Upaya Zen Center's Dharma Podcast

In this Wednesday night Dharma talk, Genryu Clayton Dalton explores papañca, the Pali term for the way the mind turns experience into ever-multiplying stories. Most of the time we don’t notice this happening. A narrative takes shape, and we accept it as simply the way things are. The Madhupindika Sutta, or Ball of Honey Sutra, points to this unchecked proliferation as the root of conflict.

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In this session of The Measure of Our Humanity, meditation teacher and author Jack Kornfield explores freedom as something already ours rather than a reward for spiritual effort. Many of us treat practice as a self-improvement project, a dutiful effort to become better versions of ourselves. Yet beneath the shifting dramas of body, emotion, and thought lies a timeless awareness no circumstance can…

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On the sixth and final day of the Fall Practice Period sesshin, Sensei Kathie Fischer takes up a koan in which a monk asks Zhao Zhou a sweeping question about oneness, only to hear about a shirt he once made. Kathie hears in that reply the meeting of form and emptiness: the one returns to the many, and the many are always particular. “We don’t live in generalizations,” she says. “We live in the…

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On the fifth day of the Fall Practice Period sesshin, Sensei Shinzan turns to an exchange between Zhao Zhou and his teacher, Nanquan. Shinzan reads the story as a gentle test of how deeply insight has settled into the body. Realizing that every activity is practice is not the same as expressing that realization through action. Insight becomes real only when it comes through naturally…

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In this Wednesday night Dharma talk, given on the fourth day of Upaya’s Fall Practice Period Sesshin, Sensei Cynthia Ryotan Kear explores how Zhao Zhou understands “leaving home.” For the Tang dynasty master the departure from home was never only about robes, shaved heads, or monastery walls. The deeper renunciation is of the dwelling we build in our minds: our fixed ideas…

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In this Dharma talk, given on the third day of Upaya’s Fall Practice Period Sesshin, Sensei Sokaku Kathie Fischer offers gentle guidance on meeting thoughts in zazen. She invites us to sit like a grandmother, with a wide lap for every rambunctious or troubled grandchild: the squirmy, the grumpy, the crying. We can sit with each one, seeing and loving, without getting caught up in their stories.

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In this Dharma talk, given on the second full day of Upaya’s Fall Practice Period Sesshin, Sensei Shinzan returns to Zhao Zhou, the Tang dynasty master whose teachings have shaped this season of practice. Through two of Zhao Zhou’s koans, he gently loosens our inclination to be critical of our own practice. In sesshin we may come face to face with our limitations and insecurities…

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In this Dharma talk, given on the first full day of Upaya’s Fall Practice Period Sesshin, Sensei Cynthia Ryotan Kear turns to a poem echoed throughout the koans of Tang dynasty master Zhao Zhou. Reading Robert Olson’s translation of the well-known Xinxin Ming, or Mind of Absolute Trust, Cynthia shows how readily our likes and dislikes split the wholeness of experience. She reminds us how sesshin…

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In this Zazenkai Dharma talk during Upaya’s Fall Practice Period, Sensei Shinzan explores confidence in practice through Zhaozhou’s first meeting with his teacher Nanquan. Asked whether he has seen the temple’s standing Buddha—whether he has awakened—the young Zhaozhou replies that he sees a reclining Buddha, Nanquan himself, resting before him. For Sensei Shinzan, this exchange points to an…

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In this Zazenkai day Dharma talk, Sensei Kathie Fisher turns to several of Zhao Zhou’s understated koans as part of Upaya’s Fall Practice Period. She explores what Zhao Zhou’s teacher meant by “ordinary mind”: not the busy, problem-solving mind we are so familiar with, but the simple awareness in which all experience rests. “This is not in opposition to thoughts,” she says. “It is the space all…

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In this introduction to the text during Upaya’s Fall Practice Period, Senseis Kathy Fisher, Cynthia Ryotan Kear, and Shinzan Palma open the recorded sayings of Zhao Zhou, the Tang dynasty master whose brief, disarming exchanges lie at the heart of many classic koans. The teachers offer a way of studying unlike the one most of us learned: not cramming for understanding, but letting these old…

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In this opening session of the Fall Practice Period, Sensei Shinzan, Sensei Kathie Fisher, and Sensei Monshin invite participants to step out of ordinary life and into a shared rhythm of practice. For three weeks, participants in person and online are encouraged to “be a monastic,” setting aside familiar routines and the mind’s constant busyness. Sensei Kathie calls it “the strangest of vacations,”…

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In this Wednesday night Dharma talk during Upaya’s Fall Practice Period, Sensei Sokaku Kathie Fischer explores how Zhaozhou’s teachings invite the busy, generalizing mind to rest in the field of the senses. She notes that many koans pose a general question and receive a specific answer, and that this pattern points to practice itself. Thought deals in abstractions, while what we see, hear…

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In this Wednesday night Dharma talk, Sensei Cynthia Ryotan Kear opens up the practice of koans as part of Upaya’s Fall Practice Period devoted to the Chinese master Zhao Zhou. She suggests that the longing that drew practitioners to Zen in ancient China is the same one we carry today: the wish to stop observing our lives from a distance and to live them more intimately. “Thinking about our life is…

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In this Wednesday night Dharma talk, Sensei Shinzan explores the famous koan “Mu” from Zhao Zhou (Joshu in Japanese), leading up to Upaya’s fall practice period devoted to the Chinese master’s teachings. Shinzan sets the scene in Tang-dynasty China, where Chan practitioners turned away from dense scholasticism toward a direct, down-to-earth practice and introduces Zhao Zhou as a humble teacher who…

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This is the second half of the closing session for the Love and Death series: Roshi Joan Halifax reflects on what it means to practice beyond our transactional habits. She points to awakening in the details of everyday life and to presence as “being with, but not being hijacked by.” Drawing on her own recent brush with death, she names the realizations at the heart of love and death: there is no…

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This is the first half of the closing session for the Love and Death series: Roshi Joan Halifax reflects on what it means to practice beyond our transactional habits. She points to awakening in the details of everyday life and to presence as “being with, but not being hijacked by.” Drawing on her own recent brush with death, she names the realizations at the heart of love and death: there is no…

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In part four of the Love and Death series, Frank Ostaseski brings death into the room through photographs of people he accompanied at the Zen Hospice Project. Inviting participants to keep half their attention in the body, he asks them to notice what draws them in and what makes them pull away. Frank offers his insight on this practice: “I think what we’re seeing is our own hopes and fears.”…

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In this second half of part three of the Love and Death series, Frank Ostaseski continues with Guest teacher Sensei Koshin Flint Sparks, a poet and former psychologist, who reads from his work on his husband’s recent death, and participants write an imagined dialogue with someone they have lost. At its heart, this session invites us to bring attention to grief and make space for it…

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This is the first half of part three of the Love and Death series, Frank Ostaseski discusses grief as “the river running through our lives.” Recognizing that grief takes its own journey, sometimes meandering and sometimes pulling us under, he cautions against confusing the map with the territory, turning us toward grief itself rather than our frameworks for it. Frank describes grief as a path from…

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