We Wreck Records

Rifflord Kirk Windstein of Crowbar redefined sonic gravity with his heavyweight riffs and serrated vocals, creating a unique sound that has now connected with a whole new generation of heavy music fans.

Kirk's band Down is a collision of huge personalities: Philip Anselmo (Pantera), Pepper Keenan (Corrosion of Conformity), Jimmy Bower (Eyehategod, Crowbar) and Pat Bruders (Crowbar). Since their landmark debut NOLA, the band has created savage blues and straight-up filth. As they approach their first new album in years, Down V, Christina explores the personal stories behind the music: the alchemy that made everything possible.

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Emma Ruth Rundle is a musician and artist who has just released These Killing Times, an exquisite new record with a cast of characters that is large-sounding, intricate, provocative and emotional. Emma redefined heaviness for her longtime pal Becky Laverty, co-booker of the iconic Roadburn Festival, way back in 2017 when her solo show at the festival brought the house down. Nine years later, Becky has been an intimate part of the making of These Killing Times, and has recently launched a new zine called Slowpoke, sharing untold stories from exceptional visual artists and musicians.

In this expansive conversation, we discuss the pair's close friendship, the birth of the record, the role of feminine rage, what makes Roadburn Festival so special, the role of community in the flourishing of heavy music, the creative process, and lots more.

Emma Ruth Rundle "These Killing Times" is out now. Get it here: https://emmaruthrundle.bandcamp.com/album/these-killing-times

Subscribe to Slowpoke here: https://slowpokezine.bandcamp.com/merch/slowpoke

Subscribe to the Slowpoke newsletter here: https://slowpokenewsletter.substack.com/

We Wreck Records is proudly presented by:

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Robin Staps of The Ocean alongside Tim Charles of Ne Obliviscaris join us to discuss The Ocean's epic new album Solaris, how the early days in underground Berlin shaped the band, and what's happening behind the scenes as Ne Obliviscaris prepare their first record with new co-vocalist James Dorton.

Over two decades, both bands have built undeniably devout followings across the globe. Here they compare notes on band survival, what happens when fans show material support, and share their takes on divisive vocals, the cutting room floor and major lineup changes. It made sense to bring them together and see the parallels between two bands that have never painted inside the lines.

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Mighty rifflord Pepper Keenan (Down, Corrosion of Conformity) talks about classic records like Down's peerless debut NOLA and Deliverance, Corrosion of Conformity's maiden voyage with Pepper as a vocalist, which were both recorded during the same period three decades ago.

Now, with the first Down LP in 19 years on the way and an epic new double record from COC, we delve into how the guitar helped Pepper get his point across, how vocals became another weapon, and the blues that runs through his veins with punk rock in his heart.

We also get into Black Sabbath, King Diamond, writing riffs until he couldn't see straight, his memories of Dimebag Darrell, what getting older has done to his relationship with the guitar, and his forthcoming solo album.

We Wreck Records is proudly presented by:

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Misha Mansoor is the founding member of progressive metal band Periphery, a band he formed in 2005 who are known for violently infectious melody and deceptively complex music. A devout revhead and gear head - the man has had a hand in designing everything from drum libraries to pedals - Misha reflects on the songwriting techniques Periphery stole from Nirvana, and why the collision of art and engineering sits at the heart of almost everything he loves. We also dig into A Pale White Dot, Periphery's deeply personal exploration of loneliness, solitude, grief and our tiny place in the universe; why the band scrapped an album when COVID forced them to work remotely; the weird history of djent; and why, after more than two decades of making music, his best advice is still remarkably simple: do it for the love.

We Wreck Records is proudly presented by:

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Shakewell broke through in a big way as a rapper alongside underground rap luminaries like his label bosses $uicideboy$. The thing is, he earned his stripes as a hardcore bassist in Betrayal. Rather than repeat himself, he's now brought his unique flavour of rap back to his hardcore roots alongside Drain shredder Cody Chavez on the brand new Slugeater EP.

In this fun, freewheeling conversation, Shakewell and Cody trace their shared history, wax lyrical about Alice in Chains, get deep on sobriety in a pill-soaked genre and explore why the walls between hardcore and rap are finally coming down.

We Wreck Records is proudly presented by:

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We Wreck Records brings together artists beloved by bands and thoughtful listeners alike. In this sample of the new format, here are some of the deepest moments from three two-artist conversations: Napalm Death and Melvins, Neurosis and Converge, and Devin Townsend and Anneke van Giersbergen. These influential artists explore why we shouldn't fear AI, lyrical processes, profound musical impact, and the tunes that bring everyone to tears. Watch the full episodes right here.

We Wreck Records is proudly presented by:

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Dani Filth of Cradle of Filth joins Christina on the We Wreck Records podcast to celebrate 30 years of Dusk and Her Embrace, the album that cemented the band's identity. We revisit the stories behind the record, from Peter Steele convincing Dani to stage a fake dressing room brawl, to choosing the iconic artwork with ghost hunter Simon Marsden, why Euronymous loved the band's early demos and Dissection stole from them while black metal traditionalists balked at them, what it takes to survive in a band that's had 37 members, and why atmosphere has always come before everything else.

We Wreck Records is proudly presented by:

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To celebrate the 32nd anniversary of Helmet's landmark album Betty, frontman Page Hamilton reflects on the band's remarkable journey - from four musicians in a "too aggressive" New York band pasting over Dee-Lite gig posters to becoming one of the most influential acts in alternative and heavy music.

In this candid conversation, Page shares his unforgettable CBGBs audition story, the surreal experience of learning 30 David Bowie songs and performing alongside the icon, how he hears music in his head before ever picking up an instrument, and the impact Kurt Cobain's death had on the entire rock community.

While Betty provides the backdrop, this episode goes far beyond the record itself, offering a rare and personal look into the creative mind, career and philosophy of one of heavy music's true originals.

This show was filmed backstage in Sydney, Australia.

We Wreck Records is proudly presented by:

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Neurosis veteran Steve Von Till, the legendary band's newest member Aaron Turner (Isis, Old Man Gloom), and Converge's Nate Newton join Christina to discuss Neurosis' beloved and blistering surprise 2026 album, An Undying Love for a Burning World.

Neurosis returned with their first new music in a decade after connecting with The Firekeeper Alliance, a non-profit dedicated to preventing suicide and improving mental health outcomes within the Blackfeet Nation community. The charity's annual concert ultimately became the catalyst for a new chapter in the band's story.

In this expansive conversation, we explore each guest's journey to falling in love with Neurosis, take a deep dive into the extraordinary new songs, and discover how the band has earned the devotion of generations of musicians, artists and heavy music fans through four decades of uncompromising creativity, emotion, menace and filthy groove.

Learn more about Firekeeper Alliance: https://firekeeperalliance.org/

We Wreck Records is proudly presented by:

DISTROKID: distrokid.com/wewreckrecords

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Devin Townsend and Anneke van Giersbergen join We Wreck Records for a deep, funny and unexpectedly emotional conversation about music, friendship and the strange process of becoming human through art. Across nearly 90 minutes, the longtime collaborators reflect on the chemistry behind their work together, the records that made people cry and why music only works when it affects the artists making it too. The episode also dives into Devin's upcoming project The Moth, alongside conversations about authenticity, platonic love, trauma, transformation, creativity, touring, AI, Steve Vai, Enya and the emotional chaos of being alive. Expect an intimate conversation between two artists who genuinely trust each other.

We Wreck Records is proudly presented by:

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Grindcore pioneers Napalm Death and sludge legends Melvins come together for a rare three-way conversation that's as chaotic, funny and insightful as you'd hope. Barney Greenway and Buzz Osborne dig into their collaborative record Savage Imperial Death March, unpacking noise vs groove, creative freedom, and how two completely different bands can somehow speak the same language. It's part history lesson, part philosophy, and part absolute nonsense ... in the best possible way.

We Wreck Records is proudly presented by:

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Carina Round from Puscifer joins We Wreck Records for a conversation that goes way beyond the music.

We get into the psychology of creating under pressure, the strange balance between darkness and joy, and what it really means to build something meaningful with other people. Carina opens up about finding her place inside Puscifer's world, the trust that fuels their creative process, and how pushing yourself into the unknown is often the only way forward.

From feminine energy in heavy music, to the chaos of the pandemic, to carving out beauty when life gets difficult - this is a deep, thoughtful and unexpectedly funny conversation about art, identity and staying creatively alive.

If you've ever wondered how great records actually come together, or why we make things at all, this one goes there.

We Wreck Records is proudly presented by:

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Xtina sits down with Shawna Potter, frontwoman of feminist punk band War On Women, as well as an author and intimacy coordinator working across film and theatre. They talk about the band's new album Time Under Tension (out May 8), and the role of music in activism, the balance between message and heavy riffs, and what it means to create in a world that feels like a pressure cooker. From reproductive rights and human rights to performance, sexuality and the creative process, this is a raw and thoughtful conversation with an artist creating powerful conversations and musical collisions in song.

We Wreck Records is proudly presented by:

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Ethan Lee McCarthy of Primitive Man joins host Christina Rowatt to talk about the band's devastating album Observance and the ideas behind their uniquely oppressive sound.

In this conversation, Ethan explains why Primitive Man rejected the limitations of traditional doom metal and coined their own term – "death sludge." He dives into the band's sonic philosophy, from crafting guitar tones that feel like "the surface of the sun" to drawing influence from artists as diverse as Portishead, industrial music and film soundtracks.

The conversation moves from sound to worldview. Ethan discusses the themes driving Observance, including techno-feudalism, the surveillance state and the growing influence of authoritarian politics around the world. Primitive Man's music may be punishingly heavy, but it's rooted in a deep awareness of the human condition.

Along the way, Ethan also shares a surprising origin story: how drawing demonic imagery as a child led to accusations of satan worship in his religious household – and ultimately pushed him toward picking up the guitar.

It's a conversation about extreme music, art, politics and the strange paths that lead people to create the soundtrack to the end of the world.

We Wreck Records is proudly presented by:

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Eugene Hütz of Gogol Bordello and their new record We Mean It, Man! isn't just a clever name. Raised on punk rock and all that came after it in Kyiv, Ukraine, the band - merging punk, gypsy music, techno, post-punk and more - brings electric energy musically and conscious power lyrically.

Eugene reflects on friends fighting on the frontlines in Ukraine, the spiritual resilience of people at war, and what it means to "make life possible again" after devastation. We talk Joe Strummer, Nick Cave, Bernard Sumner, Fela Kuti, post-punk lineage, and the alchemy of working with legendary producer Nick Launay.

From punk scenes in Kyiv built on smuggled tapes with no chronology, to the philosophy of protest, rebuilding after catastrophe, and why beavers may have done more good for the planet than humans - this is a conversation about music as frequency, resistance, inheritance and survival.

We Wreck Records is proudly presented by:

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Mariachi El Bronx is punk rock band The Bronx's double life expressed through mariachi music - a project that began as a fun experiment and evolved into something far deeper and more meaningful than anyone expected. Frontman Matt Caughthran dives into the wild netherworld of the band's new record Mariachi El Bronx (IV), his personal evolution, love, grief, and why both styles are more than just a sound - they're culture, identity and community.

We Wreck Records is proudly presented by:

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After 13 years away, Perth progressive powerhouse band Karnivool return with In Verses - a record that once again demonstrates the raw emotion, precision and profound rock power that has made them one of Australia's most beloved rock exports.

In this episode of We Wreck Records, the beloved Aussie rock icons talk about starting out in Australia's most isolated city, the sometimes hilarious making of this exquisite suite of songs, the records that taught them how to feel and why their music is like acupuncture - hitting all the right pressure points for the people that have followed the band for decades.

From "sad boy music" and prog fans quietly weeping in the front row, to the patience required to finish a record on their own terms, this is a grounded, honest conversation about endurance, connection, and why In Verses had to be made.

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Arguably the godfathers of sludge metal, New Orleans' Eyehategod broke the mould with their seminal classic records Take As Needed for Pain (1993) and Dopesick (1996).

In this intimate discussion with frontman Mike IX Williams, we dive into addiction, chaos, creativity, controversy, and the brutal realities behind two of the most influential records of the '90s underground. From broken glass recording sessions to finding survival through music, this is Eyehategod unclean and uncut.

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Swedish progressive metal band SOEN are masters of duality - crushing heaviness and devastating beauty. Their musical proficiency translates into a sound that hits you in the guts. In this episode of We Wreck Records, we're joined by multi-instrumentalist Lars Åhlund to talk about the band's new album Reliance, writing music that holds both darkness and hope, and why it means everything when the toughest guy in the front row is headbanging with tears in his eyes. We also talk about finding your musical home, the power of metal communities, Swedish folk melodies hidden inside heavy riffs, and what it really means to rely on music when the world is feeling things, hard.

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