The Wrong Cat Died

“I was just so along for the ride.” This episode features Shelby Griswold who was an understudy in Cats: The Jellicle Ball at the PAC and is heading on the US National Tour of Six as Anne of Cleves. Shelby describes learning ballroom fundamentals, navigating improv versus set staging for a commercial musical, and creating her own movement material when covering tracks like Victoria. She shares how performing in revealing costumes and receiving an audience email about representation shifted her confidence and approach to work. Plus, Shelby and Mike cast the Six queens as Cats.

09:01 Casting Chaos

12:22 Learning Ballroom

20:42 Walking the Categories

32:36 Joining Six Tour

48:11 Rapid Fire

• Check out Shelby on Social Media: @shelby__griswold
• Check out Shelby's website: https://www.shelbygriswold.com/
• Check out Six on Social Media: @sixustour
• Check out Six's website: https://sixonbroadway.com/ustour/

Produced by:

⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Alan Seales⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Broadway Podcast Network⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Social Media: @⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TheWrongCatDied

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“ I have the characters who have a named song be their characters the entire show. And every time Munkustrap announces ‘the cat who will now be reborn and go back to a different Jellicle life’ I have those eight players stand up.” This episode features Anne Beck, director and choreographer of 2026 Beef & Boards Dinner Theatre’s CATS in Indianapolis and a former Bombalurina. Anne recounts first seeing CATS at the Winter Garden, joining a 2012 Gateway Playhouse production with Ken Page, and learning extensive character backstories from Jacob Brent through rehearsal “tea time.” She explains how she stages CATS by starting day one with feline movement and story, emphasizing clarity, forgiveness, chosen family, and Grizabella’s throughline. She contrasts directing in large venues like Ball State with the intimate Beef & Boards space, notes the show’s fast rehearsal demands, and shares favorite roles, songs, and performance details for first-time audience members.

01:15 First Encounter with CATS

03:15 Playing Bombalurina

16:25 Beef And Boards Immersion

21:05 Prepping First Timers

29:48 Relationships And Family Tree

35:45 Fast Rehearsal Process

37:01 Dinner Theater Audience

45:13 Rapid Fire

• Check out Beef & Boards on Instagram: @beefandboards
• Check out Beef & Boards' website: https://www.beefandboards.com/

Produced by:

⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Alan Seales⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Broadway Podcast Network⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Social Media: @⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TheWrongCatDied

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“I felt like I owed it to the performers in The Jellicle Ball. Just because they changed the way I look at the world so I wanted people to have that experience.” This episode features Brett Evans, known online as Kermit MAFrog, to discuss becoming a CATS fan after initially viewing it as a “punishment,” discovering how different each production can be, and falling in love with the Jellicle Ball’s cast, intimacy, and audience interaction. Brett explains how he shifted from pursuing theatre to writing a poem a day for 10 years, then created his Jellicle Ball tribute videos to spotlight performers. He shares how his content began with viral Patrick Mahomes-as-Kermit sports videos before evolving into Muppets-meets-musical-theatre parodies.

05:33 Why The Jellicle Ball Hit Different

06:41 Poem a Day Origins

14:57 A Poem for The Wrong Cat Died

25:12 Kermit MaFrog Begins

28:12 Muppets Meet Musicals

36:51 Muppets Cats Dream Cast

43:51 Guilty Pleasure Showtunes

46:13 Rapid Fire

• Check out Brett & Kermit on Social Media: @brettevansmafrog

Produced by:

⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Alan Seales⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Broadway Podcast Network⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Social Media: @⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TheWrongCatDied

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“Chrissie Cartwright asked me to do a pirouette and I didn’t know what it was.” This episode features Dominik Hees who played the Rum Tum Tugger on the German Tent Tour and later in the Vienna revival of CATS. Dominik shares how he was cast despite no formal training and initially not knowing basic dance terms, receiving private dance lessons, and learning to sustain eight or nine shows a week in extreme tent temperatures. He shares how choreography and staging were adapted to his strengths, why the role evolved for him from a boy-band energy to a sexier, stiller, more mature performance, and how working with Chrissie Cartwright, Gillian Lynne, and Trevor Nunn shaped different interpretations. He describes changing onstage relationships with Mistoffelees, Grizabella, Munkustrap, and Bombalurina over time, shares favorite characters and songs, and weighs who should be the Jellicle choice. Be sure to see him in his upcoming Beauty and the Beast production.

04:28 From Rock to Musicals

07:07 Learning the Jellicle Ball

12:47 Finding Tugger’s Story

26:59 Parenthood Changes Tugger

28:08 Tugger Relationship Map

36:31 Rapid Fire

• Check out Dominik on Instagram: @dominik.hees

Produced by:

⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Alan Seales⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Broadway Podcast Network⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Social Media: @⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TheWrongCatDied

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“Gillian Lynne’’s version of CATS is very much a ballet. So if you really pay attention to her choreography, you see so many connections of why different cats respond differently to each other.” This episode features Mark van Beelen, who played Mungojerrie and covered Munkustrap in the 2006 Dutch tour of CATS. Mark recalls seeing CATS at age 10 at Amsterdam’s Royal Theatre Carré in an immersive, in-the-round setup that sparked his musical-theater passion, then traces his training at Fontys Dance Academy and learning Cats choreography from original Dutch cast creatives. He shares a standout audition story where he was nearly forgotten for final callbacks, then impressed the team by adapting to a revised Mungojerrie & Rumpleteazer song version. The conversation explores CATS’’ evolving choreography, music revisions, and modern licensing that encourages new concepts, including opinions on the 2016 Broadway revival and anticipation for a museum-themed Netherlands production.

00:49 Seeing CATS As A Kid

10:04 Audition Chaos and Callback

14:20 Song Variations

21:23 Why CATS Gets Reimagined

33:22 Building Characters in Rehearsal

39:36 Macavity Scare Story

41:00 Tradition vs New Versions

45:28 Rapid Fire

• Check out Mark on Instagram: @badass.vegan.unicorn

Produced by:

⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Alan Seales⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Broadway Podcast Network⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Social Media: @⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TheWrongCatDied

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From The Vault: Originally released on February 10, 2021, this was episode 35 with Emma Sofia discussing her very fun audition story for the 2016 Broadway Revival of CATS which was long before her time as Skimbleshanks on Broadway in the Jellicle Ball.

"My goal was not to be Victoria; it was just to be an a**hole and wear a white unitard." This episode dives into one of the grandest CATS audition you'll ever hear. Emma Sofia (Caymares), who starred on Broadway as Veruca Salt in the original cast of Charlie and the Chocolate Factory and as Wendy in the original cast of Finding Neverland, discusses her infamous audition and how she always stays true to herself. Check Emma out on ABC's new sitcom Call Your Mother.

• Check out Emma on Social Media: @emmasofiaokay
• Check out CATS The Jellicle Ball: ⁠catsthejellicleball.com⁠

Produced by:

⁠⁠⁠⁠⁠⁠Alan Seales⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠Broadway Podcast Network⁠⁠⁠⁠⁠⁠

Social Media: @⁠⁠⁠⁠⁠⁠TheWrongCatDied⁠

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“In a 4 show weekend, I did Peter, Bustopher, Deuteronomy, Gus, Deuteronomy.” This episode features John Anker Bow who played Gus on the US National Tour 6 of CATS and is returning in Slam Frank: The Musical, opening off-Broadway in October. John recounts first seeing CATS as a child on Broadway and later on VHS, his path from studying English and doing school musicals to working in theater education and auditioning professionally, and how CATS grew on him during a two-year tour shaped by original creative lineage. John then discusses Slam Frank’s satirical, edgy, timely humor, its sold-out downtown run, and its expanded Off-Broadway staging.

02:07 Choosing Theater Career Path

04:42 Auditioning CATS Tour

12:48 CATS Lore

16:08 Choreo Revival Athlete Talk

18:06 Wild Tour Stories

21:18 What To Expect at Slam Frank

40:39 Rapid Fire

• Check out John on Instagram: @johnankerbow
• Check out Flop of the Heap Podcast on Instagram: @flopoftheheap
• Check out Slam Frank The Musical on Social Media: @slamfrankmusical
• Check out Slam Frank The Musical's website: https://www.slamfrankmusical.com/

Produced by:

⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Alan Seales⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Broadway Podcast Network⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Social Media: @⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TheWrongCatDied

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“CATS really showed me how important it was to be a team player and how to take care of each other on stage and off stage as much as you can.” This episode features Antoine L. Smith who was a swing on the US. National Tour 5 of CATS. Hear Antoine discuss his lifelong connection to the show after watching the VHS daily in college and becoming inspired by Ken Page’s Old Deuteronomy. Antoine describes auditioning via open call, joining a brand-new tour cast, and the intense self-driven work required of swings, including felinity coaching and learning multiple tracks like Old Deuteronomy, Bustopher Jones, and Gus. He shares his character backstory for Old Deuteronomy, his belief that Deuteronomy always knows the Jellicle choice, and a memorable mid-show emergency where he had minutes to get into intricate makeup and costume.

00:50 First CATS Obsession

08:29 Old Deuteronomy Backstory

09:48 Jellicle Choice Theory

12:39 Importance of Swings

16:52 Tour Chaos

24:49 Discovering The Jellicle Ball

36:27 Rapid Fire

• Check out Antoine on Instagram: @antoinelsmith32
• Check out MJ The Musical on Social Media: @mjthemusical
• Check out MJ The Musical's website: https://newyork.mjthemusical.com/

Produced by:

⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Alan Seales⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Broadway Podcast Network⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Social Media: @⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TheWrongCatDied

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“We have this system that every cat in the show is on a different life out of the nine lives which is a really interesting way of thinking about it.” This episode features Jaydon Vijn who is currently performing as Rum Tum Tugger in Drew McOnie’s reimagined production of CATS at Regent’s Park Open Air Theatre in London. Jaydon shares his CATS fandom from dance college, why Tugger was always his dream role, and what the audition process revealed about the production’s choreography. He discusses how the revival feels like a fresh show while honoring the original, including storytelling focus, character “nine lives” backstories, and relationships onstage. Jaydon details Tugger’s dynamics with Bombalurina, Munkustrap, Old Deuteronomy, and a mentorship-style bond with Mistoffelees, plus his darker, more adult take on Tugger. An episode not to miss.

02:11 Rum Tum Tugger Dream Role

04:18 Reimagining a Classic

10:10 Building a Darker Tugger

11:44 Outdoor Theater Experiences

15:33 Costumes Makeup and New Look

17:44 Tugger’s Relationship Web

25:50 Favorite Show Moments

38:31 Rapid Fire

• Check out Jaydon on Instagram: @jay.vijn
• Check out CATS @ Regent's Park Open Air Theatre: https://openairtheatre.com/production/cats
• Check out the CATS UK Tour: https://uktour.catsthemusical.com/

Produced by:

⁠⁠⁠⁠⁠⁠Alan Seales⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠Broadway Podcast Network⁠⁠⁠⁠⁠⁠

Social Media: @⁠⁠⁠⁠⁠⁠TheWrongCatDied

Learn more about your ad choices. Visit https://megaphone.fm/adchoices

“The Haus of Dots has the best table at the Ball.” This episode features Xavier Reyes who played Jennyanydots in the Broadway production of Cats: The Jellicle Ball. Hear Xavier discuss his CATS history, from watching the DVD in Puerto Rico to auditioning for Skimbleshanks and ultimately booking Jennyanydots as a drag mother role. Xavier explains how he blended the original “Gumbie Cat” with extensive ballroom research, vogue classes, and collaboration with castmates, directors, and dramaturgy to marry ballroom and theater while honoring Cats lore. He describes shaping the Haus of Dots as a trophy-winning “empire,” building relationships and developing tension with Macavity via shared house backstory. Xavier reflects on audience reception at the PAC, the transfer to Broadway, improvisational audience interaction, celebrity judges, performing for Andrew Lloyd Webber, and favorite memories from the run.

03:11 Auditioning for Skimbleshanks & Jennyanydots

05:08 Building Jennyanydots

06:49 Researching Ballroom Motherhood

17:29 Haus of Dots

29:08 Broadway Debut

31:19 Audience Improv

40:42 Rapid Fire

• Check out Xavier on Instagram: @xavireyesactor
• Check out CATS: The Jellicle Ball on Social Media: @catsjellicleball
• Check out CATS: The Jellicle Ball: ⁠⁠⁠⁠⁠⁠⁠⁠catsthejellicleball.com⁠⁠⁠⁠⁠⁠⁠⁠

Produced by:

⁠⁠⁠⁠⁠⁠⁠⁠⁠Alan Seales⁠⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠⁠Broadway Podcast Network⁠⁠⁠⁠⁠⁠⁠⁠⁠

Social Media: @⁠⁠⁠⁠⁠⁠⁠⁠⁠TheWrongCatDied

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“We’re Bombalonzo.” This episode features the cast and creative team (Faith Stansfield and Matty Franklin from the cast and Kirsten Edwards and Marc Taylor from the creative team) from the Boom Theatre in Cornwall, who are performing a Young Actors Edition of CATS inspired by a “Cornish twist.” They discuss their first introductions to Cats, why Boom chose the dance-led show, and how the production reimagines the junkyard as a derelict Cornish harbor with immersive elements like fog and sea scent. Marc outlines three character “tribes” (village cats, mystical moor/legend cats, and pirate/wrecker outsiders), plus costume ideas including Cornish tartan and a tartan-clad Beetle Tattoo. Maddie and Faith explain character-development exercises, relationship choices (including their “Bombalonzo” dynamic), and how they’re adjusting adult themes for a youth cast.

01:21 First Encounters With CATS

06:37 Cornwall Reimagining

11:00 Three Tribes Concept

13:27 Building Characters in Rehearsal

31:02 Designing a Cornish Cats

36:46 Rapid Fire

• Check out Boom Theatre Instagram: @boom_theatre
• Check out the Boom Theatre's website: https://boomtheatre.uk/

Produced by:

⁠⁠⁠⁠⁠Alan Seales⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠Broadway Podcast Network⁠⁠⁠⁠⁠

Social Media: @⁠⁠⁠⁠⁠TheWrongCatDied

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“That organ sound was iconic. I felt like I was transported to a certain time in history.” This episode features Linedy Genao who is currently playing on Broadway as Myrtle Wilson in The Great Gatsby and hosting her new podcast Entre Acts, which is part of the Broadway Podcast Network. Linedy recalls seeing the 2016 revival of CATS while performing in On Your Feet, loving the dancing and music but leaving confused, then later seeing the downtown Jellicle Ball and finally understanding the show. She shares what it was like leading Bad Cinderella, collaborating with Andrew Lloyd Webber, and everything involved with that show including the viral spray-paint moment. Now playing Myrtle Wilson in The Great Gatsby, she explains her approach to making Myrtle sympathetic and critiques the double standard in how characters are judged. Linedy also discusses her Broadway Podcast Network show Entre Acts, focusing on the “in-between” periods for artists.

00:59 First Time Seeing CATS

03:11 CATS Revival Vibes

04:06 Broadway Origins Stories

07:46 Working With Andrew Lloyd Webber

09:58 Bad Cinderella

21:53 Playing Myrtle In Gatsby

25:10 Entre Acts Podcast

28:34 Rapid Fire

• Check out Linedy on Social Media: @linedygenao
• Check out Entre Acts on Social Media: @entreacts
• Check out The Great Gatsby on Social Media: @bwaygatsby
• Check out The Great Gatsby's website: https://broadwaygatsby.com/

Produced by:

⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Alan Seales⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Broadway Podcast Network⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Social Media: @⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TheWrongCatDied

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“If you show it in your face, people don’t look at your feet.” This episode features Denise Jastraunig who was a swing in CATS on the German Tent Tour and then in the Vienna revival. Denise shares her CATS journey, from first seeing the DVD in school while training as a competitive tennis player to pivoting into musical theater at the age of 16. Denise recounts being unexpectedly invited to audition for the German Tent Tour, moving from a dancer call to the “movers call,” landing her first major job as a swing, and learning tracks with a detailed swing bible. She compares the tent tour’s deeper character workshops with a more time-pressed 2019 Vienna revival, notes production differences like an expanded tap number, and describes going on as Grizabella. She shares onstage mishaps, makeup challenges, and being featured in an Andrew Lloyd Webber Instagram post.

02:07 From Tennis To Theater

08:22 Audition Movers Call

20:45 Swing Life Prep

26:09 First Night Grizabella

31:46 Wild Onstage Stories

34:02 Webber Instagram Shoutout

38:16 Rapid Fire

• Check out Denise on Instagram: @denise__jastraunig

Produced by:

⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Alan Seales⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Broadway Podcast Network⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Social Media: @⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TheWrongCatDied

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We were honored to be invited to the reunion brunch for the Jellicle Tribe, a group of members from the US National Tour 4 of Cats. They got together before opening night of CATS: The Jellicle Ball to catch up and discuss all things CATS. Hear us discuss the excitement for the opening night, changes from their tour, and who is their Jellicle choice.

Featuring (in order): Natasha Davison, Holly Cruz, Nancy Melius, Eddie Buffum & Elizabeth Mills, Helen, Lauren, & Steve Watkins, Linda Leonard, General McArthur Hambrick, Daniel Wright, Joyce Chittick, Rosemary Loar, Jacob Brent

About the Production: Cats: “The Jellicle Ball” is a radical reimagining of Andrew Lloyd Webber’s iconic musical based on T. S. Eliot’s Old Possum’s Book of Practical Cats, inspired by the Ballroom culture that roared out of New York City over 50 years ago and still rages around the world. Staged as a spectacularly immersive competition by Zhailon Levingston and Artistic Director Bill Rauch. Unfortunately, this production closed way too soon.

• Check out CATS: The Jellicle Ball on Social Media: @catsjellicleball
• Check out CATS: The Jellicle Ball: ⁠⁠⁠⁠catsthejellicleball.com⁠⁠⁠⁠

Produced by:

⁠⁠⁠⁠⁠Alan Seales⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠Broadway Podcast Network⁠⁠⁠⁠⁠

Social Media: @⁠⁠⁠⁠⁠TheWrongCatDied

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“In ballroom, femininity in particular is embraced. It really shifted my perspective on things.” This episode features Bebe Nicole Simpson who is performing as Demeter in Cats: The Jellicle Ball. Bebe discusses the show’s early closing, her late introduction to CATS, and how she researched Demeter’s traditionally darker Macavity backstory before adapting it to this production’s “House mother” Macavity. Bebe compares lore variations across CATS productions, including shifting relationships and new theories in The Jellicle Ball, and talks about the move from The PAC to the Broadhurst, where staging and audience sightlines changed performance choices. Bebe shares a unique perspective on how ballroom helped her embrace femininity and body image. An episode you won’t want to miss.

02:46 Demeter and Macavity Lore

13:09 PAC to Broadway Transition

19:33 Learning Ballroom Culture

26:09 Walking Categories and Body

27:43 Costume Confidence

30:37 Ballroom Body Positivity

31:26 Onstage Lore And Relationships

37:47 Improvised Comedy Bits

43:57 Rapid Fire

• Check out Bebe on Instagram: @bebeeee_nicole
• Check out CATS: The Jellicle Ball on Social Media: @catsjellicleball
• Check out CATS: The Jellicle Ball: ⁠⁠⁠⁠⁠⁠⁠catsthejellicleball.com⁠⁠⁠⁠⁠⁠⁠

Produced by:

⁠⁠⁠⁠⁠⁠⁠⁠Alan Seales⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠Broadway Podcast Network⁠⁠⁠⁠⁠⁠⁠⁠

Social Media: @⁠⁠⁠⁠⁠⁠⁠⁠TheWrongCatDied

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“All of them took concepts here and turned it into just this massive expression of queer joy in the time we are living in right now. It doesn’t deserve to be seen. It demands to be seen.” This episode features Jordan Stefanski, a devoted Cats: The Jellicle Ball fan who has seen the show over 50 times. Jordan comes on the show to discuss how his CATS journey began with the 2019 movie and later shifted after hearing about the ballroom concept through a friend involved in early workshops. Jordan explains why he repeats shows like A Strange Loop and Oh, Mary and his philosophy of bringing friends by buying tickets. Jordan then dives into how The Jellicle Ball’s queer joy, audience immersion, and evolving details reward repeat visits. He shares favorite places to sit (especially boxes), highlights DJ Griddlebone and Junior LaBeija’s presence, and praises swings and dance captains. An episode of true fandom and patron of the arts.

02:06 Surviving the 2019 Movie

04:34 Discovering Cats: The Jellicle Ball

08:50 Why He Keeps Returning

19:07 Hidden Details and Character Choices

21:10 Best Seats

28:35 Swings and Standout Moments

38:40 Rapid Fire

• Check out CATS: The Jellicle Ball on Social Media: @catsjellicleball
• Check out CATS: The Jellicle Ball: ⁠⁠⁠catsthejellicleball.com⁠⁠⁠

Produced by:

⁠⁠⁠⁠Alan Seales⁠⁠⁠⁠ & ⁠⁠⁠⁠Broadway Podcast Network⁠⁠⁠⁠

Social Media: @⁠⁠⁠⁠TheWrongCatDied

Learn more about your ad choices. Visit https://megaphone.fm/adchoices

“You know when you walk into a conversation and two friends are laughing so hard you start to laugh? You have no idea what they are laughing about but the energy is infectious. I think that the fact this show is utter nonsense, it allows a freedom so then the joy on stage invites the audience in.” This episode features Ryan Jackson who played Mr. Mistoffelees during the early years of the US National Tour 5 of CATS. Hear Ryan discuss his first exposure to the show, rehearsals filled with unwritten lore, and Gillian Lynne’s surprising insights into the choreography. Ryan describes the ensemble-driven fun of touring, including onstage games, the influence of superfans and fan art, and how constant cast changes kept performances fresh. He reflects on the pre-show ritual of applying Cats makeup which helped launch his later career as a makeup supervisor on Broadway. An episode you won’t want to miss.

03:23 Rehearsal Lore

11:14 Keeping It Fresh on Tour

21:15 CATS Makeup to Makeup Career

26:01 Mistoffelees Entrance

29:32 Makeup Career Origins

34:34 Cats: The Jellicle Ball

38:06 Rapid Fire

• Check out Ryan on Instagram: @thisguysmakeup, @its_ryan_jackson & @thisguysbeauty
• Check out Death Becomes Her on Social Media: @deathbecomesher
• Check out Death Becomes Her's website: ⁠⁠deathbecomesher.com⁠

Produced by:

⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Alan Seales⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Broadway Podcast Network⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Social Media: @⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TheWrongCatDied

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“If you’d asked me if I’d be in CATS again, I would have absolutely laughed and said don’t be ridiculous.” This episode features Leigh Archer who played Demeter in Australia in 1994 and recently returned as Jennyanydots on the Australian tour. Leigh recounts first encountering CATS music while dancing in a Sydney football grand final show at age 14, later auditioning and joining an already-running Melbourne cast, where a rehearsal exercise helped her embody Demeter’s fear of Macavity. She describes touring Asia in the ’90s, especially Korea’s rock-concert-level audience reactions, and contrasts them with varied Australian crowds on the recent tour. Leigh shares what it was like re-entering the show many years later, relying on muscle memory, adapting to re-choreographed tap, navigating modern backstage social media fun, and defining character relationships. An episode you won’t want to miss.

04:28 Auditioning for Demeter

11:31 Returning After 30 Years

15:35 Backstage Culture Shift

20:05 Character Relationships

28:17 Tour Memories Then Now

32:14 Modern CATS Fandom

35:20 Rapid Fire

• Check out Leigh on Instagram: @⁠archer5196

Produced by:

⁠⁠⁠⁠⁠⁠⁠⁠Alan Seales⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠Broadway Podcast Network⁠⁠⁠⁠⁠⁠⁠⁠

Social Media: @⁠⁠⁠⁠⁠⁠⁠⁠TheWrongCatDied

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“That’s the fun part about the show because the connections are not set and you can change them all the time.” This episode features Petra Ilse Dam who performed as Tantomile in the 2019 Vienna Revival of CATS and then as Bombalurina on the International Tour in 2022. Hear about Petra’s path into the show, from initially knowing only a few school numbers to auditioning for the Vienna revival, watching the 1998 DVD after getting the job, and learning the production in German. Petra discusses playing Tantomile, defining the twins as telepathic and moving as one with Coricopat, and using changing onstage connections to build character depth. She dives into her time on the International Tour evolving Bombalurina and the layered relationships she built out for the character.

00:46 First Encounter With CATS

05:15 Finding Tantomile in Rehearsals

09:20 Learning CATS in German

17:14 Onstage Relationships and Lore

27:11 Swing Life Stories

30:11 Prepping Friends & Family for CATS

35:03 Rapid Fire

• Check out Petra on Instagram: @petrailsedam

Produced by:

⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Alan Seales⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Broadway Podcast Network⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Social Media: @⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TheWrongCatDied

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“It’s a show unlike any other that has ever existed. I truly believe that. I think it broke all the rules of what made a successful hit Broadway or West End musical at the time.” This episode features international tour performer Nathan Taylor, who played Bustopher Jones and Gus on the International Tour. Nathan discusses his unexpected history with the show, its universal appeal, and how performers create new character moments nightly. Nathan recounts auditioning in an emotional time in his life, explains how he relates deeply to Gus, and defends Bustopher by clarifying the UK meaning of “gentleman’s club.” He shares his personal lore theory that the show can represent multiple Jellicle Ball nights and ages in Gus’s life, and describes friendships shaping onstage choices, especially with Jennyanydots. Nathan also shares the death of his mother during the tour, including how she heard his recorded performance as she passed.

00:53 Nathan’s CATS History

04:45 Why Cats Works

11:41 Defending Bustopher Jones

22:33 Gus Timeline Theory

26:26 Asparagus vs Peter vs Bustertopher

30:13 Jennyanydots Friendship Lore

42:02 Grief Onstage

44:53 Rapid Fire

• Check out Nathan on Instagram: @sockmatician

Produced by:

⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Alan Seales⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Broadway Podcast Network⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Social Media: @⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TheWrongCatDied

Learn more about your ad choices. Visit https://megaphone.fm/adchoices