You're Missing Out: A National Film Registry Podcast

Tom Lorenzo takes us through his time at Fantastic Fest 2026 in Austin, with Kyle moderating.

A bonus episode of You're Missing Out, outside our regular National Film Registry run.

FILMS TOM SAW (in the order he watched them):
Resident Evil
Beware Boiúna
The Glorious Dead
Roma elastica
A Prayer for the Dying
The Spiral
In a Violent Nature: Part 2
Henry: Portrait of a Serial Killer
Carrie
Extreme Prejudice
The Heretiks
Cinema Recomposed: Silent Monsters (including The Ghost of Slumber Mountain)
Pathetic Fallacy
No Way Down (Kraken)
Victorian Psycho
Alpha Gang
Ghost in the Cell
Ürei
Play House
Kick On
Half
Death Has No Master
Attack on Paradise
Girl in the Night
The Cycle
The Ones Who Grieve
The Swallow

Tom's full ranked list on Letterboxd: https://letterboxd.com/bkgenreguy/list/fantastic-fest-2026/

Listen on Apple Podcasts: https://podcasts.apple.com/us/podcast/youre-missing-out-a-national-film-registry-podcast/id1259425519

Listen on Spotify: https://open.spotify.com/show/1EVvQ19O6Cw2zyjztOYsut

All our links: https://linktr.ee/youremissingout

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Music by Mike Natale

Mike, Tom, and Kyle close out Season 5 by reflecting on the 1993 class of National Film Registry inductees, handing out superlatives to the standout performances and craftspeople from the season, and formally submitting their Registry picks. Plus, a look ahead to Season 6.

Since 1989, the National Film Registry has selected 25 films each year that are deemed "culturally, historically or aesthetically significant". In each episode, Mike Natale (Yahoo!) and Tom Lorenzo (Men's Journal) bring on a special guest to take a look at one of the films from the registry, to get to the heart of why these films matter. 🎬 Watch more episodes: https://www.youtube.com/@YMOPodcast/videos 🎙️ Listen on Apple Podcasts: https://podcasts.apple.com/us/podcast/youre-missing-out-a-national-film-registry-podcast/id1259425519

#NationalFilmRegistry #Season5WrapUp #ClassicHollywood

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In the Season 5 finale, Mike, Tom, and Kyle take on Point of Order (1964), Emile de Antonio's radical documentary assembled entirely from kinescope footage of the Army-McCarthy hearings. No narration. No talking heads. Just the hearings themselves and McCarthy slowly unraveling on camera. We dig into what makes this a film and not just a historical record, why de Antonio's editing choices still feel dangerous, and what the Library of Congress recognized when they added it to the National Film Registry.

Since 1989, the National Film Registry has selected 25 films each year that are deemed "culturally, historically or aesthetically significant". In each episode, Mike Natale (Yahoo!) and Tom Lorenzo (Men's Journal) bring on a special guest to take a look at one of the films from the registry, to get to the heart of why these films matter. 🎬 Watch more episodes: https://www.youtube.com/@YMOPodcast/videos 🎙️ Listen on Apple Podcasts: https://podcasts.apple.com/us/podcast/youre-missing-out-a-national-film-registry-podcast/id1259425519

#nationalfilmregistry #pointoforder #classichollywood

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Sweet Smell of Success (1957) is one of the most visually ruthless films Hollywood ever made — and one that doesn't show up in the conversation as often as it should. We dig into James Wong Howe's New York City cinematography, the Burt Lancaster and Tony Curtis dynamic, and what the Library of Congress saw in it when they added it to the National Film Registry.

Since 1989, the National Film Registry has selected 25 films each year that are deemed "culturally, historically or aesthetically significant". In each episode, Mike Natale (Yahoo!) and Tom Lorenzo (Men's Journal) bring on a special guest to take a look at one of the films from the registry, to get to the heart of why these films matter.

🎬 Watch more episodes: https://www.youtube.com/@YMOPodcast/videos

🎙️ Listen on Apple Podcasts: https://podcasts.apple.com/us/podcast/youre-missing-out-a-national-film-registry-podcast/id1259425519

#NationalFilmRegistry #SweetSmellOfSuccess #ClassicHollywood

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Music by Mike Natale

In the second part of our Oscar’s special, we shift our focus from the Best Picture race to the rest of the ballot for the 98th Academy Awards. We dive deep into the remaining 23 categories, including the highly competitive acting races, technical achievements, and the debut of the Best Casting award.

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In the first half of our special, we dive deep into the ten films vying for the night’s biggest honor. We analyze the frontrunners and the dark horses in a year defined by record-breaking genre hits and intimate international dramas.

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Our annual tradition kicks off once more, despite delays from both us and the Library of Congress (thanks government shutdowns). Once again, Mike & Tom went in blind, avoiding finding out what got in this year until Kyle revealed it to them live on air. Hear the boys react to a slate of six underseen silent films and then...well, the shelf at a Blockbuster Video in 2003. Enjoy!

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This week, we’re talking about Chulas Fronteras (1976), Les Blank’s vibrant, soulful documentary celebrating the music, culture, and communities of the Texas Mexico borderlands, and we’re joined by Maureen Gosling, whose work as a filmmaker and editor was instrumental in shaping the film itself.

More than a music documentary, Chulas Fronteras captures a living cultural tradition in motion. Through performances by artists like Flaco Jiménez and Lydia Mendoza, the film becomes a record of identity, migration, and creative exchange, all observed with care and curiosity rather than explanation. It’s no surprise the film was added to the National Film Registry. It preserves not just songs, but a way of life.

Our conversation with Maureen Gosling offers a rare, firsthand perspective on the making of the film: how it came together, what it meant to document these musicians at that moment in time, and why the film continues to resonate decades later. It’s a reminder of how preservation isn’t only about images on screen, but about honoring voices, traditions, and communities that deserve to be seen and heard on their own terms.

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"My mother thanks you, my father thanks you, my sister thanks you, and I thank you."

Dr. Vaughn Joy joins us on the show to talk about the musical biopic that won James Cagney his Academy Award, the patriotic propaganda piece Yankee Doodle Dandy. We talk George M. Cohan's cultural significance, the film's seemingly waning place in the consensus cinematic canon, and how the film laid the groundwork for the type of Hollywood pro-American propaganda films of the Cold War (the subject of Dr. Joy's new book, Selling Out Santa: Hollywood Christmas Films in the Age of McCarthy).

Buy Selling Out Santa: Hollywood Christmas Films in the Age of McCarthy here, or wherever you buy your books.

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“All I want is a place to live and a job.” – Nothing But a Man (1964)

This week, we’re taking time to honor the life and legacy of filmmaker Michael Roemer, who passed away in May 2025. Roemer’s work has always stood apart as quiet, honest, deeply human, and we start with the film that introduced so many people to his voice: Nothing But a Man. It’s a landmark in independent cinema, a National Film Registry inductee, and one of the most compassionate portrayals of Black working-class life ever put on screen.

From there, we spend some time with Roemer’s other major works, Vengeance Is Mine and Dying. Each of these films shows a different side of what made him such a singular filmmaker: his empathy, his curiosity, and his ability to sit with people at their most vulnerable without ever forcing sentiment or judgment.

This episode is both a reflection and a celebration: an appreciation of a filmmaker whose perspective mattered, and whose films continue to resonate in ways that feel as immediate now as they did when he first made them.

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A quick update on an upcoming absence

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"The Year's Wildest, Wittiest Whirlwind of a Love Battle... Outrageously Racy... Sparkling... Gay!"

Bella Zaydenberg returns to the show to talk about the beloved Howard Hawks screwball comedy, His Girl Friday (1940). We'll talk about journalism, rom-coms, and weddngs.

Wait, weddings? Why weddings? Listen to find the worst kept secret in the history of our show!

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In this episode, Dr. Will Dodson joins us to take a look at Eaux d'Artifice, an early inductee in the registry from avant-garde legend Kenneth Anger. We discuss why the seemingly tranquil film has a lot going on beneath the surface (including the salacious) and tackle an overview of the controversial provocateur's whole film-making career to determine whether Eaux d'Artifice's subversive subtext was missed by the Registry's selection board, or if that was precisely why they picked it.

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"Dead men tell no tales!"

For this episode, we've recorded a feature length commentary track for the big-budget blockbuster that solidified Douglas Fairbanks' Hollywood immortality, 1926's The Black Pirate. Watch our upload on YouTube (in its original colorized version, done at Fairbanks' insistence), sync it up with your own copy, or just listen along as producer Kyle Lampar takes the lead to discuss his admiration for Hollywood's original swashbuckling action star.

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"Time...marches on..."

Josh Shepperd, author of Shadow of the New Deal, joins the show to talk about the powerful propaganda piece Inside Nazi Germany, an installment of the influential newsreel series The March of Time. The first major Hollywood film to take an explicitly anti-Nazi stance, the short stands as a testament to the power of the visual medium during wartime, and its ability to both present, and manipulate, the truth.

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"Keep your friends close, but your enemies closer"

"A rock? These little bears are nuts"

That's right, folks. It's a Patrick Cotnoir episode. This time, for his fifth appearance, we're talking The Godfather Part II, and...some Ewok movie. Nobody is really sure which one, honestly. It's been five years of this, guys. You know what you're getting here.

Keep up with what Patrick is doing here

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"I know something about this dog. She's going somewhere - she's on her way."

Hunter Robinson, the host of the Tumbleweeds and TV Cowboys podcast, joins the show to talk about one of the biggest movie stars in cinema history. No, not John Wayne, it's Lassie.

We'll talk about the massive Lassie franchise, the dog star at the heart of the film, and even share a personal family connection to the four-legged hero of Hollywood.

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Music by Mike Natale

This week, our hosts bridge the gap between Cat People and Lassie Come Home with an informal conversation about animal folklore and animal companions in film.

Plus, Mike sits down with Roye Okupe, the creator of Iyanu, the graphic novel and hit animated series on Cartoon Network and HBO Max.

We'll be back to our regular format next week!

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“I like the dark. It's friendly.” – Cat People (1942)

This week, we turn the lights low with special guest Rebecca Rozenberg, Publicity Manager at Simon & Schuster, who brings insight honed from working with bestselling authors and deep industry experience. Together, we dive into Jacques Tourneur and Val Lewton’s Cat People, a landmark psychological horror film that uses suggestion, shadow, and sound to terrify far more than it shows.

Rebecca helps us unpack how this low-budget classic redefined horror through restraint, atmosphere, and subtext, and why its themes of transformation, identity, and repression still echo today. Cat People continues to loom large over genre filmmaking and remains revered for its chilling economy.

Episode Notes:

Cat People (1942) directed by Jacques Tourneur and produced by Val Lewton

Starring: Simone Simon, Kent Smith, and Tom Conway

Notable for:

• Introducing the famous “Lewton Bus” jump scare technique
• Masterful use of lighting and sound to build suspense and psychological dread
• Themes of sexuality, isolation, and metamorphosis explored with subtlety

Discussion points include:

• How Cat People shaped modern psychological horror and inspired filmmakers
• The importance of suggestion over explicit imagery in genre storytelling
• Simone Simon’s haunting performance and the film’s layered subtext
• The collaborative vision of Val Lewton and Tourneur in creating minimalist horror

Featuring special guest: Rebecca Rozenberg, Publicity Manager at Simon & Schuster

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“He was the most trigger-happy man I had ever met.” – Badlands (1973)

This week, we hit the open road with guest Tom Augustine to explore Terrence Malick’s stunning debut, Badlands. Based loosely on the real-life killing spree of Charles Starkweather and Caril Ann Fugate, the film casts Martin Sheen and Sissy Spacek as drifting outsiders caught between detachment and violence, beauty and brutality.

With its lyrical narration, haunting imagery, and philosophical detachment, Badlands marked the arrival of a singular voice in American cinema. Tom joins us to discuss Malick’s influence, the film’s unsettling calm, and how it carved a new path for the American New Wave.

Episode Notes

• Badlands (1973) was written and directed by Terrence Malick, starring Martin Sheen and Sissy Spacek
• Selected to the National Film Registry in 1993
• Loosely inspired by the 1958 Starkweather-Fugate murders

Discussion topics include:

• How Badlands redefined the true-crime genre
• The film’s romanticized nihilism and its critique of American mythmaking
• The influence of Badlands on later filmmakers and Malick’s own career
• Sissy Spacek’s voiceover and the use of classical music as emotional counterpoint

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Music by Mike Natale