The Marx Brothers Council Podcast

Hot off the presses, THE UNCUT MARX BROTHERS explores comedy bits, scenes, and storylines that, for one reason or another, never made it to the screen. Author David Koenig joins us to detail his discoveries, and how he uncovered these rare materials.

Noah delivers a rundown of discarded Groucho character names, while Matthew unveils something you never imagined you'd ever hear…

Without question, one of our most important episodes.

A decade after publication, we celebrate Noah’s "Gimme a Thrill", his acclaimed book about the Marx Brothers’ lost Broadway debut, "I’ll Say She Is", and the remarkable effort to bring it back to life.

With Noah temporarily promoted to guest, we look back at the book’s creation, the research and discoveries behind it, and what may in store for ISSI’s second hundred years.

We check back into Room Service, this time putting the spotlight on listener comments about the much-debated 1938 Marx adaptation of the Broadway hit. We rethink the film’s restrained version of the team, missed opportunities, and which brother surprisingly fares best.

It’s a lively back-and-forth featuring defenses, complaints, fresh observations and some wonderfully specific nitpicking. By the end, Room Service may not have won everyone over, but it certainly gives us plenty to argue about.

Stop the presses—one of the great mysteries of Marx Brothers fandom has finally been solved! After decades of anonymity, the manicurist from A Night at the Opera has a name. Bob Stryker joins us to explain how he stumbled onto the elusive answer, and we follow the story from a brief onscreen appearance to her surprising later career working behind the scenes in Hollywood.

Today, we spotlight two new Marx releases that are a feast for the eyes: Richard S. Greene’s book, "Marx Madvertising", overflowing with ads, stills, and promotional artwork, then (at 43:56) Andrew Murchie's fascinating new 3D conversion of "Animal Crackers"—available on disc or as a download, complete with a commentary by your favorite podcast hosts. We talk with both creators about how these passion projects came to life and what fans can expect.

We also explore how modern tools are helping preserve—and even reimagine—Marx history, from restoring fragile artwork to bringing the Brothers (even Zeppo) into three dimensions.

We’re proud to welcome Allen Eyles, author of 1966’s "The Marx Brothers: Their World of Comedy"—the first in-depth look at the team’s films—and its successor, 1992’s "The Complete Films of the Marx Brothers", for his first-ever podcast on these landmark works.

The conversation ranges from Eyles’ favourite (see what we did there) British comedians to his accidental status as the world’s foremost authority on the missing "Horse Feathers" footage. Along the way, he recalls the Herculean efforts needed to study Marx films in the pre home-video era, and reflects on his evolving opinions of the Brothers' filmography.

Listeners share their thoughts on the most divisive Marx film. Is it the last hurrah or the last straw? We sift through comments on everything from Tootsie-Frootsie to the excised “Dr. Hackenbush” song, while confronting the water carnival sequence that turns watching the movie into a hostage situation.

We also take on the film’s most uncomfortable sequence, doing our best to put it in perspective...

Along the way, there are Beatles comparisons, Lindy Hop history, and a listener who thankfully wasn’t one of Chico’s children. And as always, enough nitpicking to put any fan under observation at the Standish Sanitarium.

Matthew joins us in New York City for our first-ever episode in front of a live audience, recorded at the Museum of the Moving Image—just steps from Kaufman-Astoria Studios, where the Marxes filmed their first two movies.

We kick things off with a quick dive into Horse Feathers (because The Cocoanuts or Animal Crackers felt a little too obvious), before welcoming Craig Shemin for a look at the studio’s ongoing history. Next, we take questions from the audience, and are then joined by the great Cinco Paul, whose
Schmigadoon! is set to premiere on Broadway. Finally, we make a special announcement about an upcoming project before Cinco serenades us with a closing song.

We welcome ethnomusicologist Meg Farrell, the great-granddaughter of Will B. Johnstone—an unsung hero of the Marx story who helped set the template for their act with I’ll Say She Is, and later contributed to Monkey Business, Horse Feathers, and A Day at the Races.

Meg treats us to entries from “Grandpit’s” private diaries, revealing surprising Marx Brothers tales from the 1920s, and insights into his day job as a political cartoonist. We’ll also discuss the importance of the Napoleon scene from ISSI, Johnstone’s complicated relationship with S.J. Perelman, and speculate on his specific contributions to their films.

April 12th, 2026. NYC. A unique event.

More details at: https://movingimage.org/event/horse-feathers/

We turn our attention to the Marx family circle—on and off stage—highlighting relatives and influences that shaped the team. We examine the showbiz roots of Minnie’s parents, the short life of Manfred, and figures like Aunt Hannah, Cousin Polly, Mabel O'Donnell, and Lou Levy.

We question common assumptions about Minnie and Frenchie, with Brett Leveridge shedding light on Minnie’s brief fling in the soft drink business. Then, Trav S.D. returns to discuss Uncle Al Shean—his role in the Brothers’ development, and his famed partnership with Ed Gallagher.

The guys respond to insightful audience comments on the brothers’ MGM classic. Is the film actually more like their Paramount work than we give it credit for? Does the brothers’ career trajectory resemble that of Picasso—or Elvis? And did Margaret Dumont actually land a joke?

These and other truly life-altering questions are debated, dissected, and delightfully overthought.

Matthew and Noah take a closer look at “Tell It to Groucho”, the short-lived 1962 successor to “You Bet Your Life”. Though nearly identical in format, the series curiously never found its footing with audiences and was quickly cancelled.

The guys are joined by the delightful Joy Harmon—Groucho’s assistant on “Tell It…” whom he first met when she appeared as a contestant on YBYL. Joy shares how she landed the role and reflects on her warm, affectionate working relationship with Groucho.
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(EDIT 4/26): R.I.P. Joy Harmon, who passed away some five months after this chat was recorded. It was likely her final interview.
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Award-winning writer/comedian and longtime Marx Brothers obsessive Elliott Kalan ("The Daily Show", "MST3K", "The Flop House", and the new book, "Joke Farming") takes us deep into the craft of professional comedy writing with a nice dose of Marx-inspired examples. Elliott details the difference between satire and parody, defends the noble pun, and tells the story behind his delightfully chaotic Marx-flavored children’s book, "Sharko and Hippo".

Council members weigh in with their takes on the 1933 classic. We dive into the big questions: Is the film genuine satire or just anarchy in disguise? Which supporting characters truly “deserve” the wrath of the Marxes? And why is there not even incidental sound in the famed mirror scene?

We’ll also discuss the difficulty some folks apparently have in fitting the entire movie on a VHS tape.

Join us as we spin our wheels trying to find logic in the brothers’ most illogical film.

In this episode, we listen to and examine some of Groucho’s, Chico’s, and (yes, even) Harpo’s most notable radio guest appearances. We discuss how, while much of their radio work was pedestrian, when paired with the right writers and co-stars, the brothers could flourish. These guest spots also let the brothers experiment in ways they couldn’t elsewhere — and even when the results were uneven, they were always fascinating.

Alexander Woollcott authority Brad Sohlo returns to explore the celebrated critic’s influence on Harpo’s life, career, and legacy—and the surprisingly equal role Harpo played in Woollcott’s. Brad also shares stories from his visit to Woollcott’s Neshobe Island retreat, where Harpo and fellow Algonquin Round Table regulars gathered to unwind, rough it, and battle it out over croquet.

A complete collection of listener submissions from episode 83, "Horse Feathers Reeducated".

Because of time constraints and overlapping content, not every comment made it into the original episode. Now, you can enjoy the full, uncut versions of every clip we received—packed with great stories and fascinating insights. Enjoy!

Council members weigh in on one of the Marxes’ greatest films. Hear about a botched screening, why Jennings might be the dumbest gambler in history, and one member’s detailed dissent on Chico’s piano solo. You’ll also get mixed takes on the football finale, learn who holds the title of show business’s most ridiculed performer, and find out how Halle Berry’s name managed to enter the conversation.

Screen icon Elliott Gould joins the guys for a heartwarming and at times profound conversation about his friendship with Groucho. From deli lunches to hospital antics to reflections on Mae West, Erin Fleming, and the meaning of legacy, Elliott offers deeply personal stories with warmth and wit. You’ll even learn what Groucho considered Elliott’s greatest performance.