Songwriters on Process

"My ideas are the most plentiful when I just put something out into the world," says Claud. "I immediately start thinking about all the stuff I want to do next time." Some of that stuff comes from consistent journal writing, where their big picture ideas and creative world emerge. But the hard part, as we all can attest, is how to minimize distractions to let those ideas happen in the first place. The secret for Claud is two-fold: never use in flight wi-fi, and always take the new puppy for a walk first thing in the morning without a phone.

Claud's latest album is Me and the Musicon Dead Oceans Records.

"It's trash that evokes emotion," says Chelsea Rifkin of Wilt referring to her junk journal. The singer for the LA-based band uses this journal as an important part of her songwriting process. The title is literal: "It's a scrapbook of trash that I get throughout the day."

Rifkin showed me one of the journals. It was filled with napkins, stickers, cards, menus, wrappers--literally anything that might evoke a memory later on. This makes perfect sense because touching and seeing a concrete object from a past event would seem to evoke a more powerful memory than re-reading just your thoughts about that past event in a more traditional journal. It absolutely works for Rifkin. "The junk really unlocks a memory for me and exactly how I was feeling at that time." And it's often those memories that start the songwriting process for her.

Wilt's debut album "When No One's Watching" (produced by Carlos de la Garza) is out now.

"I get a prebiotic soda and some popcorn, then head upstairs to write. And if I'm not feeling it, I leave." Joy Oladokun is nothing if not brutally efficient in her songwriting process. There's no room for wasted time. "I work fast but never in a rush," she says. Oladokun writes most of her songs in a matter of minutes, but that's because she's methodical, not haphazard.

Oladokun likes to write in the morning, ideally among birds. "I love the morning because I get to see the world change," she says. Oladokun sits on the porch in the morning with her coffee and engages in "mandatory bird watching," keeping a guitar by the door in case she gets inspired. "A lot of songs come from the moment of living the first part of my day."

Oladokun's latest album is Hope is a Heavy Thing on Concord Records.

“I love to sing out loud there. No one can hear me because everyone is, well, underground,” says Julia Jacklin. And if that’s not the best reason for singing in a cemetery, I don’t know what is.

Walking is a daily and essential part of Jacklin’s process. “I’m obsessed with walking,” she says. There are two kinds of walks to Jacklin’s process. The first is when she goes with nothing on her mind; this is for filling the well with inspiration. The second is what she calls “intentional walking to get the lyrics right. I always get stuck on the second verse when I write, so walking helps me."

Now back to the cemetery, which Jacklin says was a “huge part” of the songwriting process of the new album. There’s one not far from where she lives, so she goes every day. There’s the flowers, the serenity, and of course the existential thoughts that accompany a walk through a cemetery. Quite simply, it brings her peace. “I’m always drawn to cemeteries when I’m feeling overwhelmed,” Jacklin says.

Julia Jacklin’s latest album is The Gem, out now on 4AD Records.

"I like to write at my desk," says Brennan Wedl. It makes me feel like a professor, so it's correlated with discipline in my brain. It's like a writing altar." This tracks with Wedl's penchant for adhering to a writing ritual and its attendant discipline. She's a big fan of Post-it notes, loves to get up early and feel the sun on a morning walk, and believes in the power of a schedule. But as you'll hear, when she really wants to "lock it in," she turns to the power of chewing gum.

Brennan Wedl self-titled debut albumis out now on ANTI- records.

"I have my best thoughts in total comfort and complete boredom," Taja Cheek (known professionally as L'Rain) says. After all, who doesn't prefer a good couch or bed when they write? But when it comes to pure inspiration, Cheek likes to be "alone together": around people but deep in her own thoughts. That's why she loves the New York City subway and what she calls "intentional walking" on the city streets amidst all its distractions. But as you'll hear, nothing beats a good cab ride.

L'Rain's latest album is fata morgana.

"I like to do things that make me feel integrated with the environment," says Margaret Glaspy. Broadly, Glaspy's process involves a general resistance to technology, which is why we had a great discussion about the benefits of cursive. It should also come as no surprise that Glaspy believes in pen and paper (and very specific kinds) for her lyrics.

This resistance to technology is borne out the correct belief that it destroys our ability to focus, so Glaspy writes in fifteen minute increments punctuated by short breaks. Glaspy does this for as long as she stays inspired. And as you'll hear, sometimes there's nothing like walking the dog to maintain that inspiration.

Margaret Glaspy's latest album is IAm Both on ATO Records.

*ED NOTE: Listen to my 2021 interview with Glaspy and Sarah Jarosz here.

Ketch Secor of Old Crow Medicine Show is the first person I’ve interviewed to compare the songwriting process to feline copulation. But this unique metaphor actually reflects Secor’s deep introspection: only someone who reads all the time would even consider how these two events are related. And Secor reads. All. The. Time.

Old Crow Medicine Show’s latest album is Union Made.

"You need to be somewhere where you allow yourself to be totally stupid," say Jess Wolfe and Holly Laessig of Lucius. Not great life advice, but it's fantastic advice for the creative process. In other words, the initial stage of any creative process means getting out of your own way and releasing all inhibitions. It's about putting everything down on paper, no matter how stupid, and deciding later whether it belongs.

Wolfe and Laessig's initial stage involves fantastic word games. One will open a book, close her eyes, then put their finger on a random word. They then write about that word for ten or so minutes in a freewriting exercise. In another game, bandmates try to discern what another band member is mumbling or humming.

The new self-titled album by Lucius is out now.

Kyle Grim of Dogwood Tales was born in the wrong century. He really belonged among the Romantic poets, who saw the purity of nature as a source of renewal. I mentioned this to Grim after he told me that a large part of his process revolves around the wonderment of nature. He loves to walk, and in those moments he finds beauty in water, the shadows of trees, and even the ducks. Then again, Grim counts William Faulkner and Breece D'J Pancake among his favorite writers, so his actual influences are more modern.

The first time I heard the Harrisonburg, Virginia band's song "McMemories," I was hooked. Their new album Every Star in Rockingham County on Born Losers Records is one of my favorite releases of the year.

Jim James needs a bigger head. How else to accommodate all the bursts of creativity he has throughout the day? They happen all the time. The My Morning Jacketfrontman finds art galleries to be a particularly rich source of inspiration, but he also loves a good walk. Even the middle of the night is productive for James, though he admits that’s because of his insomnia. Who needs to force the process when your day is filled with ideas?

Jim James’s latest album is Wowed Out

You have seen Alicia Witt. Of that I can be sure since she's appeared in so many movies and tv shows. (She starred most recently opposite Nicolas Cage in Longlegs.) But Witt is also an accomplished piano player and singer/songwriter; it's not something she does in her spare time as a hobby. Her upcoming album is her fifth release, and her experience as an actor informs her songwriting process in the attention she pays to her lyrics.

Alicia Witt's latest album is Between Heaven and Earth. The album was inspired by Witt's enduring friendship with David Lynch.

Tyler Mabry and Harlow Phillips of Athens-based hey, nothing have been friends since middle school. And when you've grown up with your songwriting partner, you have a good idea of what makes for an efficient writing process. Both have a clear idea of how to set up for success when they write, down to where and when they're the most productive. This includes the secret to editing: try to do it when you're sick.

hey, nothing's major label debut Hound is out on on Music Soup/Interscope Records.

Took a wonderfully deep dive into the songwriting process with David Shaw of The Revivalists. We discuss middle of the night epiphanies, how mishearing a lyric can make for a better lyric, and how reading great literature makes for better songwriting.

The latest album by The Revivalists is Get It Honest.

Lenny Kaye's tenure as Patti Smith's guitarist and collaborator extends from 1971 to the present, but the 79 year old is only now releasing his debut solo album. The punk icon and pioneer is also the author of three books, so this episode is a deep dive into the writing process across a few genres. As you can imagine, Kaye doesn't believe in creating when the mood strikes; instead, it's a constant in his life.

Lenny Kaye's debut solo album is Goin' Local

"I don't like closing a book on words, not even my laptop," says Alex Cameron. This is no metaphor. Cameron means this literally because he always wants to be able to see his words. He keeps a giant piece of butcher paper spread out on his table 24/7. This butcher paper contains all of his writing, and I mean all: text message drafts, lists, lyrics, journal writing. Anything that gets written down goes here as opposed to a notebook or laptop or phone, and since he's always walking by the table or sitting at it, he has unfettered access to his writing. And as you'll hear, it's where he practices his ruminazio.

Alex Cameron's latest album is Late to Set

"You don't have to be a tortured artist to write a song, but it's important to write about what you're feeling and not run away from it," Azniv Korkejian (aka Bedouine) says about her songwriting process. As proof, she tells a story about how she sobbed the first time she played one of her new songs for her husband.

As you'll hear, there's no better place to write those songs than the local public library, and Bedouine provides some pretty powerful reasons why.

Bedouine's latest album is Neon Summer Skin

It's not often (ever?) that I get to talk Hegel, Jung, and Goethe with songwriters. But Dragos Chiriac of Men I Trust and I go deep into philosophy in this episode. I am a huge fan of the band and enjoyed our discussion immensely as we talk about the impact these writers have on Chiriac and why he returns to them over and over.

Lest you think this episode was all about existential angst, we also discussed the relatively simple reason why the band wrote my favorite Men I Trust song "Billie Toppy."

"The failure is not in writing a bad song. The failure is in writing no song."

Keenan O'Meara has always honored the value of work. Maybe it's because he's also a carpenter by trade, but discipline is his asset even though it's not something that comes naturally. "You have to teach yourself how to work. We've been tricked by the idea of divine inspiration for far too long," he told me. Carpentry has been a boon to his process. "It's great for songwriting. If you ever find yourself out of songwriting ideas, get a carpentry gig." I have to agree: O'Meara is one of several songwriters I've interviewed who are also woodworkers.

Keenan O'Meara's new album is Bathe in the Everlasting Light.

Jason Newsted blends words and acrylics. Literally. The former Metallica bassist and leader of Jason Newsted and the Chophouse Band is also an accomplished painter, and to get started he'll often write song lyrics (not his own) on a blank canvas, then paint over them. The lyrics serve as a way to stimulate his creative process as his brush strokes move over the words and mix. Newsted gives me a great example of how he recently did this with a Jim Croce song.

This episode is a deep discussion about the creative process and what drives us to create. Newsted's words are wonderfully thoughtful.