Not Your Granny's Quilt Show

What if making something with your hands could do more than give you a finished project? What if it could help you reconnect with yourself, quiet the noise, reclaim your imagination, and change the way you move through the world?

In this episode of Not Your Granny’s Quilt Show, I’m joined by Bonnie Smith Whitehouse, author, professor, and maker, to talk about the power of creative practice and her book, In Our Hands: A Maker’s Manifesto for Changing the World Through Creative Practices.

Bonnie makes a compelling case for why creativity isn't a luxury, an indulgence, or something we should squeeze into whatever time is left after everything else gets done. Making is part of being human. Whether you're quilting, painting, photographing, gardening, coding, or experimenting with something completely new, creative expression gives us a way to explore ideas, process emotions, and connect with ourselves in ways that words alone sometimes cannot.

We talk about the wisdom of our hands, the relationship between creativity and mental well-being, and how a creative practice can offer a little refuge from the constant noise of screens, productivity culture, and everyday responsibilities. Bonnie shares why protecting our imagination matters, how to make room for creativity in our homes and lives, and why being willing to look a little foolish is an important part of learning something new.

We also dig into the idea of pruning what no longer serves us to make room for growth, the importance of arts education, and why nurturing our ability to create feels especially meaningful in a world increasingly shaped by technology and artificial intelligence.

This conversation is a reminder that you don't have to be an artist, have a dedicated studio, or make something impressive to benefit from creativity. You just have to give yourself permission to begin.

In this episode, we talk about:

• Why making things by hand can help us reconnect with ourselves
• The connection between creative practice, mindfulness, and mental well-being
• Why creativity should be treated as an essential part of life, not just a hobby
• How quilting, painting, photography, coding, and other creative outlets can help us express ourselves
• Making space for creativity at home, even when you don't have a dedicated studio
• The value of being a beginner and embracing the “glorious awkwardness” of learning
• Letting go of what no longer serves you so new ideas and growth can take shape
• Why imagination and arts education are worth protecting
• How creative practice can help us find agency and hope in a complicated world

About Bonnie Smith Whitehouse

Bonnie Smith Whitehouse is an author and professor whose work explores the connections between creativity, making, imagination, and the human experience. Her book, In Our Hands: A Maker’s Manifesto for Changing the World Through Creative Practices, invites readers to recognize the power of their own creative instincts and make room for meaningful creative practices in everyday life.

📖 Find Bonnie’s book: In Our Hands: A Maker’s Manifesto for Changing the World Through Creative Practices

If this conversation inspires you to pick up a project, try something new, or make a little more room for creativity in your life, I’d love to hear about it in the comments!

Enjoying Not Your Granny’s Quilt Show?
👍 Like this episode and subscribe to the channel for more conversations with quilters, artists, makers, and creative people from all walks of life.
💬 Leave a comment and tell us what you're making!
📲 Share this episode with a creative friend who could use a little encouragement to make something.

#CreativePractice #Creativity #MindfulMaking #QuiltingCommunity #NotYourGrannysQuiltShow

Episodes are recorded, edited and produced by Amanda Oros.
Logo art by Myranda Mondry.

Want to see more? You can find it here:

• Find Podcast Merch here! nygqs.printify.me
• Follow along on Instagram:
Podcast - https://www.instagram.com/notyourgrannysquiltshow
Long-arming - https://www.instagram.com/sweetpeadesigncompany
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• Support the show on Patreon: patreon.com/notyourgrannysquiltshow

Want to be on the show? Send us a message

Quilting isn't just about making a beautiful quilt. It's about finding your people, learning something new, and giving yourself permission to enjoy the process, mistakes and all!

This week on Not Your Granny’s Quilt Show, I’m chatting with *Karen Brown of Just Get It Done Quilts, one of the most recognizable educators in the online quilting community. @JustGetitDoneQuilts But Karen didn't start out as a master quilter. She started as a sewist looking for a creative outlet during a challenging season of life, jumped into quilting with a king-size quilt, and learned a few things the hard way. Sound familiar?

Since launching her YouTube channel, Karen has helped quilters tackle beginner mistakes, improve their accuracy, manage their fabric stashes, and discover clever sewing hacks. In our conversation, we talk about how her channel grew, what she learned along the way, and why sharing what you know is so much more rewarding than competing with other creators.

We also get into the bigger picture of quilting: why there's room for every skill level and style, how modern tools make the craft more accessible, and why quilting is absolutely not a dying art. Plus, we talk about the emotional power of handmade quilts, the connections they create, and why a quilt is so much more than a blanket. It's a little bit of love, comfort, and safety you can wrap around someone.

In this episode, we talk about:
- How Karen discovered quilting during a challenging time in her life
- The early quilting mistakes that taught her valuable lessons
- How Just Get It Done Quilts grew from a few videos into a go-to quilting resource
- Sewing hacks, stash management, accurate piecing, and learning the basics
- Why you don't have to be a master quilter to enjoy the craft
- How quilting tools and technology open up new creative possibilities
- The importance of sharing knowledge instead of competing with other creators
- Why handmade quilts are meant to be used, loved, and lived with
- The generous, welcoming community that makes quilting so special

Whether you're a brand-new quilter, a seasoned maker, or someone who just loves learning from other creative people, this conversation is a reminder that there's no single right way to be a quilter. Find Karen and her quilting tutorials at Just Get It Done Quilts* on YouTube, and join us for a conversation full of practical wisdom, laughs, and appreciation for everything this craft has to offer.
If you enjoy the episode, please like, subscribe, leave a review, and share it with a quilting friend. It helps more people find the show and keeps these conversations going!
Thanks for watching and listening.

Episodes are recorded, edited and produced by Amanda Oros.
Logo art by Myranda Mondry.

Want to see more? You can find it here:

• Find Podcast Merch here! nygqs.printify.me
• Follow along on Instagram:
Podcast - https://www.instagram.com/notyourgrannysquiltshow
Long-arming - https://www.instagram.com/sweetpeadesigncompany
• Subscribe to YouTube: https://youtube.com/@notyourgrannysquiltshow
• Support the show on Patreon: patreon.com/notyourgrannysquiltshow

Want to be on the show? Send us a message

On this episode of Not Your Granny’s Quilt Show, I’m chatting with contemporary fiber artist Mindy Brown about her large-scale art quilts, her creative process, and the questions that keep her work evolving. Mindy builds her practice around sustained inquiry, returning to ideas and visual elements to discover what else they might become. Her work combines improvisation, bold color, and thoughtful experimentation, including the smaller “snapshots” she creates from her larger pieces.

We also talk about hand-dyed fabric and color gradients, including how Mindy’s search for just the right colors led her to create Saturation Point, her own hand-dyed fabric business. Plus, we get into the realities of balancing art with a full-time job, making dedicated studio time, and finding fulfillment in the work itself.

And because no conversation about contemporary quilting would be complete without a little quilt-show talk, we share some thoughts on exhibiting, judging, and why getting into a show should never determine the value of your art.

Mindy brings plenty of honesty, strong opinions, and thoughtful perspective to this conversation. Whether you make traditional quilts, art quilts, or something that doesn’t fit neatly into either category, there’s inspiration here to help you keep experimenting and make time for the creative work that matters to you.

In this episode:

• Mindy Brown’s journey into contemporary fiber art
• Large-scale art quilts and sustained inquiry
• Improvisation, experimentation, and knowing when a piece is finished
• Hand-dyed fabrics, color theory, and Saturation Point
• Balancing a full-time career with a dedicated art practice
• Quilt shows, judging, and separating artistic worth from outside validation
• Making time for creativity and following through on your ideas

Find Mindy Brown and her hand-dyed fabrics through Saturation Point, and explore more of her work online.

Thanks for watching Not Your Granny’s Quilt Show! If you enjoyed this conversation, like the video, subscribe, and share it with a fellow quilter who could use a little creative inspiration.

Episodes are recorded, edited and produced by Amanda Oros.
Logo art by Myranda Mondry.

Want to see more? You can find it here:

• Find Podcast Merch here! nygqs.printify.me
• Follow along on Instagram:
Podcast - https://www.instagram.com/notyourgrannysquiltshow
Long-arming - https://www.instagram.com/sweetpeadesigncompany
• Subscribe to YouTube: https://youtube.com/@notyourgrannysquiltshow
• Support the show on Patreon: patreon.com/notyourgrannysquiltshow

Want to be on the show? Send us a message

What if quilting could be more than patterns and precise piecing? What if fabric, paint, and stitch could help you discover your own artistic voice? 🎨🧵

This week on Not Your Granny’s Quilt Show, Amanda sits down with textile artist, author, and educator Deborah Boschert to talk about art quilt collage, creative exploration, and the updated 10th anniversary edition of her book, Art Quilt Collage: A Creative Journey in Fabric, Paint, and Stitch.

Deborah shares how she moved from traditional pieced quilts to the colorful, mixed-media art quilts she’s known for today. We talk about making art more approachable, finding inspiration in everyday images, experimenting with surface design, and using her eight design guides to move past the dreaded blank page.

We also get into the importance of finding your creative voice, why you don’t need an art degree to be an artist, and how recognizing your strengths can help you make work that feels uniquely yours. Plus, Deborah shares her perspective on entering quilt shows, judging and exhibiting artwork, teaching creative workshops, and learning to appreciate quilts beyond whether they match your personal taste.

And don't miss Deborah’s two practical tips for your own creative practice: give yourself permission to clear out what no longer serves you, and make visual decisions visually. Sometimes you just have to put the fabric on the design wall and see what happens!

Whether you're curious about art quilting, ready to experiment beyond traditional quilt patterns, or simply looking for a little creative inspiration, this conversation will encourage you to explore what's possible with the materials and skills you already have.

IN THIS EPISODE:

• Deborah’s quilting journey and the discovery of raw-edge fused appliqué
• Art quilt collage using fabric, paint, and stitch
• What’s new in the updated 10th anniversary edition of Art Quilt Collage
• Eight design guides to help you get started with composition
• Finding inspiration and developing your own creative voice
• Why you don’t need a formal art education to make original artwork
• Quilt shows, judging, exhibiting, and sharing your work
• The benefits of in-person and virtual creative workshops
• Making space for new ideas and experimenting with your materials

CONNECT WITH DEBORAH BOSCHERT
Find Deborah’s artwork, books, workshops, and more through her website https://www.deborahsstudio.com/publications and social media https://www.instagram.com/deborahboschert/

📚 Art Quilt Collage: A Creative Journey in Fabric, Paint, and Stitch is getting an updated second edition, with new images, examples, and insights from Deborah’s years of making and teaching.

If you enjoy this episode, subscribe to Not Your Granny’s Quilt Show, leave a review, and share it with a creative friend who could use a little inspiration!

#ArtQuilting #ArtQuiltCollage #QuiltingPodcast #QuiltArtist #ModernQuilting #TextileArt #CreativeProcess

Episodes are recorded, edited and produced by Amanda Oros.
Logo art by Myranda Mondry.

Want to see more? You can find it here:

• Find Podcast Merch here! nygqs.printify.me
• Follow along on Instagram:
Podcast - https://www.instagram.com/notyourgrannysquiltshow
Long-arming - https://www.instagram.com/sweetpeadesigncompany
• Subscribe to YouTube: https://youtube.com/@notyourgrannysquiltshow
• Support the show on Patreon: patreon.com/notyourgrannysquiltshow

Want to be on the show? Send us a message

This week on Not Your Granny’s Quilt Show, I’m talking with quilter and textile artist Sara Washington Goggin, the 2026/2027 Create Change resident at The Laundromat Project in Brooklyn, New York.

Sara is a video producer by day, but during the COVID shutdowns, quilting became a creative outlet and a way to stay connected with the people she loved. She began sharing pieces of her life on Instagram, and eventually her quilts started making their way into the feed. Somewhere along the way, people started calling what she was making “art.”

But Sara doesn't approach her creative practice as a productivity metric. She creates for pleasure, for connection, and for activism.

Through her residency, Sara is building a community of quilters and non-quilters who are looking for something many of us crave: a sense of belonging and safety. Her work has also become a way to respond to her own experiences and advocate for others.

After experiencing a traumatic birth, Sara knew she needed to do something. That realization led to Quilts for Reproductive Justice, a project bringing people together through sewing groups to create quilts that will be raffled to raise money in support of reproductive justice.

In this conversation, Sara and I talk about finding creativity during isolation, the difference between creating for pleasure and creating for productivity, building community through making, and what can happen when our creative practices become a way to support the causes and people we care about.

Sara is also accepting donations of clean, good-quality quilting supplies and sewing machines to support her work.

I hope this conversation encourages you to think about what creativity means in your own life. Maybe it's art. Maybe it's activism. Maybe it's community. Maybe it's simply something that makes you happy.

Maybe it can be all of those things at once.

Please enjoy this conversation with Sara Washington Goggin.

In this episode:
• Sara's journey from video producer to quilter and textile artist
• Discovering quilting during the COVID shutdowns
• Creating for pleasure instead of productivity
• The role of Instagram in building creative connection
• Sara's Create Change residency with The Laundromat Project
• Building community through sewing and quilting
• Creativity, belonging, and creating spaces for safety
• Quilts for Reproductive Justice
• Using quilting and community to support reproductive justice

Support Sara's work:
Visit quiltsforreprojustice.org to learn more about the project, donate, or find out how you can contribute supplies and sewing machines.

Please enjoy Sara Washington Goggin!

Episodes are recorded, edited and produced by Amanda Oros.
Logo art by Myranda Mondry.

Want to see more? You can find it here:

• Find Podcast Merch here! nygqs.printify.me
• Follow along on Instagram:
Podcast - https://www.instagram.com/notyourgrannysquiltshow
Long-arming - https://www.instagram.com/sweetpeadesigncompany
• Subscribe to YouTube: https://youtube.com/@notyourgrannysquiltshow
• Support the show on Patreon: patreon.com/notyourgrannysquiltshow

Want to be on the show? Send us a message

What if the thing that completely changed your creative direction started with a pile of leftover triangles?
Jenn Marks of Sewistry NC shares how a handmade sewing business, a pandemic, an improv quilting workshop, and some pre-cut triangles eventually led her to modern quilting and textile art.

This week on Not Your Granny’s Quilt Show, I’m talking with modern quilter, pattern designer, and sewing artist Jenn Marks of Sewistry NC. Jenn has a PhD in Sociology , a background in handmade business, and a creative journey that eventually led her to the world of modern quilting and textile art.
Jenn grew up watching her mother sew clothes, curtains, and dolls, but quilts weren't really part of her family's sewing story. After leaving home following high school, Jenn's mom gifted her her first personal sewing machine and Jenn kept sewing in small ways while working her way through school and raising a toddler. She ultimately earned her PhD while 8.5 months pregnant, then spent time in the workforce before making the decision to stay home with her children.
That change opened up more space for creativity. Jenn became a yoga instructor, started sewing more, and in 2013 launched a handmade business creating bags, pouches, and other sewn goods. She spent years in heavy rotation on the handmade market circuit, and by 2019, she had her most profitable year yet.
Then COVID changed everything.
During that time, Jenn took a whole cloth quilting workshop, learned improv quilting through Sherri Lynn Wood, and began exploring quilting in a much deeper way. After making masks during the pandemic, she found herself with a pile of pre-cut triangles. Those triangles eventually became her first quilt, and from there, Jenn dove headfirst into learning everything she could about quilts, quilting, and the broader world of textile art.
Since then, Jenn has continued to develop her voice as an artist. She's an alum of the Alderwood Studio Pattern Writing Academy, has exhibited her work in multiple places, and has built a strong community of fellow quilt artists who continue to challenge, encourage, and inspire her.
I love Jenn's story because it is such a great reminder that creative paths aren't always linear. Sometimes the thing you think is a side project becomes the thing that changes everything.
Come hear how Jenn went from sewing handmade goods to discovering modern quilting, developing her artistic practice, and finding a creative community that keeps her moving forward. Please enjoy this conversation with Jenn Marks of Sewistry NC!
In this episode:
• Jenn's journey from sociology PhD to textile artist
• Growing up around sewing without quilts
• Building a successful handmade sewing business
• How COVID changed the direction of her creative practice
• Discovering whole cloth and improv quilting
• The unexpected origin of Jenn's first quilt
• Learning to design quilt patterns
• Building community with other quilt artists
• Finding your creative voice and allowing your path to evolve
Explore Jenn's work and Sewistry NC at her website: https://www.sewistrync.com/

Episodes are recorded, edited and produced by Amanda Oros.
Logo art by Myranda Mondry.

Want to see more? You can find it here:

• Find Podcast Merch here! nygqs.printify.me
• Follow along on Instagram:
Podcast - https://www.instagram.com/notyourgrannysquiltshow
Long-arming - https://www.instagram.com/sweetpeadesigncompany
• Subscribe to YouTube: https://youtube.com/@notyourgrannysquiltshow
• Support the show on Patreon: patreon.com/notyourgrannysquiltshow

Want to be on the show? Send us a message

This week on Not Your Granny’s Quilt Show, I’m talking with San Francisco-based textile artist Ben Venom, whose work brings together the worlds of counterculture, music, repurposed materials, and traditional textile techniques in a way that is completely his own.

Ben grew up in the Atlanta punk rock scene of the 1990s, and while earning his MFA at the San Francisco Art Institute, he began making flags. In 2006, he saw the landmark Gee’s Bend quilt exhibition at the de Young Museum in San Francisco, an experience that changed the way he thought about textiles and opened the door to incorporating quilting into his artistic practice.

In 2008, Ben created his first quilted piece for a group exhibition in Berlin, using old punk T-shirts collected from years of seeing punk and heavy metal bands. That piece became the beginning of an ongoing exploration of what happens when materials, imagery, and histories from very different worlds are brought together.

I first discovered Ben’s work through an issue of QuiltFolk magazine, and I was immediately drawn to the juxtaposition of punk and metal imagery with silks, soft cottons, and traditional quilting techniques. There is something unexpected about seeing these materials together, and that tension is a huge part of what makes Ben’s work so compelling.

We talk about his path from the punk scene to textile art, the influence of Gee’s Bend, working with repurposed materials, and how the stories and histories held by those materials become part of the artwork itself.

Ben also shared a quote from Patti Smith that has become an important philosophy for how he approaches his life and work: build a good name, protect your work, don't compromise your values, and focus on doing good work.

That idea really stuck with me.

Ben’s work is available through his website, and he is currently teaching as an Artist in Residence at The Space Program in San Francisco. He is also creating a new body of work for a solo exhibition coming in February 2027, so definitely stay tuned for that.

In the meantime, go check out Ben’s work and prepare to see textiles, quilting, and repurposed materials from a very different perspective.
https://www.benvenom.com/

Please enjoy this conversation with Ben Venom!

In this episode:
• Ben’s Atlanta punk rock roots
• Discovering the Gee’s Bend quilts and the impact they had on his work
• His first quilted piece in 2008
• Turning punk and heavy metal T-shirts into art
• The stories and histories carried by repurposed materials
• The relationship between quilting, fine art, music, and counterculture
• Why doing good work and building a good name matter
• Ben’s upcoming solo exhibition in February 2027

Episodes are recorded, edited and produced by Amanda Oros.
Logo art by Myranda Mondry.

Want to see more? You can find it here:

• Find Podcast Merch here! nygqs.printify.me
• Follow along on Instagram:
Podcast - https://www.instagram.com/notyourgrannysquiltshow
Long-arming - https://www.instagram.com/sweetpeadesigncompany
• Subscribe to YouTube: https://youtube.com/@notyourgrannysquiltshow
• Support the show on Patreon: patreon.com/notyourgrannysquiltshow

Want to be on the show? Send us a message

What happens when a quilter has an idea, realizes she has talented friends, and lets everyone work their magic?

Eva Saunders of Gingerly Quilt Co. joins me to reveal the story behind The Grimoire Dark Magic Sampler, a fantasy-inspired collaborative quilt where every designer gets to shine.

My friend and returning guest Eva Saunders of Gingerly Quilt Co. is back on Not Your Granny’s Quilt Show to share the story behind her latest quilt pattern, a collaborative sampler inspired by fantasy, dark academia, and a little bit of magic.

The idea for The Grimoire came to Eva while she was recovering from her “QuiltCon Cold” and spending a lot of time immersed in the art deco-inspired world of her recent quilt patterns. She had designed a beautiful frame, but something was missing. She didn't know exactly what belonged in the middle.

Then Eva remembered something very important: she has friends.

And those friends happen to be incredibly talented quilt designers.

What began with Eva’s frame grew into a collaborative sampler featuring a collection of beautifully designed blocks, each with its own personality, that come together to create one cohesive, moody, magical quilt. In our conversation, we talk about the creative challenge of collaboration and the fine balance between creating a cohesive whole while still allowing each individual artist’s work to shine.

And yes, Eva gave me a sneak peek at the final layout MONTHS ago, so I am extremely relieved that I can finally talk about this quilt. Keeping that secret has been torture!

Get ready for the *Grimoire Dark Magic Sampler Sew-Along, October 1–31, 2026!

Patterns are available at the link below, and kits will be available through several retailers. When you purchase the pattern, you’ll also get the opportunity to unlock a bonus block by solving a riddle. Because obviously, a magical sampler needs a little mystery.

And there’s more! When you finish your own Grimoire Sampler, I’ll be offering a special discount for sending your quilt to Sweet Pea Design Company for edge-to-edge quilting. Stay tuned for all the details!

Whether you love quilting, fantasy, dark academia, Art Deco design, or just the magic that happens when creative people work together, I hope you enjoy this conversation with Eva. Please enjoy Eva Saunders of Gingerly Quilt Co.! The Grimoire Dark Magic Sampler*

• Sew-Along: October 1–31, 2026 🔮 Pattern: https://gingerlyquiltco.com/GRANNYS
• Kits: Available through participating retailers (like Sewfinity.com)
• Bonus block: Solve the riddle included with your pattern
•

Finished quilt: Stay tuned for a special Sweet Pea Design Company quilting discount

*Collaborators:*
Block 1 – Quill of Wisdom – Eva Saunders @gingerlyquiltco
Block 2 – Edge of Light – Lauren Metang @palm__creations
Block 3 – Fairy Lights – Erin Nichole @mija.handmade
Block 4 – Bookbound Demon – Jennifer Larimore @nerdynquilty
Block 5 – Enchanted Rose – Amber Elliot @alderwoodstudio
Block 6 – Drink of Destiny – Kelsey Swatske @white_rosedesigns
Block 7 – Dragon’s Flight – Rebecca Halvorsen @quiltbynight
Block 8 – Fractured Crystal – Chris Marchini @rosecityoriginals
Block 9 – Enchanted Elixirs – Adrianna Jaffrani @gettingjazzywithitig
Block 10 – Raven Skull – Glynis Thompson @quiltcorepatterns
Block 11 – Gilded Serpent – Sofia Natty @sofianatty.nyc
Block 12 – Midnight Flame – Sarah Pitcher @quiltnsew / Pitcher’s Boutique
Block 13- Creature of the Night – Cole Whitaker @colesquilts
Bonus Block Love Interest – Glynis Thompson @quiltcorepatterns

Sponsors
Art Gallery Fabrics -- https://www.artgalleryfabrics.com/
Aurifil -- https://www.aurifil.com/

Episodes are recorded, edited and produced by Amanda Oros.
Logo art by Myranda Mondry.

Want to see more? You can find it here:

• Find Podcast Merch here! nygqs.printify.me
• Follow along on Instagram:
Podcast - https://www.instagram.com/notyourgrannysquiltshow
Long-arming - https://www.instagram.com/sweetpeadesigncompany
• Subscribe to YouTube: https://youtube.com/@notyourgrannysquiltshow
• Support the show on Patreon: patreon.com/notyourgrannysquiltshow

Want to be on the show? Send us a message

What if the quilts we make today become the history someone studies 100 years from now?

Quilt historian Tara Miller joins me to talk about the stories, people, women’s history, and cultural context hidden inside the quilts we’ve inherited. From her work curating The American Quilt: Cloth and Commerce to her journey from technical writing to studying quilt history, this conversation might make you look at quilts a little differently.

Before dedicating herself to quilt history, Tara spent 22 years in the corporate world as a technical writer in the software industry. Along the way, she discovered a deeper passion for understanding quilts not just as objects, but as a way to explore women’s history, culture, creativity, commerce, and everyday life.

Tara first began developing her appreciation for the historical side of quilting through books. In 2018, she joined the American Quilt Study Group, diving even deeper into the study and preservation of quilt history. She also credits a long list of incredible mentors who helped her develop a deep appreciation for textiles and their significance in our past, present, and future.

We talk about what drew Tara to quilt history, what we can learn by looking closely at the textiles that came before us, the importance of preserving these stories, and why understanding the past can change the way we look at the quilts being made today.

Whether you're a quilter, textile lover, history nerd, or simply curious about the stories hidden in the things people make, I hope this conversation inspires you to take a closer look at the quilts around you. Because every quilt has a story. And sometimes, the history is just as fascinating as the quilt itself.

*In this episode:
• Tara’s journey from technical writer to quilt historian
• Curating The American Quilt: Cloth and Commerce* at the Bowers Museum
• How books opened the door to quilt history
• The American Quilt Study Group and the study of quilt history
• The importance of mentors and preserving textile knowledge
• Quilts, women’s history, and the stories held in textiles
• Why understanding quilt history can deepen our creative practice today

Episodes are recorded, edited and produced by Amanda Oros.
Logo art by Myranda Mondry.

Want to see more? You can find it here:

• Find Podcast Merch here! nygqs.printify.me
• Follow along on Instagram:
Podcast - https://www.instagram.com/notyourgrannysquiltshow
Long-arming - https://www.instagram.com/sweetpeadesigncompany
• Subscribe to YouTube: https://youtube.com/@notyourgrannysquiltshow
• Support the show on Patreon: patreon.com/notyourgrannysquiltshow

Want to be on the show? Send us a message

This week on Not Your Granny's Quilt Show, I'm welcoming back a returning friend, Meagan Guite!

Meagan is the Project Coordinator at Ruby Star Society, where she gets a behind-the-scenes look at how fabric collections come to life. From the early conversations and collaborations to the conception of new fabric lines and the final launch, Meagan gets to be part of the process that brings some of our favorite fabrics into the world.

She also plays a hands-on role in deciding how new collections are presented and showcased when they launch, giving her a unique perspective on the business, creativity, and relationships behind the fabric we love.

But Meagan's story has changed since we last talked.

After being diagnosed with breast cancer, Meagan stepped back from sharing parts of her creative process. In some ways, sharing more would have meant acknowledging something she wasn't quite ready to accept: that she had cancer.

Thankfully, early detection meant that her treatment was successful. Now, Meagan is on the road to healing and looking toward the future with a renewed passion for sewing, quilting, and the community that surrounds them.

Being changed by the experience has given Meagan a new perspective on what she wants from her creative life. She's brimming with ideas and excitement about building meaningful relationships within the quilting industry, starting with local quilt shops and the people who make those communities so special.

This year, Meagan is holding onto one word: peace.

We talk about what it means to find peace in creativity, to reconnect with sewing after a difficult season, and to embrace the humanness of making things with our hands.

In this episode, we talk about:

• The behind-the-scenes process of creating fabric collections
• Meagan's role at Ruby Star Society
• The collaboration and relationships behind fabric design
• Returning to sewing with a renewed sense of excitement
• Finding your way back to creativity after a difficult season
• Building meaningful relationships within the quilting community
• Supporting local quilt shops
• The importance of giving yourself space to heal and change
• Finding peace through sewing and quilting

I'm so happy to welcome Meagan back to the show and to hear her talk about where she's been, where she's going, and what she's excited about next.

Please enjoy the return of my friend, Meagan Guite!

Episodes are recorded, edited and produced by Amanda Oros.
Logo art by Myranda Mondry.

Want to see more? You can find it here:

• Find Podcast Merch here! nygqs.printify.me
• Follow along on Instagram:
Podcast - https://www.instagram.com/notyourgrannysquiltshow
Long-arming - https://www.instagram.com/sweetpeadesigncompany
• Subscribe to YouTube: https://youtube.com/@notyourgrannysquiltshow
• Support the show on Patreon: patreon.com/notyourgrannysquiltshow

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This week on Not Your Granny’s Quilt Show, I’m joined by Tara Faughnan, quilter, pattern designer, teacher, and the creative force behind the new Handloom fabric collection with Windham Fabrics.

Tara has built a name for herself through her distinctive approach to color, texture, and quilt design. Her quilts bring unexpected color combinations and fresh energy to classic quilt blocks, creating work that feels both playful and deeply thoughtful.

Tara was the featured quilt artist at QuiltCon 2025 in Phoenix, Arizona, where her exhibit showcased her unique interpretations of traditional quilt blocks. Seeing these quilts in person was an incredible experience, and this conversation gives us a chance to dig deeper into the creative mind behind them.

Tara recently launched Handloom, her first licensed fabric collection with Windham Fabrics. The woven fabrics are a beautiful reflection of Tara’s love of color and texture, with a versatility and timeless quality that make them exciting for quilters and sewists alike. Tara has previously worked as an in-house designer for both Michael Miller Fabrics and Windham, making this first licensed collection an exciting new chapter in her career.

We also talk about Tara’s approach to teaching and community through her Block Studies Collective, a membership program built around exploring quilt blocks through color, creativity, and connection.

Each six-month season includes:
🧵 Curated color palettes
🧵 Video courses for each new block
🧵 Monthly Zoom meetups
🧵 Guest designers
🧵 Virtual sewing days
🧵 Access to a private creative community

Tara has built something really special around her business. She shows up honestly and authentically, and that same spirit carries through the community she has created.

In this episode, we talk about:

• Designing her first licensed fabric collection
• Handloom with Windham Fabrics
• Color and texture in quilt design
• Her experience as the QuiltCon 2025 featured artist
• Reimagining traditional quilt blocks
• Teaching and building creative community
• The Block Studies Collective
• Finding your artistic voice
• Creating an authentic presence online and in business

Whether you’re interested in modern quilting, quilt design, color theory, fabric design, quilting education, or building a creative community, there is something here for you.

Learn more about Tara’s patterns, courses, Block Studies Collective, and Handloom:
Tara Faughnan

Episodes are recorded, edited and produced by Amanda Oros.
Logo art by Myranda Mondry.

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This week on Not Your Granny's Quilt Show, I'm joined by Luke Haynes, also known as Entropies, an architect turned quilt artist whose bold, large-scale work has redefined what quilts can be.

Long before quilting became his career, Luke was a maker. He learned to knit and crochet at a young age, attended an arts high school, and was always drawn to creating with his hands. While still a student, he chose fabric as the medium for an artistic portrait project, discovering a love for reclaimed textiles and the endless possibilities hidden within them.

After earning a degree in architecture, Luke entered the profession but soon realized he wasn't in a place where he could fully express his creativity or make the impact he envisioned. Nearly 20 years ago, he made the leap to become a full-time quilt artist, combining his architectural perspective with quilting to create striking works that blur the line between fine art and traditional craft.

Today, Luke is known for his large-scale portrait quilts, public art installations, and innovative use of reclaimed and vintage fabrics. His work invites viewers to reconsider what quilting can be and where quilts belong.

In this episode, we talk about:

• Transitioning from architecture to full-time quilt art
• Creating large-scale portrait quilts
• Working with reclaimed and vintage textiles
• Public art installations and community spaces
• The intersection of architecture and quilting
• Building a career as a professional textile artist

We also discuss Luke's exciting collaboration with Coach. Using vintage and thrifted quilts and textiles, Luke created entirely new quilted fabrics that became a collection of Coach handbags, introducing quilting craftsmanship to an entirely new audience.

If you're attending the Festival of Quilts, be sure to visit Luke's exhibition, Portraits in Fabric, in the Textile Galleries.

Whether you're interested in modern quilting, textile art, architecture, sustainability, or creative careers, this conversation is packed with inspiration.

Learn more about Luke and his work:
[Insert website if you'd like to include it]

Follow Luke on Instagram:
@entropies

Episodes are recorded, edited and produced by Amanda Oros.
Logo art by Myranda Mondry.

Want to see more? You can find it here:

• Find Podcast Merch here! nygqs.printify.me
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Podcast - https://www.instagram.com/notyourgrannysquiltshow
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A trip to Japan completely changed the way Teresa Duryea Wong understood quilting. That journey became the foundation for years of research, writing, and preserving quilt history.

This week on Not Your Granny's Quilt Show, I'm joined by Teresa Duryea Wong of Third Floor Quilts, an award-winning quilt historian, author, and educator whose passion for quilting has led her around the world.

Teresa is the author of seven books on quilting, textile history, and design, with an eighth book, Old Quilts Made New: Finishing Antique Designs with Free Motion Quilting, releasing in September 2026.

Before becoming one of quilting's most respected writers, Teresa spent many years in the corporate world as a professional writer, traveling extensively for work. When it came time to choose the next chapter of her life, she followed two lifelong passions: quilting and writing.

Teresa learned to sew as a child because making clothing was simply the practical thing to do. Quilting, however, came later. It was a close friend who introduced her to quilting as an adult, and she quickly fell in love with the craft.

Living in the Houston area meant annual trips to the International Quilt Festival, where one style of quilting captured her imagination above all others: Japanese quilts. Their balance, precision, thoughtful composition, and beautiful fabrics inspired Teresa to learn more.

In 2014, she traveled to Japan to study the country's rich quilting traditions firsthand. That journey deepened her appreciation for how quilting was embraced, adapted, and transformed within Japanese culture, eventually inspiring several of her books and years of research.

In this episode, we talk about:
Teresa's journey from corporate writer to quilt author
The history and artistry of Japanese quilting
Researching quilting traditions around the world
Writing books about quilting and textile history
Free motion quilting antique quilt designs
Why understanding quilt history enriches modern quilting
Her upcoming book, "Old Quilts Made New"
Whether you love quilt history, free motion quilting, antique quilts, or Japanese textiles, Teresa's passion for preserving and sharing quilting knowledge shines through every story she tells.
Learn more about Teresa, her books, lectures, and upcoming events: https://www.teresaduryeawong.com
Follow Teresa on Instagram: @third_floor_quilts

Subscribe for more conversations with quilt historians, artists, authors, and makers who are preserving and shaping the future of quilting.

Episodes are recorded, edited and produced by Amanda Oros.
Logo art by Myranda Mondry.

Want to see more? You can find it here:

• Find Podcast Merch here! nygqs.printify.me
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This week on Not Your Granny's Quilt Show, I'm joined by Brent McGee, a textile artist whose creative journey has taken him from the stage to the sewing studio.

Before quilting became his calling, Brent lived a life immersed in the performing arts. A professionally trained musician, he performed in musical theater and spent several years entertaining audiences in a New York City piano bar. Creativity was always part of his life, thanks to a family that encouraged artistic expression.

Everything changed during the 2020 lockdowns.

Taking an unexpected break from live performance, Brent's sister commissioned him to create a textile art piece for her new home. The satisfaction of completing that project awakened something new. What began as a single commission quickly became an artistic obsession fueled by curiosity, experimentation, and a desire to explore the possibilities of fiber.

Brent's early work explored hand-dyed fabrics and intricate hand quilting, culminating in his award-winning piece Intertidal Invertebrates. But instead of settling into a style, he challenged himself once again.

Today, Brent primarily works with unbleached muslin and wool batting, creating sculptural textile art that embraces the natural qualities of the materials. Rather than forcing the fabric into a preconceived design, Brent listens to what the fabric wants to become. Through that process, he has found a deeper connection between creativity, intuition, and spirituality.

In this episode, we talk about:

• Transitioning from professional musician to textile artist
• Finding a new creative path during the 2020 lockdowns
• Hand quilting and sculptural textile art
• Working with unbleached muslin and wool batting
• Letting materials guide the creative process
• Curiosity, experimentation, and artistic growth
• Creativity as a spiritual practice

We also discuss Brent's piece Apollo and Python, which has been accepted into Quilt Visions at the Visions Museum of Textile Art. The exhibition runs from October 24, 2026 through January 16, 2027.

If you love contemporary quilting, textile art, hand quilting, or conversations about creativity and artistic growth, this episode is for you.

Follow Brent and explore his incredible work:
@brentmcgeequilts on Instagram

Subscribe for more conversations with the artists, makers, and innovators shaping the future of quilting.

Episodes are recorded, edited and produced by Amanda Oros.
Logo art by Myranda Mondry.

Want to see more? You can find it here:

• Find Podcast Merch here! nygqs.printify.me
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This week on Not Your Granny's Quilt Show, I'm joined by Carolina Oneto, an internationally recognized quilt artist, teacher, and soon-to-be author whose work beautifully blends color, design, and artistic expression.

Born in Chile, Carolina's path to quilting was anything but traditional. Like many quilters, she began her professional life in engineering, working in the field for several years and teaching at her alma mater before ultimately pursuing quilting full time.

As Carolina developed her quilting skills, she sought out opportunities to learn from respected artists throughout South America, including mentors in Argentina and Brazil. A pivotal moment came when she studied color interaction and color theory with Lucia Stacchetti. That experience transformed the way Carolina viewed her work and helped her shift from seeing quilting as a craft to embracing it as an art form.

Today, Carolina creates award-winning quilts, teaches online and in-person classes around the world, and exhibits her work internationally. Her quilts are known for their striking use of color, movement, and thoughtful design, inspiring quilters to think differently about their own creative process.

In this episode, we talk about:

• Transitioning from engineering to professional quilting
• The role of color theory in quilt design
• Studying with influential quilt artists in South America
• Viewing quilts as art
• Teaching quilting around the world
• Finding and developing your artistic voice
• Carolina's upcoming book project

We also discuss the evolution of Carolina's work and how continuing education, experimentation, and curiosity have shaped her creative journey.

If you're interested in color, quilt design, textile art, or hearing how artists develop their unique perspective, this episode is one you won't want to miss.

Learn more about Carolina, her classes, workshops, and newsletter:
Carolina Oneto Official Website

Follow Carolina on Instagram:
@carolina_oneto

Subscribe for more conversations with quilters, artists, educators, and creatives shaping the future of quilting.

Episodes are recorded, edited and produced by Amanda Oros.
Logo art by Myranda Mondry.

Want to see more? You can find it here:

• Find Podcast Merch here! nygqs.printify.me
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This week on Not Your Granny’s Quilt Show, the guest is... me!

When I'm not behind the microphone, I'm running my longarm quilting business, Sweet Pea Design Company, helping quilters finish their projects and bring their quilt tops to life.

In this episode, I'm sharing my updated guide to preparing a quilt for longarm quilting. While I've covered some of these topics before, it felt like the perfect time to revisit the process, answer common questions, and explain the reasoning behind many of the requests longarm quilters make.

Whether you're sending your very first quilt to a longarmer or you're a seasoned quilter looking for a refresher, this episode covers practical tips to help your quilting experience go smoothly.

We'll talk about:

• How to prepare your quilt top for longarm quilting
• Backing fabric requirements and common mistakes
• Choosing the right batting for your project
• Different batting options and how they affect the finished quilt
• How to select a pantograph design
• Why longarm quilters have specific preparation requirements
• Building a successful relationship with your longarm quilter

Every longarm quilter has their own preferences and process, but these tips are based on years of experience and my commitment to delivering the best possible results for every quilt that comes through my studio.

Most importantly, I hope this episode helps demystify the longarm quilting process and encourages quilters to communicate openly with their longarmer. The relationship you build with the person finishing your quilt can make all the difference.

Have questions after listening? Reach out! I'm always happy to help fellow quilters better understand the longarm quilting process.

Thank you for listening, watching, and supporting Not Your Granny's Quilt Show. I appreciate every one of you.

Episodes are recorded, edited and produced by Amanda Oros.
Logo art by Myranda Mondry.

Want to see more? You can find it here:

• Find Podcast Merch here! nygqs.printify.me
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This week on Not Your Granny’s Quilt Show, I’m joined by Steph Skardal, quilter, fiber artist, software engineer, and the featured artist for QuiltCon 2027. Steph’s work has been exhibited in quilt shows and featured in books and magazines, earning recognition for her innovative approach to quilting and textile art.

Whether she is designing quilts, experimenting with color, or exploring new artistic concepts, Steph is always pushing the boundaries of what quilting can be. By day, Steph works as a software engineer, and that analytical mindset led her to create Quilty Solid, a free app designed to help quilters make more confident fabric and color choices. The tool allows users to explore and compare solid fabric collections from multiple manufacturers, making it easier to visualize color combinations before cutting into fabric.

In this episode, we talk about:
Preparing for her featured artist exhibit at QuiltCon 2027
The intersection of technology and quilting
Using color intentionally in quilt design
Developing the Quilty Solid app
Creativity, experimentation, and artistic growth
Pushing boundaries in modern quilting

Steph also shares insights into her recent work and the creative process behind building a cohesive body of quilts for a major exhibition. We discuss how her perspective as both an engineer and artist influences her design decisions and why she is passionate about creating tools that help quilters spend less time second-guessing fabric choices and more time making.

We also chat about her recently announced color palette for the Windham Fabric Challenge and what excites her about the future of quilting and textile art. If you love modern quilting, color theory, quilt design, technology, or seeing artists challenge expectations, this episode is for you. Learn more about Steph, her quilts, classes, and creative work: https://www.stephskardalquilts.com/
Follow Steph on Instagram: @stephskardal

Episodes are recorded, edited and produced by Amanda Oros.
Logo art by Myranda Mondry.

Want to see more? You can find it here:

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This week on Not Your Granny’s Quilt Show, I’m joined by Marion Keller, the Lead Artistic Program Designer for Carrefour European Patchwork Meeting, one of the most unique and internationally celebrated quilt events in the world.

Marion never expected to work in the quilting industry or spend her days surrounded by quilts and textile art, but after six years with Carrefour, she considers herself an honorary member of the quilting community.

In this episode, Marion shares the story behind the show and explains why the breathtaking valley of Alsace creates the perfect setting for this immersive four-day quilting and textile arts experience.

We also dive into the fascinating history of the event. The original 1995 symposium in Sainte-Marie-aux-Mines commemorated the 300th anniversary of the Amish movement. Because Sainte-Marie-aux-Mines is considered the birthplace of the Amish faith, the gathering brought together historians, descendants of Anabaptist communities, textile enthusiasts, and artists from around the world. That symposium eventually evolved into the internationally recognized Carrefour quilt show.

What makes Carrefour so distinctive is its curatorial approach. Rather than displaying individual quilts from many makers in one shared exhibit, invited textile artists present cohesive bodies of work that transform each venue into a complete artistic experience.

The exhibitions are spread throughout four villages in the valley, creating an unforgettable mix of quilting, textile art, history, architecture, and culture.

In this episode, we talk about:

• The history of Carrefour European Patchwork Meeting
• Quilt exhibitions in Alsace, France
• Textile art and curatorial design
• The connection between Amish history and quilting
• International quilting communities
• Creating immersive artistic experiences through quilts

Learn more about Carrefour and upcoming events:
https://patchwork-europe.eu/en/home/

Follow along on Instagram:
@carrefour_patchwork

If you love quilting, textile art, quilt history, or dream of attending an international quilt show, this episode is for you.

Episodes are recorded, edited and produced by Amanda Oros.
Logo art by Myranda Mondry.

Want to see more? You can find it here:

• Find Podcast Merch here! nygqs.printify.me
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This week on Not Your Granny’s Quilt Show, I’m joined by Kenneth D. King, couture designer, author, educator, and lifelong maker whose work spans custom fashion, doll couture, and museum exhibitions.

Kenneth is the author of Doll Couture and Doll Couture: Red Carpet, two books that showcase his extraordinary talent for designing and constructing high-fashion garments for dolls. He also teaches at the Fashion Institute of Technology and has created custom couture pieces worn by Elton John.

Yes, that iconic hat from the 1987 Diet Coke commercial launch? Kenneth designed it.

Kenneth’s love of dolls and fashion began in childhood. Growing up in rural Oklahoma, he quietly used fabric scraps from his mother’s sewing to create clothing for dolls he inherited from his sister. What began as a private creative outlet eventually became an internationally recognized career.

In 1980, Kenneth moved to San Francisco, where he built his design business before relocating to New York City in 2005.

In this episode, we talk about:

• Kenneth’s journey from rural Oklahoma to the world of couture fashion
• Designing custom pieces for Elton John
• Teaching couture sewing techniques at FIT
• Writing the Doll Couture books
• The artistry and technical skill behind doll fashion
• Creativity, identity, and following your artistic vision

We also talk about Kenneth’s glamorous “assistant,” Lola, along with Crazy Bella, two dolls who have become stars in their own right. Lola will be featured in the Dressing Dolls exhibit at the Museum at FIT from September 2026 through January 2027.

Explore Kenneth’s books, courses, and couture work:
Kenneth D. King official website

Follow Lola and Crazy Bella on Instagram:
@lolatheshowgirl24

If you love sewing, couture, doll fashion, and stories about creative lives, this episode is not to be missed.

Episodes are recorded, edited and produced by Amanda Oros.
Logo art by Myranda Mondry.

Want to see more? You can find it here:

• Find Podcast Merch here! nygqs.printify.me
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This week on Not Your Granny’s Quilt Show, I’m joined by Tawnee Kinnebrew, owner of Wyldwood Creative, a modern quilt shop and sewing community built on creativity, connection, and the belief that making should feel welcoming and inspiring.

Tawnee has always been creative and credits the women who raised her with instilling a simple but powerful mindset: “How hard can it be?”

That attitude shaped her path. After considering fashion design school, Tawnee decided to trust her instincts and made her first quilt, a story she shares in this episode that will sound familiar to many quilters.

Before opening her shop, Tawnee worked in a demanding sales career that kept her away from friends and family during important moments. Realizing she wanted a different life, she left her job, ran the numbers, and turned her dream of opening a quilt shop into reality.

Wyldwood Creative opened in October 2019 with a vision to create a quilt and sewing store rooted in community and core values. Just months later, the challenges of 2020 forced a rapid pivot to online sales and social media. Tawnee adapted quickly, built meaningful relationships with customers, and continued growing the business.

As the shop expanded, Tawnee assembled a team of like-minded creatives who help make Wyldwood Creative the warm and welcoming space it is today.

Today, Wyldwood Creative offers quilting fabric, sewing notions, patterns, classes, and workshops designed to support makers at every stage.

Visit Wyldwood Creative:
Wyldwood Creative website

Follow on Instagram:
@wyldwoodcreative

If you love quilt shops, quilting business stories, and conversations about creativity and community, this episode is for you.

Episodes are recorded, edited and produced by Amanda Oros.
Logo art by Myranda Mondry.

Want to see more? You can find it here:

• Find Podcast Merch here! nygqs.printify.me
• Follow along on Instagram:
Podcast - https://www.instagram.com/notyourgrannysquiltshow
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