The Upside of Jazz

Joe talks with pianists Mike Jones and Jon Regen about learning from their heroes, finding their own voices, and building musical lives that took them places they never expected.

First, Mike Jones discusses his latest album, “Mike Jones with Strings,” his longtime gig with Penn & Teller in Las Vegas, his friendship with Dave McKenna, and the nerves —and
encouragement—that come with playing for your musical heroes.

Then, Jon Regen talks about his new album, “Live in London,” how studying with Kenny Barron and touring with Jimmy Scott helped him bridge his love of jazz and pop, and how his curiosity led him into songwriting, editing Keyboard magazine, and programming music at The Django in New York.

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Bob James joins Joe to talk about his life playing piano. They discuss how, at 86 years old, James is still enthusiastic about playing music and enjoying new talent, the range of his work from the traditional to more avant-garde, and his time as pianist and music director for Sarah Vaughan.

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Erroll Garner could make one piano sound like an entire orchestra and make even his fellow musicians wonder how he did it. This week, we celebrate the imagination, swing, and generosity behind his unmistakable sound, with stories of a pianist who never stopped surprising himself or his listeners.

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Joe has a conversation with comedian and actor, Jeff Garlin about Garlin's career as well as his love of jazz and how it influences his comedy. They also discuss the parallels between the two art forms, from improvising in front of a live audience to finding your own musical or comedic voice.

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Joe talks with banjo legend Béla Fleck about his album "My Bluegrass Heart," first being inspired by the music of Chick Corea and then getting to work with him, as well as where the music inside him comes from.

Joe also chats with trombonist Ryan Keberle about Ryan Keberle's Collectiv do Brasil's upcoming album, "Here is Donato!," the trombone's status within jazz, and Ryan's exploration of Brazilian music via the instrument.

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Pianist and singer Diane Schuur and singer Jonathan Karrant have a conversation with Joe about Schuur's career, recording music together, and Karrant's latest album, "Full Circle," which is a tribute to Schuur.

Then, Joe sits down with trumpeter and film score composer Mark Isham to talk about how composing for film differs from writing songs for an album, how music and art can be joyful and still be considered art, plus "At The Carousel Club," Isham's new EP.

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Producer/bassist/artistic director at Sam First Records, David Robaire, and Joe talk about going from bassist to leading a label, how David thinks about taking a live performance and putting it on vinyl, and the ways in which a label can develop a very specific identity while offering a variety of music.

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Joe and bassist Bill Crow talk about the 98-year-old's lifetime spent in and around jazz. Crow talks about gathering stories from the jazz scene to write his monthly column for Allegro, which Crow wrapped up after 43 years in April, turning those stories into several books, including "Jazz Anecdotes," and spending time listening and playing in legendary clubs like the Village Vanguard and Birdland.

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In the second episode featuring comedian Robert Klein, he and Joe continue their conversation about jazz and comedy, Klein remembers a special breakfast with Groucho Marx, and reflects on what it's like to go from the one looking up to older comedians, to new comedians looking up to you.

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In the first of two episodes featuring the comedy legend, Joe and Robert Klein get together to talk about Klein's career in comedy. Despite not being a musician, Klein explains how improvisation in comedy is not so different from improv in jazz, opening for jazz greats like Sarah Vaughan and The Modern Jazz Quartet, as well as his relationship with comedian Rodney Dangerfield.

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Joe has a conversation with Kelly Peterson, whose husband was Oscar Peterson, about the legendary pianist. Peterson shares the story of how she and Oscar built a life together, some of his more underappreciated skills as a pianist, as well as developing the new box set of previously unreleased recordings of Oscar Peterson playing live all from around the world, aptly titled "World Tour."

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Joe and pianist John Beasley have a chat about Beasley's new album, Invisible Piano, which was inspired by a tour of an art museum in Stuttgart, Germany, how he found musical inspiration in non-musical art forms, his time playing alongside Miles Davis, and how spiritual practice and practicing music are both rooted in trying to improve.

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Joe talks with pianist and organist Larry Goldings about finding his ​own sound while playing a range of styles with a variety of people, "Rhombus," Goldings's new album with guitarist Peter Bernstein and drummer Bill Stewart, and how being able to listen back to a recording of yourself is both a blessing and a curse.

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Joe and pianist/drummer Luther S. Allison sit down for a discussion about exploring jazz by learning how to play different instruments, how the places you live shape the kind of music you play, and how the hope he finds in jazz is through its connection to the history of the United States.

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Pianist Tia Fuller and saxophonist Shamie Fuller-Royston have a chat with Joe about playing music as a family when they were kids and now together as adults, their latest album, "Dynasty, Vol. 2," and how, as long as the music is good, they embrace all genres.

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Joe sits down for a conversation with pianist, singer, actor, bandleader, and author, Harry Connick, Jr. to talk about learning piano from James Booker and Ellis Marsalis in New Orleans, musical influences, and the importance of accepting what one has to offer when looking for your own sound.

If you’re listening in Atlanta, catch Harry Connick, Jr. in concert at Chastain Park on July 11 at 8 p.m.

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To celebrate the United States’ 250th, Joe Alterman explores the remarkable story of Louis Armstrong — how America found its voice in him, how he became one of its greatest ambassadors to the world, and why that voice continues to resonate today.

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Joe explores the important, prolific, and complicated relationship between Jewish immigrants and Black musicians — and how their intersecting stories helped give birth to the American music business and shape what Americans listened to throughout the 20th century.

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Joe shares the history of how the sounds of Jewish and Black communities came together and ended up shaping the sound of American music.

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In the next episode of The Upside of Jazz featuring artists out of the South, Joe has a conversation with Columbia, South Carolina native, trumpeter, composer, and educator Matt White about how music swings just a little differently from city to city, his latest album of Dolly Parton songs, "Matt White's Dolly," and how the care put into learning jazz empowers musicians to learn any kind of music.

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