Rumble Strip

A story about a haunted house that really takes place in a whole lot of barns and outbuildings and also in a cornfield. And there were people with chainsaws. It was fricking terrifying. I made the story for Vermont Public years ago and since its Halloween I'm airing it again here but with all the profanity back IN, because times like these are what profanity was made for.

A couple weeks ago I drove around with Forrest Foster while he was delivering round bales, and he gave me an update on his barn. This is the update.

This is a show about a game my son used to love that I never understood. It's called Magic: The Gathering, and it’s a card game that's sort of a cross between Dungeons and Dragons and chess. It involves spells and enchantments and creatures and math and strategy. The game was born in 1993, and millions of people play it around the world, and even though I don't understand the game, I appreciate that it happens between real people, in person.

I used to take my son Henry to Friday night games in Montpelier, Vermont. One night I took my recorder and talked with some of the players.

Happy birthday Henry.

Rob Mermin and Bill Morancy lived in neighboring apartments in Montpelier, Vermont. They were best friends. And when Bill was diagnosed with terminal cancer, he asked his best friend to help him die. In 2013, Vermont passed the The Patient Choice and Control at End of Life Act, or Act 39…our version of Death with Dignity. The legislation allows eligible Vermonters with terminal diseases the option to be prescribed medication that will hasten the end of their life. In 2015, Bill elected to use Act 39 to end his life, and he asked Rob to help him.

This is a story primarily about their friendship--and the months, days and moments leading up to Bill's death.

To learn more about Rob Mermin and his illustrious career as a mime and the founder of Circus Smirkus, visit HERE.

The music for this show was made by Vermont musicians Brian Clark and Mike Donofrio. And you heard from the original film soundtracks of South Pacific and Carousel, both by Rodgers and Hammerstein. The piano licks in this show were made by Charlie Lander and Vermont pianist Marie Helene Belanger

This is the third episode in a periodic series called Life of Kaye, which is about the life of Kaye, but also about what life mostly sounds like and feels like, day after day after day. This episode is called Summertime and dead batteries.

Credits

This show is recorded by Kaye Phipps, and edited by me, Erica Heilman. Thanks very much to Chelsea Edgar and Amelia Meath for their enormous support on this show.

Credits:

"Places Go" was produced by Chris Attaway and Cristal Duhaime. The story editor was Mira Burt-Wintonick. The piece originally aired on CBC's Love Me.

More episodes of Love Me are available everywhere you get your podcasts, and here: https://link.mgln.ai/LMxRS

A few days ago we lost a power ballad hero. Bonnie Tyler is gone. She wrote my favorite song, Total Eclipse of the Heart. Years ago I forced people to listen to me sing this song and then I made a show about it and forced MORE people to listen to me sing it, and talk about turning fifty. So I'm playing it again in honor of Bonnie Tyler.

Credits

Life of Kaye is produced by me and Kaye Phipps.

Thank you karaoke singers! For more information about monthly karaoke in Montpelier, I think you can find information here. Otherwise, do an internet search for Saphen Von Cabbage karaoke and hunt around. Otherwise ask me and I’ll figure it out and get back to you.

Welcome to a new, periodic series called Life of Kaye.

This first episode is called: Some Kind of a Speaker.

The series is produced by me and Kaye Phipps.

Send us your comments if you have them and thank you so much for listening.

Home health and hospice nurses provide all kinds of healthcare to people in their homes...day and night, and in mud and snow.

I knew of these folks because I met some of them after my father came home from the hospital. A nurse came to help with his medications. A VNA therapist came to give him physical therapy. But I wasn’t really aware of these nurses and therapists UNTIL my family really needed them, and I expect there are a lot of people out there like me.

So this is a show about the nurses who travel, and what their days are like, and what they know about this place because of the work they do.

Vermont Quick Lube is where I've been getting my oil changed for years, because I love it there. They are fast and nice and they offer coffee. Everyone at Vermont Quick Lube is always in a good mood, even in November or January. Recently I went on a Wednesday and Mike, who runs the register, told me it was Ladies' Day and handed me a red carnation and a ticket for a free car wash. It was the excuse I needed to make this show.

From The Kitchen Sisters Presents:

Pioneering radio artist Larry Massett, a producer's producer, who led listeners into unexpected worlds and influenced so many in public radio and beyond, died last year at the age of 80.
The Kitchen Sisters were fortunate to work with Larry on our NPR series Lost & Found Sound and Soundprint. He was a friend and colleague.
We learned of Larry's passing last spring on Transom.org, the premier site for producers to come together, share their work, and access the latest tools and advice.
It was there that we found a “Requiem for Larry Massett” created by Barrett Golding of Hearing Voices. We asked Barrett if he’d help produce an audio piece and bring it to air. He said yes. Transom said yes. And all of the producers who offered their memories said yes. And so, yes!
The Kitchen Sisters Present: “A Requiem for Larry Massett” — produced in collaboration with Barrett Golding and Transom.org.

This is a same-day reaction to this morning’s story called: A springtime show about how about the economy that partly explains why we feel ashamed. That story features a wonderful listener in Scotland who is a money manager and made some fascinating comments about the last class series. I asked her if she’d be willing to share some of these thoughts on the phone, and she was willing, and that was this morning’s story.

A couple hours later I got a reaction audio from one of the people featured in the class series who we talked about in this morning’s story. So I’m playing it. Because it’s great and because the point of the class series is to talk about these things and this is almost like a real goddamn conversation!

What Class are You? is a series I make for Vermont Public.

This is a conversation with a money manager in Scotland who has given a great deal of thought to why many of us feel confused and ashamed about our financial lives.

After the What Class are You? shows, I often receive interesting commentary, and I’m always frustrated that this commentary can’t become part of a wider conversation. So after receiving two fascinating comments from EM in Scotland, I asked her if she’d be willing to share some of her thoughts on the economy on the phone. She said yes, and then we had a conversation longer than she ever could have imagined.

EM responded primarily to two shows. One featured a woman called Trudy, who worked all kinds of jobs in her life, and toward the end of her working years, she realized that she was not going to have enough money for a comfortable retirement, but she would have a little too much to qualify for services that would make her retirement more comfortable, so she made sure that she retired with little enough money that she could qualify for services. The other story that EM responded to was about Kaye, who talks about how not having money makes her feel like a child, and that all the people with money seem like the adults.

Fair warning, I ask a lot of dumb questions in this show, because I don’t know much about the economy. But I’m figuring that maybe there are some people out there like me. And even though I don't know much about economics, most of what she says here has deep resonance. She is naming something I feel but don’t understand.

This is a story about a song.

Six years ago, seventeen-year-old Finn Rooney killed himself in his home in Walden, Vermont. A couple days later, his community held a bonfire in the parking lot of Hazen Union High school in Hardwick. Hundreds of people came. Tom Gilbert, who organized the bonfire, asked his friend Heidi Wilson to write a song for the occasion. The song was called Hold On. She made sure it was a song everyone could sing. And they did.

Now people are singing this song all over the world. People in Minneapolis have been singing it to ICE agents. They’re singing it for their neighbors who are afraid to leave their houses. They’re singing it in Wales and Australia and Iralend in solidarity with the people of Minneapolis. Peole are singing it all over, to give each other some comfort and some courage.

This is a story about where that song came from and where it’s gone.

I met Arwa and Habib Meiloud because they’re Anne’s kids and Anne works at the post office in the village here in East Calais. They live in the house right across the road from the post office. Arwa and Habib’s father is from Mauritania and lives out of the country, but both Arwa and Habib were born in the US, and their mother Anne grew up in Vermont. Arwa is 17 years old, Habib is 18. In this conversation, we talk about the roles that race and class have played in their lives.

Kaye Phipps lives in Montpelier, Vermont. Right now she works as a custodian at a local grocery store. She’s also been a florist, a housekeeper, and a house cleaner. But even though she’s sometimes working multiple jobs, she often comes up short. In this episode, Kaye talks about how having a limited income makes her feel like a child, long into adulthood.

Jules Guillemette grew up on their family farm in Lamoille County, Vermont, which has been in the family nearly 100 years. Since then, Jules has worked as a chef, a meat cutter and now they're an electrician. In this episode, we talk about what it means to own land of enormous value but always be struggling to save enough money.

What Class are You? is a periodic series I make for Vermont Public, which started back in 2022. I wanted to talk with people about growing political and cultural divides without talking about politics or cultural divides. I had no idea how to do it. Then one day I just drove around and asked people what class they are. And what I found was that as dumb and offensive as this question is, people have a lot to say about it. Socioeconomic reality is one thing we all share. Some of us have a lot, some have a little, and most of us fall somewhere in between, but it’s a big common denominator.

Trudy Richmond lives in subsidized senior housing in Burlington. She’s educated and worked all her life, but at a certain point, Trudy realized that she had too little money to pay for a comfortable retirement and too much to qualify for services that might make her retirement more comfortable. In this episode of What Class are You, Trudy talks with reporter Erica Heilman about how she negotiated a comfortable retirement for herself.

I make this series for Vermont Public. Thank you Vermont Public for letting me share these stories with Rumble Strip listeners!

This is a show about Thanksgiving, and what it sounds like. It is made entirely of your recordings.

Thank you everyone for sending me recordings. We have made a show that sounds like the whole damn country. Or a lot of it.