotes on Agnes Heller and read a transcript by heading back to the article inits original 2019 form here.

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To be heard as complaining is not to be heard, writes Sara Ahmed. In No! The Art and Activism of Complaining, her sweeping exploration of complaint as a means of resistance, Sara Ahmed attunes her “feminist ear” to those who seek to challenge powerful institutions. She shows how complaints can unbury past complaints, getting them out of filing cabinets or from behind closed doors, allowing us to see institutions more clearly—how they work, and for whom they work.

Where complaints live, how complaints are made, who receives them, who buries them and where—Sara Ahmed’s accessible, attentive writing brings to life the lessons learned from people knocking at closed doors, teaching us how to collectively resist the glacial weight of institutional power. This book inspires all of us to persist, to say “No!” and to build new collectivities that break down brick walls together.

Guest: Sara Ahmed is an independent feminist scholar. She has published eleven books, including The Feminist Killjoy Handbook. She lives in Cambridgeshire, England.

Host: Dr. Christina Gessler is an academic writing coach and editor. She is the producer of the Academic Life podcast and newsletter.

Playlist for listeners:

• How We Show Up
• Indigenous D.C.
• We Refuse: A Forceful History of Black Resistance
• What Might Be
• Living Resistance
• Leading Toward Liberation
• Leading From The Margins
• Thanks To Life
• I Have Avenged America
• Black Boy Out Of Time
• Shoutin In The Fire
• The Names Of All the Flowers
• Hands Up, Don't Shoot
• That Librarian
• Book Banning

Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening!

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A Conversation with the author Amanda Batarseh about Rooted Movements: The Radical Poetics of Palestinian Space (Syracuse UP, 2026).

Present in the heart of modern Palestinian literature is a pervasive sense of rootedness, sustained and nurtured by a deep care for land stewardship and embedded in a spatialized history. In Rooted Movements, Amanda Batarseh examines the epistemology of Palestinian Indigeneity based in a radical relationship to place. Against a colonial logic that often centers displacement as the chief lens through which to understand Palestinian connection to place and spatialized existence, Batarseh argues that Palestinian literature poses Indigeneity as a dialectic relying as much upon rootedness as on ideas of movement.

In elaborating this tension, Batarseh develops a methodology of reading Palestinian literature that foregrounds how Palestinians negotiate space and removal through liberatory mobilization and not as a symptom of zionist, colonial violence. Reading the poetry, creative nonfiction, essays, novels, and films of writers in Palestine and in exile—from Ghassan Kanafani to Naomi Shihab Nye, Hussein Barghouthi, Raja Shehadeh, Ibtisam Azem, and Randa Jarrar—she exposes the limitations of focusing on the geopolitical borders of a modern nation-state and offers alternative imaginaries not bound by colonial spatial control. Instead, the Palestinian poetics of space Batarseh articulates engage rooted movement as an Indigenous expression of deep-seated and enduring connections to place. Palestine, this place, is not static, enclosed by military boundaries, or frozen in time before or after the Nakba, but generative and looking toward a Palestinian future.

Books and Artists mentioned in the Podcast:

• Leila El-Haddad: here
• Dana Barqawi: here

Amanda Batarseh is an assistant professor of literature at the University of California, San Diego, where her research and teaching focus on Palestinian literature with a broader focus on Arab cultural production in and outside of Arabic, Indigenous studies, and Mediterranean studies.

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In Searching for Jane Crow: Black Women and Mass Incarceration in America from the Auction Block to the Cell Block (Beacon Press, 2022), historian Talitha L. LeFlouria centers Black women at the core of a fresh argument: that the system of mass incarceration was established as protection for the institution of slavery and the profits of enslavers and that this legacy continues today.

For centuries, Black women in America have experienced extreme rates of arrest, conviction, and incarceration in the nation’s jails and prisons, yet their experiences have often been overlooked in favor of Black men’s.

Arguing that the merger between profit and punishment continues to keep Black people bound, LeFlouria traces the connection between enslavement and incarceration, revealing how they have always been intertwined—from the domestic slave trade of 1810-1865, when an estimated one million people were incarcerated in privately owned slave jails, to the post-Civil War era when Black people were enslaved through new systems of state-sponsored mass incarceration, and through to today.

Talitha L. LeFlouria is one of the nation’s leading authorities on the history of Black women, mass incarceration, and the legacies of American slavery. She is an associate professor of history, and the Mastin Gentry White Fellow in Southern History at The University of Texas at Austin. She is the author of the multi-award-winning book, Chained in Silence. Dr. LeFlouria has received numerous awards for her research, including an Andrew Carnegie Fellowship from the Andrew Carnegie Foundation, and her work has been featured in The Atlantic, the Washington Post, Ms. Magazine, The Root, and Vox. You can find her on her website.

Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts.

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Today, political theorists and philosophers treat as axiomatic the claim that all persons are equal. Dig deeper, however, and what we mean by equality—and what it demands from us, politically and otherwise—is far from obvious. Does it mean that we are all the same, and so the same standards should apply indifferently to everyone? Or does it mean that we are all different in ways similarly deserving of respect? These questions, and many more, reflect the profound ambiguities and contradictions that have riddled the history of the idea of equality.

First Among Equals: Visions of Equality Before Egalitarianism(Harvard UP, 2026) by Professor Teresa Bejan examines a radical turning point in that history. Since antiquity, influential legal and philosophical traditions have held that all humans are fundamentally equal. Yet these claims proved surprisingly at home in a world defined by social hierarchy, political exclusion, and enslavement. In seventeenth-century England, the meaning—and practical circumstances—of equality began to change. Political philosopher Dr. Bejan traces this transformation, revealing how equality finally became a concrete and actionable political ideal.

Crucially, Professor Bejan shows that influential early modern theorists of equality—chief among them Thomas Hobbes, John Locke, and the early feminist Mary Astell—were responding to the increasingly radical visions proffered by contemporary social movements like the Levellers, Diggers, and Quakers. Inspired by the Leveller leader John Lilburne, these movements insisted that equality must be a basis on which ordinary men and women could demand to stand shoulder-to-shoulder with elites. These early modern activists and philosophers can still enchant us today, Dr. Bejan argues, while also helping us to restore the power of equality as a political ideal.

This interview was conducted by Dr. Miranda Melcher whosebook focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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At a time when artificial intelligence, neuroscience, and digital technologies increasingly shape our understanding of what it means to be human, Fuchs argues that we need to recover a richer conception of the human person. Rather than viewing ourselves as information-processing systems or collections of neural mechanisms, he develops a philosophical vision centred on embodiment, relationality, and lived experience. The result is a compelling defence of human agency, dignity, and freedom against contemporary forms of reductionism and transhumanism.

Today we'll be discussing In Defence of the Human Being: Foundational Questions of an Embodied Anthropology (Oxford UP, 2021). We discuss central arguments and their implications for philosophy, psychiatry, technology, and the future of human self-understanding.

Prof. Thomas Fuchs holds the Karl Jaspers Professorship for Philosophical Foundations of Psychiatry and is head of the section “Phenomenological Psychopathology and Psychotherapy” at Heidelberg University Psychiatric Hospital. He is also coordinator of the Marsilius Project “Embodiment as a Paradigm of an Evolutionary Cultural Anthropology” as well as research unit leader of the Karl Jaspers Edition. His main scientific interests include phenomenological anthropology and psychopathology on the one hand, and the theory and ethics of psychiatry and neuroscience on the other.

Dr. Anya Daly is Senior Lecturer in Philosophy and Ethics in the School of Arts and Society, University of Tasmania. Interdisciplinary collaborations are at the core of Anya’s research interests. She investigates the intersections of phenomenology with philosophy of mind, the philosophy of perception, the philosophy of psychiatry, embodied and social cognition, enactivism, ethics, aesthetics and Buddhist Philosophy.

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Contrasts classical Greek ontology ("the science of being in itself") with Confucian "zoetology" ("the art of living"). In Living Chinese Philosophy: Zoetology As First Philosophy (SUNY Press, 2025), Roger T. Ames uses comparative cultural hermeneutics as a method for contrasting classical Greek ontology ("the science of being in itself") with classical Chinese "zoetology" ("the art of living"), which is made explicit in the Yijingor Book of Changes. Parmenides, Plato, and Aristotle give us a substance ontology grounded in "being qua being" or "being per se" (to on he on) that guarantees a permanent and unchanging subject as the substratum for the human experience. This substratum or essence includes its purpose for being (telos) and defines the "what-it-means-to-be-a-thing-of-this-kind" (eidos) of any particular thing, thus setting a closed, exclusive boundary and the strict identity necessary for a particular thing to be "this" and not "that." In the Book of Changes, we find a vocabulary that makes explicit cosmological assumptions that are a stark alternative to this substance ontology. It also provides the interpretive context for the canonical texts by locating them within a holistic, organic, and ecological worldview. To provide a meaningful contrast with this fundamental assumption of on or "being," we might borrow the Greek notion of zoe or "life" and create the neologism "zoe-tology" as "the art of living" (shengshenglun). This cosmology begins from "living" (sheng) itself as the motive force behind change and gives us a world of boundless "becomings": not "things" that are but "events" that are happening, a contrast between an ontological conception of human "beings" and a process conception of what the author calls human "becomings." The Host's reading notes: "Being qua being" modality of dealing with change and no-change prioritizes no-change, mistakes stability as eternity, confuses order with hierarchy; zoetological paradigm of change and no-change encourages complexity-enhancing modes of how change happen, nurtures difference-enriching modalities of encounter, decodes stability as adaptability, and considers order as emergent, evolving patterns of co-living and becoming-with. If you are interested in continuing the conversation with Prof. Ames, please contact the host (xzu@usc.edu) for Prof. Ames's email address.

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God and Humanity: Herman Bavinck and Theological Anthropology(Bloomsbury, 2024)is the first book to apply Bavinck's theological anthropology to contemporary theological issues. Sutanto provides a sustained close reading of Herman Bavinck's contributions to theological anthropology and positions him in conversation with current and historical dialogues on embodiment, revelation, affect theory, phenomenology, the cognitive science of religion, ethics, race, covenant, and the beatific vision. Dr. Gray Sutanto explores the holistic character of Bavinck's vision of humanity, suggesting ways in which his theological anthropology cuts across several potential binaries in contemporary discourse, between affect and reason, body and soul, animality and religiosity, unity and diversity, and between a this-worldly or other-worldly eschatology.

Dr. Sutanto serves as the Associate Professor of Systematic Theology at Reformed Theological Seminary, Washington D.C. and an associate editor of the Journal of Reformed Theology. He has received visiting fellowships at the Theological University of Kampen-Utrecht and Princeton Theological Seminary. He is a member of the Evangelical Theological Society and is on the steering committee for the Reformed Theology and History Unit of the American Academy of Religion. Along with the theologian Herman Bavinck, Dr. Sutanto’s research interests are broad, ranging from modern Protestant theology, prolegomena, humanity and sin, the relationship between philosophy and theology, analytic theology, and Christianity and culture.

For previous NBN conversations on similar topics, see these interviews on Herman Bavinck's Christology and academic addresses or an introduction on Neo-Calvinism or the T&T Clark handbook on the global movement. In this conversation Sutanto mentioned this article he wrote on Bavinck and Christian nationalism.

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The realist novel, so the story goes, isn’t really an American genre but a European and British one. And what the realist novel does—again, according to conventional wisdom—is entrench a liberal model of the individual: the self as autonomous and perfectible. Pushing back against these and other received ideas, Rafael Walker offers a self-professed “heretical” view of the history of the American novel in Realism after the Individual: Women, Desire, and the Modern American Novel (U Chicago Press, 2025).

A specialist in American and African American literature as well as gender and sexuality studies, Walker is Associate Professor of English and Black and Latino Studies at Baruch College and the editor of new editions of two essential American novels: Kate Chopin’s The Awakening (1899) and Nella Larsen’s Passing (1929).

In Realism after the Individual, his first book-length study, Walker shows how realist novels written by US authors from the 1890s to the 1920s transform our understanding of what the novel is and does in the American context. These novels are populated, Walker argues, with “post-individualist” individuals, particularly women, who want new things endlessly and who especially want what other people want—because they've adapted to America's brave new world of capitalist consumption and mass culture.

In this conversation with Alix Beeston, Walker ranges widely and expertly across literary and intellectual history as he shares about women with insatiable desires, men who are killed off for not desiring enough, and the resonances between early twentieth-century literature and the present political moment. He also offers some recommendations for the important but now all-but-forgotten realist novels we should all be reading.

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It has long been understood that illness is influenced not only by our bodies' physiology, but also language, culture, and meaning. Healing and the Invention of Metaphor: Towards a Poetics of Illness Experience (Cambridge UP, 2025), written by renowned cultural psychiatrist Laurence Kirmayer, explores of the influence of metaphor, narrative, and imagination in experiences of suffering and processes of healing across cultures. It emphasizes how metaphor can open a window to the hidden mechanisms of healing driven by meaning and symbolism, myth and imagination. At the same time, it offers a rigorous critical account of the metaphors embedded in the epistemology and practice of contemporary biomedicine, psychiatry, and psychotherapy. In doing so, it exposes the sociomoral and political dimensions of these dominant approaches to understanding and treating illness.

Laurence J. Kirmayer is Distinguished James McGill Professor and Director of the Division of Social and Transcultural Psychiatry at McGill University. He directs the Culture & Mental Health Research Unit at the Institute of Community and Family Psychiatry of the Jewish General Hospital in Montreal. He is a fellow of the Canadian Academy of Health Sciences and the Royal Society of Canada.

Dr. Anya Daly is Senior Lecturer in Philosophy and Ethics in the School of Arts and Society, University of Tasmania. Interdisciplinary collaborations are at the core of Anya’s research interests. She investigates the intersections of phenomenology with philosophy of mind, the philosophy of perception, the philosophy of psychiatry, embodied and social cognition, enactivism, ethics, aesthetics and Buddhist Philosophy.

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